I haven’t had much to say this week. but perhaps that’s because things are clicking along smoothly. My father-in-law has managed to stay out of the hospital for almost two months now, which is great, and work is humming along without much trouble also. I need to do exercises for my knee, but it appears there’s no serious injury there, which is good (and of course I’ve yet to start the exercises; I have read the instructions though, so that’s a start). I don’t have much to say here but I do want to share some photos I’ve worked on this week, so let’s get started and I’ll try to say a few things that are interesting.
First of all, the photo up top comes courtesy of Pixlr; they sent out a new batch of overlays to members with a lot of geometric/graphic things going on, so I took one of my makeup test shots from my last shoot and worked it over using their program. Not my usual style, but I do like the results, and I am continuing to get a feel for their layer masking so I can utilize it better.
I’ve been quite pleased with how many good shots I got during last weekend’s shoot; I’m not sure what I did that generated so many interesting images, but there are a lot I’d like to edit eventually. Perhaps it’s just that I hadn’t done a full shoot in quite a while so it didn’t feel too repetitive, or something with the makeup or lighting that made things work.Whatever it was, I’m loving the results so far, and rather than allow myself to get bored after processing three or four I really want to commit to creating a full set of photos from this shoot. I always feel people will get bored after seeing two or three shots from the same set, but when I think about it, I know loads of people on Flickr who work on photos with the same theme for weeks at a time, and I never get bored of looking at them. In fact, I like the unity it creates, so I want to try that out for myself instead of moving on too quickly. We’ll see if I actually accomplish this or abandon it as soon as something new comes along. I still don’t have a ton of time for shoots right now, so something new might not come along in time to throw me off anyway. Moving on.
This is one of my many “happy accident” shots. Something you may not know about me is that I am completely challenged kinesthetically; an instruction as simple as “raise your right hand” actually takes me several seconds to process (you should have seen me getting my knee x-rayed earlier this week, the poor lab tech finally just started grabbing me and placing every body part exactly where she wanted it to go, as if I were a mannequin). This is why you almost never see me in self-portraits where the camera is in any position other than dead-on; even turning the camera into vertical mode screws me up and half my shots end up cut off somehow. Well, in this shot, I’d actually raised the camera up higher than right at face-level, then aimed it down a little, just for something slightly different. And as usual when I try something like this, well, I could not get myself placed properly into the shot. It’s actually a little frustrating how difficult it is for me to figure out where to place myself (hard enough for me to do when the camera is in the usual position, believe it or not) but at this point I am used to my complete inability to navigate my body through space effectively, so I just settle for a lot of off-centered pictures and make the most of it. Even though the intention here was to get my entire face in the shot, I actually like how this turned out, so we’ll all just pretend like I intended it to be framed this way and move on.
This was another makeup test shot; I always find a few I like to process, and I thought I looked very unlike myself in this one, which is why I decided to work with it. It was kinda boring though, so I added a wet plate filter using my Nik software and lots of light and texture to give it some interest. Looking at these shots reinforces for me, once again, how transformative false eyelashes are to a person’s face; I wish like hell they didn’t make me insane and I could wear them every day. But every time I decide to use them in photos, it’s a major ordeal. I decide to use them, open up a pair, steel myself for the application process, attempt to put one side on, screw it up, get the lashes stuck to my fingers, peel them off, re-apply glue, screw up the application again, then yank them off and throw them back into the box and stomp off angrily, refusing to ever even attempt false eyelashes again. Then 30 seconds later, come back and try the other eye, barely get it applied, spend a good minute mashing it into place and settling for however weird it looks and/or feels as long as it actually doesn’t fall off. Then do the same with the other eye. Then, realize how awesome they look and feel sad that there’s no way i could go through this hell on a daily basis (I’m lucky to make it in to work with my foundation and lipstick on; I apply a quick coat or two of mascara and some eyeliner once I get there). I do not know HOW Carol Brady wore these things every day while dealing with six kids. And I sure don’t have Alice around to help me.
While we’re talking about the prep process for my shoots, I’ll share this part as well: without fail, every time I finally finishing applying all my makeup (false lashes or not), two things will happen almost immediately and simultaneously: my dogs will need to go outside to pee, and I will realize I am hungry. Eating is not something you want to do right after spending an hour putting on stage makeup, so I usually end up ignoring it (I don’t even like to drink anything while shooting no matter how thirsty I get, because lipstick). The dogs I can take care of, but depending on the weather standing outside in my newly-painted face isn’t all that great either. And last time, right after applying all this makeup, I took the dogs out as I always have to do and immediately stepped in a pile of Penny’s poop (she is weird, and sometimes chooses to poop in odd places we don’t expect, like the deck). So there I was all gussied up washing poo off of a shoe in the backyard…good times.
Another thing that always, always seems to happen is whatever wig I’ve decided to wear for the shoot cannot be found, and I have to literally dump out every bucket full o’wigs I have in the house to find it – where it will always be at the very bottom of the last bin I dump on the floor. Every time this happens, I kick myself for not planning ahead and finding the wig sooner, when I am not already face-prepped for shooting, but every time I forget. It can actually turn into quite a crisis if I really start to feel like I won’t be able to find the wig and have already planned an entire shoot around it (this does happen; so many costume wigs come through my door that I often think I have wigs which I long ago sold or gave away). Bottom line is, after all my prep work and the stress that comes with it just by nature of me being, well, me, by the time I am actually fully costumed and ready to go I’ve already decided at least twice to blow the whole thing off because it’s too much trouble, and am almost ready to do so again. Plus, I’m hungry and can’t eat. In fact, I start almost every shoot from a place of frustration for all the things that have already gone wrong, and trepidation that I won’t actually get anything decent out of the set, in part because of all the things that have gone wrong. So, every shoot begins with a bad attitude and a general sense of being pissed off at the world. See, doesn’t it all sound like fun? This is why I choose to work alone.
This picture was taken in November, but the sky is from January. There were no clouds on Airshow day, which is death to a plane photo, so I stole the sky from one of my IAH plane shots and Photoshopped it into this one. Voila!
One other thing I’d like to mention regarding photography is this: I’ve definitely noticed a difference in how certain photos are received on different social media platforms. For example, on Flickr it’s my self portraits that get the biggest response, but when I upload that stuff to Twitter, no one much cares. However, if I post a plane photo I get a ton of love. I’ve gotten more re-tweets and new followers off one plane photo than I’ve ever gotten off any selfie over there; it does seem that loads of aviation geeks are hanging out on Twitter so perhaps it’s just a larger pool of people to access there than on Flickr. For whatever reason, it’s clear the Twitterverse prefers me to share plane photos, so I’ve been doing that and getting connected with a whole new group of people, and that’s kinda cool. I’m hoping maybe some of them can eventually give me tips on how to get shots from places other than the observation areas – something I’m not brave enough to try yet but will have to do soon; the few observation areas I go to always create the same shots since I’m always standing in the same place (albeit with different planes). Anyway, it’s nice to know that all of my shots can get love from somewhere, even if it’s not always at the same place.
I look completely freakish in person with all this makeup on, but they do make teeny little lashes that are pretty natural-looking I could wear, if I had the patience. They still make a difference even when they are small.
I guess even as I kid I was known for making silly faces (and noises too, for some reason I was a noisy kid. I’ve noticed I still do it a little bit, for example,. my students pointed out to me that every time I complete something rather important on my computer, like hitting print, I make a little swoosh sound. LOL) so maybe that’s why I can look so different in my shots. Probably was easier before I started getting Botox, LOL! And knowing how to both edit well and apply makeup definitely helps.
I am with you on the flowers and such; that’s tough for me to appreciate too, even though I get that it’s difficult to do.
As far as social media, Twitter’s never held much appeal for me until I posted a few plane pics and got a good response. I think it’s rather difficult there to find a niche that generates attention but I stumbled into one. Portraits, forget it, I have no idea how to generate interest over there. There’s some secret to using the right hashtags or following the right people, but I suck at that anyway so my guess is that loads of aviation fans are on Twitter to start with and that made it easy.
Also, you are much better at cultivating a following that I am; I used to try to respond to everyone who commented on my Flickr photos but it started to make the entire experience a pressure and unenjoyable, so I just stopped doing it. I also don’t comment on as many photos as I used to, and I only regularly comment on about 4-5 blogs. When I ran a poetry blog I had a quite a following, but to maintain it I had to comment on about 50 poems a day, and I burned out on it. I don’t get near the attention here that I used to get on that blog, but I enjoy it way more and don’t feel like I have to allot two hours a day just to making the rounds.
Quite a “go round” your prep and shoot. But to the recipient , WOW ! So many totally different
(all extremely flattering) looks. Obviously , I enjoy the entire scope of your posts. So….if you
will , keep em coming at YOUR speed and comfort. Thanks.
Thanks as always! Lots more to come!
Loved this post, especially the red crochet scarf photo. I’m looking for some inspiration for makeup for a witch with a messy hair updo, I’ve looked on Pinterest but nothing has grabbed my attention. I’ve stepped in to help out an opera production as the first witch as the woman playing the role sadly had an accident lots of music to learn in a week 😳. I like that cloud like top face I guess I could do that look with white and grey powders, and the red perm wig would be a good hocus pocus look but I’ve no time to organise wigs and I need to wear my hair up and down. I was thinking purple and green eye make up do you have any suggestions?
You do me a HUGE impression