Departure – New Videopoem

This is partly in response to the weekly prompt at We Write Poems, but I’d been toying with it for at least a month already. The poem text is below the video, as well as process notes.

Departure

When the nurses wheeled you away
on the shuddering gurney, your simple body
steering down the corridor, your toes
pointing back at me like a little constellation

of stars, you gestured a goodbye
I didn’t recognize until later, and it was like
you’d already died, and I’d missed my chance
to honor that soft instant of your disappearance,

like a pilgrim slipping over a dark border.
And I realized I’d spent my life in avoidance
of such moments, never traveled with you
to the airport, or stood on a porchfront waving,

or looked in the rearview mirror while you stood
on a porchfront, waving. And that now
I’m more than halfway through my life,
and perhaps have done the most I can

of sweeping aside the crawling hours
forward towards conclusion, the end
not what I expected – no black bag of bones,
no hissing river spitting on an empty shore –

just a dusty shelf where your photographs
are stored, a dog-eared ottoman where I rest
my feet when I get home alone at the ebb
of another gentle, merciless afternoon.

Notes: My limitations – no decent video camera with which to film my own footage, my lack of decent video editing software, my iPhone Voice Changer app as my only source of recording audio – are starting to effect my level of satisfaction with the final product. Perhaps it’s time to get down to business and commit to learning new things, but for now, please forgive the highly pixielated spots in the video and go with the concept of it.

Finding the footage for this one was a bit of a bear, as it always is at the Internet Archives because their method of categorizing and organizing material doesn’t work with my brain. I found the video of Saunders dancing first, and “Romance Sentimentale” came along a few days later. Once I had those two pieces it was just a matter of splicing them together. Music was another matter, as I changed my mind twice when putting the visuals together, then two more times when I layered the poem audio over that.

Recording the audio was time-consuming, because this is a longer poem than I normally take on; as always I created the video first then fit the poem to the footage, and then recorded my reading in one take while watching the visuals to fit the poem into them. That doesn’t sound too hard until you screw up ten or fifteen times, or read the whole poem before realizing you forgot to hit ‘record.’ I’ve found that splicing together different readings or sections sounds uneven, so I always start completely over when I screw up. EVEN SO – I realized this morning I left out an entire line. It’s in the text, but I tried to splice it into the audio and it sounded out of place, so that line is just gone for now. It works without it anyway, even though I’d prefer it stay in there – I just wasn’t up to recording the whole poem again.

We Write Poems Prompt #80 – Bread Crumbs

The prompt this week at We Write Poems was to accumulate twelve words, then write little snippets in response to those words. As usual I varied slightly: I took phrases from a Facebook page commemorating a young man who died last year. In each little stanza there’s a snippet from a post someone made to his page, with my own elaboration added.

facebook pages for the dead

melody says
she has lost faith
since clayton died

while the new owner
of his name
reassures her
he is in a better place

friends
post private jokes
remember the time

& his father leaves
updates
for him to read
it’s been a year
& we still
haven’t cleaned
your room

videos uploaded
in the night
here’s one of him dancing

dimly lit
& flickering
like altars
in dark corners
this is how I’ll remember him

prayers commemorate
important dates
I’m thankful for your
continued presence in my life

interpreting dreams
as more
he spoke to me
last night

as we are prone
to do
I woke up
and I still felt him
in my room

Destroying the Orchard – Poem

Destroying the Orchard

Our parents took us there one winter
to visit a distant relative one last time
before she died – smatters of fleshy fruit
still sagging the branches, rawboned
boughs snarled as arteries. I don’t remember
who she was, or why she mattered,
but I recall the rigid rows of trees,
proper as stones in cemeteries,
each swallow of air a blossoming thorn
in the lungs as if each breath
were a dying one, the suck of soil
against our shoesoles like the garden’s
last gasp. Then one of us reached
to where a ruined fruit had fallen,
its heavy coat split and the bitter marrow
bared, then flung it skywards, a little sun
spinning above the skinny elbows of the trees.
When it returned, a joyous burst
curving back to earth, it awoke an urgency
within us for ascendance. Together
we bowed over and again, and vaulted up
our sticky gifts, arms stretched high
in adolescent genuflection, the strange sap
dappling our eyelids and our hair,
and we reveled in the generous violence
of our work, and we kept at it for hours,
gloriously destroying every rotten, wasted thing.

Grace – Poem

Grace

An old man, wheelchair-bound, is eating
in a back corner of the cafeteria, bits of food
strewn around him on the floor. A sturdy nurse
in a shapeless uniform thumbs his chin
with the sharp edge of a blue cloth napkin.

The man’s hands tremble, but he insists.
She does not argue, or take the silverware away,
but hovers near him as he tries to reach his mouth,
to slip in the spoon like a coin from a cautious mourner,
the mess on the floor ignored, left for an unnamed janitor

who will clean up later, without complaint, the sweep
of the steely broom a censer swinging from a chain, each stroke
a blessing for the world, the old man in his immutable chair,
the quiet nurse who wheels him away, gliding slightly
on her sensible shoes.

The Walking Dead – Poem

For the weekly We Write Poems prompt.

The Walking Dead

Once you slurred me the story
of your overdose – your heart
stopped on the cutting table
before the doctors brought you back
to life. You never got over it,
prone to random fits of rage as if
they’d failed to reconnect your soul,
as if your heart resented
the resurrection, begrudging its beating
as much as you dreaded getting out of bed
each day, rising only to the stiff hope
of another drink to recreate the escape.
How I wished you’d go ahead and take
your reservation in some dowdy afterlife
bar like you’d been trying so hard
to do for all those years, so you
could reminisce in a ghost-webbed booth
and knock ‘em back for all eternity, dirty
shot glass clacking against the decay
of your teeth, chipped and gray
as old bathroom tiles.

Self Portrait – New Poem

This is in response to Joseph Harker’s prompt at We Write Poems. The prompt was to try and capture a moment in a poem, and I thought immediately of my self-portraiture, as it is literally a captured moment on (digital) film. The poem went waaay out there, but I think it still speaks to the prompt.

Self Portrait

I am convicted
in what I do
and pleading
for conceit I want

to tell you
about it. It’s easier
to show. You don’t know
I am blind
to the mirror. I like
what I see. So begins

this poem. When faced
with story, editing
is necessary. Entire lines
to be removed. To know what
leaves out. To choose.

What is necessary but
the beautiful. Reflect
what is separate yet.

Single dimension. Denomination.
Domination of one
over other. Why can’t I be
an image always?

I lay them out like a count
of damaged furniture after the flood.
Wrung to dry, like laundry
on a wire –

intimates exposed. Indelicates out
where they should. A teacher

once told me a poem should end
with a moment of surprise
followed by of course.

I want to end
like that. A row of expressions
in a line of story. Every one
an exclamation.

What the City Does to You In Summer – Poem

What the City Does to You In Summer

This is what the city does
to you in summer: You are sitting
in the drive-thru line at the bank,
windows pressed against the car-

exhausted heat, when you see
a man, suited navy blue and crawling
in the street. He is screaming.
You cannot hear what he

is saying, and you are trapped
in a line that does not move
according to your need, so all
you can do is watch him grovel

in the road, and you wonder
if you’d help him even if you could,
thinking of the man last week
who asked for money outside your office;

you gave him five and he followed you
inside, demanding more, grabbing
your arm, rattling you like a tip jar
until security chased him away.

Kindness dies in this kind of heat,
and everything is ugliness.

Later, you won’t remember
the woman who got out of her seat
at the corner bus stop and dropped
down with him to the gutter,

fishing out a red-tipped cane
of white. You won’t remember
that the man was blind
and never crazy; all you’ll recall

is the screaming and the creeping
along the dirty curb, and imagine
the story ends with something
terrible, every time.

Why My Sister is Afraid of the Dark – Poem

Why My Sister is Afraid of the Dark

When her husband is out of town I stay with her,
crawl into place in their bed like a substitute teacher
in a room of unfamiliar children, a body to press weight
against the mattress, a sound of breathing, a tug of sheets.

At two-thirty her son wakes, his cries laden with the innocence
of children. She gets up as if never asleep, she is sleeping
the sleep of the mother, forever at the edge of waking.
She leaves the bedroom door open, the bathroom light on,

afraid of darkness, wanting to control it, too much happens
in the dark that shouldn’t happen, too many things go wrong
at night for children, they stop breathing, they have bad dreams,
someone slips through a door that shouldn’t open. The night

is not for sleep. The night is for waiting,
for guarding against what is awakened.