Marey January

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It’s been awhile, huh? First I got a few weeks off, and got really lazy. Then, I went back to work and got ridiculously busy right away. In neither circumstance did I do any blogging, or much picture-taking – not that the ridiculous amount of photos that are in this post are any indication of this.

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I took a fair amount of photos in December, but never got around to sharing them here, or anywhere, for that matter. I keep forgetting to log on to my Flickr account to post photos. Days will go by before I realize I haven’t shared anything anywhere, so a big-ass backlog of photos has piled up. It’s weird to look at it all now, since I haven’t touched a camera in weeks. My schedule has gotten all turned around, because once school started up for my students they all had to change their appointment times around due to extracurricular activities, and everything is flipped and flopped and I’m still not used to the new hours.

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I’ve worked basically from 3-8 Monday through Thursday, with Fridays off and a few appointments on Saturday, for a good solid year now. But all of a sudden, my students are scattered all over the place. Whereas before I saw three kids each evening, now I see two on some nights, only one on others, with no entire days off except for Sunday. And, I’m seeing students in the morning on Saturdays now, which I’ve come to learn that I dislike immensely. I don’t know how I ever taught high school all those years when the first class started at 7:30 AM – right now, I have my first morning appointment at 10 AM, and it’s miserable. Of all the changes I’ve made to my schedule, it’s the morning appointments I dislike the most, and as soon as I get an opportunity I intend to change it so I never start tutoring before 1 PM again.

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I’ve had other scheduling issues in the past that I didn’t like – I don’t mind having several hours between appointments, but getting stuck with, say, one hour between two sessions really sucks, because it’s not enough time to do anything other than sit in my car or drive around aimlessly – so one thing I’ve learned is not to sweat the unpleasantness too much, because my schedule is always changing. I’d say the longest I’ve gone without any changes to my work schedule is three months, so by now, when I run up against a schedule I don’t like, I just suck it up and bear with it until it changes again. So, I’m pretty much doing that now with the Saturday morning thing.

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Also, the weather has been bananas here lately. Just this last week, Houston was hit with temperatures well below freezing for two days in a row (Tuesday and Wednesday), with sleet and snow and roads iced over everywhere. I know people who live in cold climates love to make jokes about how a warm Southern town like Houston shuts down in weather that wouldn’t make anyone blink in, say Boston, but the fact is no one who lives here is equipped for such weather, and our city isn’t well-equipped for it, either. None of us natives have ever seen a snow tire, and we are generally hard-pressed to even buy heavy sweaters, much less coats and warm boots and the like. So yeah, the city was basically shut down on those two days, which are also two of my busiest tutoring days, so I’ve spent the rest of week cramming in all the appointments I missed wherever I could to make up for that. And, get this: it’s now Saturday of the same week where the entire city iced over and froze on Tuesday and Wednesday, and it’s currently about 60 degrees outside. My sinuses don’t even know what to do anymore, and trying to decide whether I need to wear a winter scarf or summer shorts is a daily ritual. Usually I just wear both.

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One thing I’ll mention about my photos: I’ve made a conscious decision to use less Photoshop on my portraits. Don’t get it twisted – I still use a lot of Photoshop, but I’ve really backed off the portrait editing software that can alter my face shape. It was fun for quite a while to try to make myself look as different as possible, but the thrill of that has worn off for me now that I’ve basically pushed that as far as I can, and I’ve dialed it way back. I still love to add makeup and I do still even out my skin tone and smooth it a bit, but I’m doing a lot less in that department than I was doing for a while. Obviously I’m still using wigs and makeup, though – that’s probably never gonna change.

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Speaking of wigs/hair, I was considering growing out my gray hair for a minute there, but I abandoned that idea and got some ombre-ish highlights put back in. I wanted more of a contrast than I’ve had before, so my stylist kept the base color quite dark and close to my natural color, then worked in some very blonde ‘panels’ underneath the base color and on the ends. I really like the look, but in my current state of laziness I haven’t taken any pictures of it except for a few crappy iPhone photos. I also got about an inch cut off – the first time I’ve taken off any length in several years – because I really felt like the ends were getting scraggly, and I wanted to get a really blunt cut. For the most part, I’ve been planning to let my hair get as long as possible, since I’ve never had long hair before and I thought having hair down to my waist would be amazing, but lately I’ve been noticing that it’s about as long as it needs to get right now. In fact, the longer it got, the scragglier and thinner it was starting to look, and too much length doesn’t do my long face any favors, either. So, I figured losing a little bit would give it some much-needed bounce, and I plan to keep this length for the foreseeable future. I’ve also been slowly going heavier with my bangs each time I get them trimmed, but keeping them pretty short, and I’m really liking the look right now, even though I lost enough length that pulling it up into a bun is a little tricky now.

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I am also on a big Oribe product kick. I’m still trying out a lot of the line although I’ve used one particular Oribe gel for years; I am not far enough into my experimentation to write about it, but I am determined to make this stuff work for me because the price is ridiculous. I’m impressed with the shampoo I’ve been using so far; it definitely is luxurious and makes my hair silky smooth, but the problem is that my hair is so baby-fine that silky smooth also = flat as hell. So I’m trying out some volumizing styling products to see if I can’t get a good system going with this stuff. We shall see. But I will say, if you have thick or coarse hair and you struggle with frizz or dryness, Oribe shampoo and conditioner just might be worth the money for you. It smooths out my hair so much that even when air-drying (which is all I do anymore) my hair turns out almost straight. Even five years ago I would have loved this, but I am really into wearing my hair wavy now, so it just isn’t floating my boat at the moment.

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So maybe at some point I’ll write up a review of everything I’ve tried and what I think about it all. But for now, I’ve got to wrap this up and get to bed, since I have yet another round of early morning tutoring to do – still making up all the sessions I missed during our two-day winter of 2018.

 

Well Red

Recently I’ve been playing around with my makeup. A lot. In fact, every morning I watch CNN in my bathroom and spend about an hour viewing YouTube videos and learning how to apply my makeup better or style my hair differently. It’s actually become a fun part of my morning routine, and for someone who has NEVER had any skill at makeup application, well, I guess finally figuring it out at age 48 is better than never learning at all. I know it’s not time spent making the world a better place or anything, but it puts me in a much better mood for the day, which certainly isn’t making the world worse. So there you go.

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Some of the cool things I’ve learned recently are how to effectively apply winged liquid eyeliner (the key: pull the eyelid way out and extend the line so far out that it looks ridiculous, because when you let go of the lid it will just barely extend past the outer corner of your eye and look amazing) and how to apply a fairly decent red lip (still working on this one, actually). In fact, on my recent trip to my local MAC counter to pick up a few more bright lipsticks, blushes, and shadows, the makeup artist actually complimented the eyeshadow I’d meticulously applied that morning, and having never, EVER been complimented on my makeup application before, that thrilled me to a ridiculous degree.

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Now, before you get too confused, keep in mind that most of the makeup I have on in my photos has been Photoshopped to perfect all the blending and application flaws I always make. My general method is to apply a ton more makeup than usual, just so it all shows up, and then pull it all together when editing. And as much as I love using bright colors for my photos, in real life I’ve never, EVER worn anything other than neutral makeup shades. I’ve tried on occasion, but always felt terribly overdone with a bright red lip or a multi-colored eyeshadow trio on my lids. My general palette for the past 15-20 years has basically been neutral, golden browns on my eyes, cheeks, and lips, with foundation and powder – period. But, it’s finally happened – my skin has reached that stage where it really does call for more color, and all those neutrals were starting to wash me out. Not only that, but they were also starting to bore me, and lately I’ve been wanting to have way more fun with my face. So, here I am.

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I’m also loving my new pink backdrop! It was pricey, but worth every penny.

Aside from some of the nice, bright eye shadows and blushes I’ve purchased to pop up my look, I’ve become obsessed with getting a good red lip game going. And, in typical fashion, I’ve attacked this by over-purchasing makeup products and then taking pictures of all the new shades to justify the ridiculous expense. So, lucky you – you now get to scroll through photos of NINE of the TWELVE different red lipsticks I’ve purchased over the past two weeks! Why only nine, you ask? Well, because three of the colors just didn’t photograph well for various reasons. Being me, I couldn’t just quickly take photos of all the different lipstick shades while wearing the same outfit, because that would be boring, so I made a costume change with each new color, and in one of them I wore a blue top that made me look washed out and horrible (I’ve discovered quite recently that blue just isn’t my color, but sometimes I still forget). In another one, the outfit was a mess because after about the seventh costume change I was starting to run out of ideas, and the third color went bad because, after applying and then wiping off eleven different red lipsticks, most of which were a long-wearing liquid formula, my entire mouth and chin were a disaster. On the plus side, I currently have the most exfoliated lips in history. But I digress.

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Because I actually have never gotten much into makeup and I get easily overwhelmed by the limitless array of choices available, I tend to stick to the two or three brands I know well when it comes to trying new things. I may venture out a little when I feel the need to change my foundation or some other more fundamental product (and I did, actually, change my base recently as well; I figured if I was going to change things I might as well go for broke – I went with Chanel’s Ultrawear Flawless Foundation, but I’m not wearing it in these pics because I have special, heavy-duty foundation I use for photos) so the only two lipstick lines I tried here were by MAC and Lime Crime. I’ve worn MAC since my 20s, and all my blush and eyeshadow still comes from them even though I moved on from their foundation long ago; and I’ve always liked Lime Crime’s aesthetic even though they’re more outrageous than I’ve ever worn in public – I’ve been wearing their lipsticks and shadows in my photos for years. I’ve always liked both of their long-wearing liquid lipsticks, but always took issue with the more neutral colors from both lines. In fact, I’ve always found neutral long-wearing formulations problematic; while the brighter colors maintain their pop in long-wearing lipsticks, I feel like the neutrals just go flat and gray and muddy on my lips. The only one I’ve ever liked is one I found about a year ago – Kylie Jenner’s King K (see photo above) – and it’s still my favorite neutral lip in the world which is why I have about ten unopened tubes of it in my lipstick drawer; I want to have it on-hand forever (it’s currently sold out and I don’t know if they will be re-stocking it).  And it’s still the color I wear when working; I tried wearing a bright red lip ONCE to my tutoring sessions, and when I got home in the evening after my three tutoring sessions and looked in the mirror, I was mortified. At some point while teaching and talking and driving from place to place, without any real time to look in a mirror or touch up  my makeup, that bright red had slipped completely off my lips and settled into my chin as well as my upper lip, leaving only a weird, dark red line outlining my cupid’s bow. I hate to say it, but my first thought when I saw my reflection was that I looked like I’d had a quickie in my car between sessions; it was THAT bad. I looked insane. So, I’ve never worn a red lip to a tutoring session again. But I digress again – let’s get on to the lipsticks!

#1: Psycho by Lime Crime (Velveteen long-wearing liquid)

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I played around with my eyeshadow and skin tone as I always do in these photos – but I do want to point out that I left the lipstick colors alone, so they should be pretty true to how they really look. 

One of my issues with red lipstick has always been that, on me, it always seems to turn pink when I put it on, even if it doesn’t look like it has blue undertones in the tube. So, I was careful to stay away from shades that had any sort of blue or pink in the color descriptions. Psycho, however, is about as far away from a blue undertone as I could go – it’s pretty much flat-out orange, and in real life it’s too bright to work for every day. But it’s fun, and it will work for photos, and I can see wanting to wear it every once in a while. I knew this one was a longshot when I bought it, but as with all the lipsticks I tried I got it during the Black Friday sales so I was feeling more adventurous due to the added savings.

Oh and speaking of Black Friday sales, the reason I am just now getting these colors reviewed for you when I bought them two weeks ago is because UPS had a complete meltdown after Black Friday, and took forever to deliver my packages. Here’s just one little snapshot of the sort of insanity they had going on while I waited, fairly impatiently, for my deliveries (keep in mind this is the tracking for just ONE package; I had three that were lost in the UPS loop for days and days):

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Allow me to explain.

First of all, I ship most of my packages to a shipping business that rents mailboxes; usually shipments to a business will arrive way earlier in the day than shipments to a residence, and I like knowing when a shipment is out for delivery that I will get it by 3:30 instead of at 8 PM (even if it means I have to drive up to my mailbox to get it). I also like that if something needs to be signed for, I don’t have to worry about it, because there’s always someone at my mailbox who will sign for it. So, that first reschedule above was legit, because the business was closed the day after Thanksgiving. After that, though, things just got ridiculous. There actually was NOT an adult signature required for this stuff, because IT WAS A BOX OF MAKEUP, and MAC has never required signatures on anything. So that was just a flat-out UPS lie. Then I got the dreaded “due to operating conditions” update, where “operating conditions” means “untrained, inept, and overwhelmed UPS drivers.” Then, it just goes Out For Delivery for a few days in a row without ever showing up, then it was back to requiring an adult signature again…you get the idea. Also, make note of the times of those delivery attempts – 9:42 PM, 9:35 PM, 7:55 PM. The office where I rent my mailbox closes at 6:00, and is supposed to have a shipment guarantee with UPS that all shipments will arrive by 3:30. Sigh.

Anyway, on to Lipstick #2, which is: Red Velvet by Lime Crime (Velveteen long-wearing liquid)red velvet

This is one of those reds that went pink on me; it’s described on the website as “reddest red,” which I figured probably meant it would be a blue-red, and I was right. However, I Googled all these lipstick shades before I bought them, and overall I did love the way it looked on other people, so even though I knew it was a longshot I figured I’d give it a go (what can I say – probably the Black Friday sales getting the best of me again). It’s pretty, but definitely no orange undertones in this one that makes it too pinky for my taste. It’s really too bad that in my frustration waiting for my wayward shipment with this color in it to arrive, I actually went online and placed a second order from another website in the hopes I’d get it sooner (or actually get it at all,  because I was pretty convinced that the shipment had actually been lost and was never going to arrive), because now I have two. Moving on.

Lipstick #3: Pumpkin by Lime Crime (Velveteen long-wearing liquid)

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Ah, Pumpkin. I really like this one. It’s orange, but not bright, and in more of a brick-red kind of way, so it works as a neutral red I can wear with all my neutral-toned clothes in tan and gray (I’m also working on incorporating more color into my wardrobe, but hey, let’s take this one expensive step at a time, OK?). By the way, this is probably a good time to talk about the formulation of Lime Crime’s Velveteens (the name of their long-wearing liquid lipstick line). As with all long-wearing lipsticks, these are quite dry, and in fact I find them drier than the MAC Liquid Matte lipsticks I tried. And I will say it was a Lime Crime lipstick I was wearing the night of my disastrous red-lip tutoring fiasco, so, there’s that. But, I wouldn’t say Lime Crime’s formulation is the driest I’ve ever tried, or is so dry it’s unwearable. I think it’s more that the MAC formulation is less dry than the others I’ve worn, and Lime Crime’s are the usual amount of dry, if that makes sense. I purchased MAC’s Lip Primer as an afterthought and have been wearing it underneath all of these the past few days, and I do think it helps a little, but dryness is just part of the deal with all of these matte, long-wearing, liquid lipstick lines. And although Lime Crime didn’t survive one of my marathon tutoring sessions, the truth is, nothing else I ever wear makes it through five hours of teaching, talking, and driving – not even my stand-by, still-loved King K. When I’ve worn Lime Crime out of the house for anything else, like shopping, or visiting friends, it’s held up just fine. So there you go. And while we’re at it, I might as well finish up the Lime Crime lineup all at once, so on to the last one of that batch. This one also happens to be my favorite lipstick of them all!

Lipstick #4: New Americana by Lime Crime (Velveteen long-wearing liquid)

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I. Love. This. Lipstick. 

As far as colors go, this one wins, hands-down. The color is GORGEOUS. It’s very bright, but since it maintains the orange undertone I love so much instead of leaning pink, it really makes me happy.  I have to say, if I were ranking these lipsticks, I would knock off half a star because I know the MAC formulation isn’t quite as dry, and dryness is my one tiny complaint about this one. But I think if I tried to wear something this bright and red in a non-longwearing formula, I would be a mess within twenty minutes, so overall this is a big win. As long as I get it applied right, and have time throughout the day to check myself in the mirror and touch it up now and then, it doesn’t end up all over everything (although you’ll still see some of it on your coffee cup) and stays in place. And the rich, red color is really stunning.

Which wraps up our Lime Crime reviews, and as we move on to MAC I’ll start with the red from them that I think is closest to New Americana.

Lipstick #5: Fashion Legacy by MAC (liquid matte)fashion legacy

Fashion Legacy is from MAC’s Liquid Matte line of longwearing lipsticks, and as I already mentioned, these are a little more moisturizing than Lime Crime’s Velveteens. That said, I notice a bit more color transfer onto my coffee cup with these, but they can still endure a lunch date while maintaining most of their color by the end of the meal. Fashion Legacy has the same nice, rich brightness of LC’s New Americana, but as you can see it’s also a bit more pink. Honestly, I didn’t really notice the difference all that much until I put these two pictures side by side, and Fashion Legacy can probably do anything New Americana do – but it doesn’t do it any better, to quote the song. So, this is a great one to wear if for some reason I’m wanting my lips to be more moisturized than they would be with Lime Crime’s version, and for that reason I’ll give this one four and a quarter stars (I’ve got to give New Americana my highest marks, even if it is just slightly).

Lipstick #6: Quite the Standout by MAC (liquid matte)quite the standout

Look out Westworld! I chose the black hat. 

I like this one. It’s a great orange-red, nowhere near as bright as LC’s Psycho but much more so than the brick-ness of their Pumpkin. I will get a lot of wear out of this one, even though it doesn’t make my heart go pitter-pat like New Americana does – and by the way, how great are all of these names? I even love just saying “New Americana” over and over. Quite the Standout? Fashion Legacy? All so much more lovely than the $60 Chanel foundation I just bought in “Color 40.” And speaking of names…

Lipstick #7: Lady Danger by MAC (matte lipstick – non-liquid)

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Lady Danger – how’s that for a great lipstick name? This one is one of the handful of non-liquid, non-longwear ones I tried; I thought maybe I could make a more moisturizing red lipstick work on tutoring days without coming home looking insane, but I haven’t tried it yet. I do like this color, even though I can’t tell much difference between it and Quite the Standout aside from perhaps a touch of coral in this one; since I really like how Standout looks on, what I may do is carry this one with me when wearing Quite the Standout out of the house as I could use it to moisturize my lips while adding some color if they get too dry. I don’t know; I’m really not sure why I bought this one other than to try out some non-liquid reds while I was on my Black Friday lipstick-shopping kick. I tried a few others that aren’t so entirely similar to something I already had in liquid form, but a few of them were in the batch of photos that didn’t work out, so I don’t have anything to show of them yet.

Lipstick #8: To Matte With Love (MAC Liquid Matte)to matte with love

That’s right, you guys – I even tried a pink. Me, in PINK. In a PINK LIPSTICK, y’all. Me, who never ever even wore pink in high school in the eighties, when pink lipstick was basically the only available color in the drugstore. I figured if I was trying out new things, I might as well try a pink or two, and again – BLACK FRIDAY SALE MADNESS. Plus, this one looked quite pretty and not obnoxious at all, and I actually quite like it. Not sure how much I’ll wear this one, but since I also bought some bright, deep pink eyeshadow and an awesome bright lime green, I could see putting that all together and making it work.

OK, last one for now, and it’s not all that thrilling, quite honestly:

Lipstick #9: Dangerous (MAC matte)dangerous

Why do I look so much like Jared Leto here?

First of all, this is the last lipstick I photographed, and it really shows. By this time, all the scraping and wiping I did on my lips had taken its toll; you can see how much the other colors had kind of faded into the skin around my lips here. Plus, Dangerous really doesn’t have much pigmentation at all; I think it’s buildable if you want more depth, but on its own it is rather sheer. This isn’t a bad thing, but because of that it looks more coral on me than I’d like, and I feel it’s an odd color for such a sheer formulation. For now I don’t feel like I have any real use for this one, but who knows. It might grow on me.

So at last we reach the end of this massive lipstick post. Keep in mind I still have three other shades I didn’t even review! Which one of these did you like best? Do you agree with my #1 winner, or do you like another one better? Let me know in the comments, or don’t, it’s up to you. But if you made it to the end of all of this madness, at least drop me a line in the comments and say hi, so I can thank you for your dedication. 🙂

Thanksliving

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Penny says hello

The past few weeks have been a bit of a stressful blur – I went from having 4 clients to 11 in three weeks’ time, and adjusting to the added workload took a while. Once I had a chance to step back and look at my schedule, though, I found some ways to make things flow more easily from day to day, and that helped. I went through a period of time where I was getting phone calls from interested parents daily (after a round of report cards went out, apparently, and people started to panic), and I ended up just slapping them onto my schedule wherever I could fit them. Going from tutoring two kids per day to three doesn’t sound like a big adjustment, but when you factor in drive time between sessions (I don’t have an office and meeting at libraries isn’t my first choice because they get so crowded out here) I went from working between 3:30 and 6:30 each day to not getting home until around 8:30 PM, which is a pretty big change. Add to that the fact that daylight savings time ended right as my schedule was starting to fill, and I ended up feeling pretty tired and out of sorts while I tried to manage all the new students.

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Simon is not bothered, though.

One thing I was able to do after the dust settled was look at my new schedule and find ways to maximize my time. For example, I’d ended up tutoring two kids who lived just a few blocks from each other, but I wasn’t seeing them on the same day. And somehow I ended up scheduling myself an hour break between two of my sessions, which, when you don’t have an office, ends up being just enough time to get restless and irritable between sessions, but not enough time to do anything about it other than sit in your car and check your phone. So, I moved some students around and re-arranged some of my session times to make my schedule more manageable. I’m still getting used to driving around for my last two sessions of the day in the dark, which still feels odd, but the days will start lengthening out soon enough, and it’s starting to feel more normal now than it did when all of the this started up a few weeks ago.

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A few weeks ago I got in two new photography tools that I was excited to work with: one was a pink popup backdrop that was rather pricey – pink isn’t a very popular color for these backdrops, so I did end up paying quite a bit for this one – and the other was a fairly inexpensive ring light for portraits. Unfortunately, the ring light turned out to be more challenging than I remembered it being  -I had a cheaper one years ago that could only be used when attached to my camera, and it broke after a few months of use – and my first pics with the pink backdrop didn’t turn out as good as I’d hoped they would because I was also trying to figure out the best way to use the ring light at the same time. But, I did manage to get a few good ones, which I’ve shared above.

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A REALLY RARE decent selfie I took with my phone

I’ve been trying to be active on Instagram again since leaving Facebook, but I completely SUCK at phone selfies, and I was hoping the ring light would help with that. Here, it worked out great, and this was a real one-off, barely-planned photo, so I had high hopes it would always be this easy to use. But so far, that’s not how it’s going. Yes, it creates a lovely catchlight in the eyes, which is one of the main reasons it is used for portraits, and if you get it just right it can also create a lovely halo of light on the face, BUT for me that’s turned out to be trickier than I imagined, and I’m still not sure how best to use it to get this effect every time. Another issue seems to be that to get this effect you have to be VERY close to it (and therefore, the camera) and I don’t do a lot of super close-up photos since I like to show the hair/wigs and usually the head and shoulders to show off an outfit. You can see in the pink backdrop collage above how the shots where I’m closer to the camera worked better than those where I wasn’t, and even then, the ring light blasts out a lot of the nice soft shadows I like my portraits to have. So, I’m still working on how to use this thing best, and it may not end up being a big part of my normal shooting gear. Fortunately this one wasn’t expensive either, although I did spend more on it than on the previous one (around $80).

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So anyway, about those Instagram selfies. What I’ve done so far is use one of my DSLRs to take the selfies, then use Instagram’s filters to edit them before uploading. It’s not totally in the spirit of IG, but my iPhone selfies are literally the worst I’ve even seen and I just don’t have the skill to improve them – they have always been horrible with the exception of that ONE ring light photo. For the most part, though, even though I am still taking these shots with a DSLR, I do them quickly, with whatever amount of makeup  I have on at the moment, and wearing my own hair and pretty regular clothes and standing wherever I happen to be standing at the time. So, they are still way more ‘candid’ than the stuff I post on Flickr.

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All of these were taken around the house

I am hoping that through Instagram I can also get back into photographing outfits and fashion-y shots like that. But I’m SO picky about them that we will have to see how that goes. Using a DSLR instead of my phone already ups the amount of time photos take to shoot, and since I really prefer the full length shots to have good lighting that would require even more prep time, which isn’t really in the spirit of what I’m doing. I’m going for another photography avenue that can be more spontaneous and take less time, and even though I think I’ve found a way to do it with portraits and still be happy with the results, it remains to be seen if I can pull that off with full length photos.

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Another random thing this photo makes me think to mention: the last time I went to get my bangs trimmed, I had my stylist cut them blunt and without thinning them out or making them look piece-y. I felt that a heavier bang might look better and so far, I am liking the results, although they still need to fill in a bit. Then, once I started playing around with hair looks and got my new cat-eye glasses in (from Zenni, of course) I started playing around with my makeup to create a more Rockabilly vibe (my new favorite thing to do, since I have the time in the morning, is to shut myself in my bathroom for an hour, watch CNN, and play around with my makeup and my hair). In order to do this, I’ve gotten into really pigmented, colorful lipsticks – something I have never done before. As much as I’ve always loved the look of a dark or bright red lip, I never EVER felt comfortable wearing it myself. My lips are quite thin, first of all, and the darker or brighter a lip color is the thinner the lips will look. But it’s more than that – for all the talk of how women over ‘a certain age’ shouldn’t wear bright red lips, I am actually finding that I really LIKE wearing it for all the exact same reasons the fashion industry says more mature women shouldn’t. To put it another way – I really do think it ‘ages’ me – but in a way I really like! I do think I look older in a dark or bright lip color as opposed to something pale and neutral, but in an “I’ve earned the right to wear this” way and not in an “I shouldn’t be wearing this” kind of way. To me, it looks really sassy, confident, and yes, mature – so I’m having lots of fun with that right now.

Anyway, Happy Thanksgiving to those of you that will celebrate it this week. I am looking forward to slowing down and catching my breath since I only have two students to tutor, then it’s off on the mad dash to the winter holidays!

Oh, and if any of you want to follow me on Instagram, this is me: Instagram. Just don’t be an asshole or I’ll block you.

 

Free (People) Spree

Since getting off Facebook, I’ve gotten back onto Instagram and been finding other ways and places to share my photos.

trucker cords

One thing I decided to try was participating in Free People’s “community” they have on their website. I used to upload photos of the things I bought from ModCloth years ago, but I was still teaching back then and when some of my students recognized my photos on the site I got nervous and took everything down. I never liked having my students view my photography, but I don’t have to worry about that anymore. And since I no longer shop at ModCloth (does it even exist anymore?) and buy pretty much everything I wear at Free People, I decided to get back into the swing of taking photos of my outfits and try uploading them there.

cardigan

I’ve also been playing around with the new portrait editing software I purchased when Portrait Pro bit the dust. The demise of PP turned out to be short-lived; miraculously someone DID respond to my help ticket, and within a few days of losing it I had it back again. In the time I’d gone without, though, I’d started using a program by CyberLink called Makeup Director that is pretty damn cool. So, now I’m using it combined with Portrait Pro to get some really nice results – although I’m still learning, and my first few attempts came out a bit heavy-handed.

Cobalt Set

I’d pretty much stopped taking full-length shots entirely because over time I became so disappointed in the results. The truth is, my studio space is SO SMALL that I really must use a wide-angle lens to get my whole body into a shot, and wide-angle lenses are really the WORST for portrait work of any kind, even full-length shots. But, if there’s one thing that is consistent about photography, it’s that at least 50% of it is learning how to make do with what you’ve got to work with, because the absolute ideal setting almost never happens, so I decided to accept the fact that I had to use a wide angle lens and read up on shooting full-length fashion shots and use all the tricks that I could to make up for the ones I couldn’t.

Baggy Sweat 2

The biggest changes I made from how I used to shoot full length shots was with my lighting. After much reading and researching, I decided to layer my two umbrella lights one over the other, so both of them were positioned on one side of me and angled towards me at about a 45 degree angle. My usual lighting setup would have one umbrella stand aimed at me from either side, but putting them both on the same side not only created more shadows to add detail, it also ensured more even lighting from head to toe without having heavy light falloff starting from about the knees down.

lights

Kind of like this.

Then, I took a third umbrella light and moved it directly off to my other side, and aimed it at the backdrop. I’d never heard of this before, but the information I read claimed it would help to distance or ‘separate’ me from the background, and once I saw the results of doing this I understood what that meant.

Pink Tunic

Even though I’m up against a solid background, I definitely see more depth in these shots than previous full body photos I’ve taken – the flatness of those was what really started to turn me off even trying to take them. There definitely is some separation here, I think, between myself and the background. At least, it feels more dimensional to me.

pleats

I just LOVE a good baggy pant! Although technically these are jeans. 

I also made sure to stand as far away from the backdrop as I could – not easy to do, because again, my space is really really tiny, and I couldn’t get as far away from it as was recommended at all, but even the little bit I did helped. I do have a bad habit of squashing myself right up against my backgrounds (again, because TINY STUDIO) but I stuck a rock on the floor as a marker to remind myself to move up a little.

corset dress

That corset top is technically a mini-dress, but I honestly don’t know anyone who could (or should) wear it as one.

Now by this time, I’m sure you’re thinking why does she keep saying these are full length shots when clearly they are cut off right below her knees? Well, that’s because I actually took full-length shots, but had to crop them because I was lazy and used my gray popup backdrop rather than my really long muslin one that actually covers the floor. I did that because I actually got started on these photos rather late in the day, the muslin is much more time-consuming to set up, and I really didn’t expect to like these photos at all anyway so I didn’t bother with it. And even though my popup reaches the floor, it doesn’t cover it, so the effect of a solid gray background is completely lost when you can clearly see that I’m standing on ugly-ass carpet. So yeah, I cut them all off to conceal the floor. But when I really wanted to show the pants I was wearing for some reason (above it was for the wide flare leg, and below, it was to show how the pants cinch in at the ankles), well, I just contorted myself into shapes on a stool that made it work:

no joke 1

How to cram your whole body into a shot when it really doesn’t fit in the frame. I’m pretty sure I fell over right after the flash went off.

Here’s the thing though: I uploaded these to the Free People site several days ago, and they’re still awaiting approval. I think, like Instagram, what they really want is mobile phone photos and not studio stuff, so I’m wondering if they are going to reject them all. I’ll be bummed if that happens, but in the end I’m glad I gave this a whirl anyway. I’m pleased with how the shots turned out, and I learned a lot more about how to take these kinds of photos properly, which is always a good thing. Learning is fun, kids!

kingsley

Remember what I said about baggy pants? Yep, I love ’em. 

October Surprise

Man, it has been awhile since I last posted – almost a month – but things suddenly kicked into gear a few weeks ago, and it’s been a bit of a blur ever since. Tons of pictures to share as I babble on, so let’s get to it.

justme1Someone challenged me on Flickr to post a ‘just me’ photo without makeup or a wig. I didn’t do it – I actually have a TON of foundation, contour, and highlighter on in this photo, and yes I did edit it – but this is as close as I’ll ever get to a truly ‘naked’ portrait (I was actually just test shooting my lighting here).

A few weeks after Harvey, my business phone starting ringing like crazy. I have picked up FIVE new clients in the past three weeks! I am now at 10 students whom I tutor, and have had to start turning people away or referring them to other tutors. I really didn’t do anything differently this fall to promote myself, but two of my new clients are referrals from parents whose kids I am already tutoring. I also think those two weeks students had off while districts in the area dealt with the aftermath of Harvey (many schools functioned as shelters and it took time to prepare for the return of students, plus schools that were damaged by the floods had to figure out where to send them) threw everyone off, and grades are low as a result. On a psychological level, I am so much more confident this year than last that I think that has to be vibing out into the atmosphere in some way; I know last year I often stumbled when I felt I had to ‘sell’ my services to a parent, whereas now I just do what I know works without feeling nervous. It’s a good place to be.

befriI found this shirt at Goodwill, and I can’t help but wonder what happened to the other half!

Most of my clients are for English tutoring still, which is actually fine as I enjoy it now. They’re mostly middle-school students, for some reason, which is age 11-13 here in the US, but I also tutor one fourth grader, one ninth grader, and a high school junior as well. The student I coached over the summer and had such a hard time with (as far as feeling like what I was doing was actually helping) has texted me several times since his new school year started to update me on his progress – he made all As and Bs on his first report card, which is a HUGE improvement over his grades last year. That has really given me the confidence boost I need in relation to that aspect of my business. I am now coaching another high school freshman, and am meeting with a potential coaching client this afternoon; it’s fun work to do so I am still hoping to build up that side of the business as well.

candacetamhair

I often get comments questioning why my ‘job’ isn’t photography instead of tutoring, but let me reiterate that I really enjoy teaching and consider it the best work I can do. And honestly, a “busy” working day for me involves tutoring for three hours, tops. Houston is very spread out and most of my clients do not live near me, and since I drive to their homes or a nearby library I do put in another hour of drive time each day, easy, but I really don’t mind that. Having grown up here, driving is a part of life and I am used to it; plus, I have always enjoyed getting out and taking a drive. Since aside from my tutoring I’m pretty much a homebody, it gets me out of the house and helps me feel like I am still a part of the world. Plus this one particular drive I make several times a week is actually a nice, pretty drive, which helps.

hairnet1This wig is called a ‘bump’ wig; Paula Young came out with this line years ago that literally has a pouch in the crown that closes with a snap! It came with a little foam piece that you were supposed to tuck into the pouch and snap closed for extra height, but of course I had to shove as much wadded up newspaper as possible in there to see how high I could get it. 

On the photography front, I hadn’t taken many photos at all since Harvey. In what at least felt like an unrelated decision, I took myself off of Facebook for various reasons, and almost immediately  began taking photos again. I also got back to being active on Flickr, which hasn’t been the case for well over a year now. I’m assuming these things are related, somehow; I do think it got so easy for me to load a photo to Facebook and get so much feedback that contributing on Flickr lost its panache, and while I do miss getting to share my photos with my friends there, cutting some social media out of my life for now has had more benefits than drawbacks, so I’m sticking with the decision. Interacting with other photographers, I think, is important to me, and Facebook had a tendency to make me feel like I was doing so much more than I actually was – not just in the photography arena, but in other ways as well. And I admit that social media is freaking me out more and more every day I read about how American voters were manipulated during this last election. My biggest concern is how easily Russia got us all to turn on each other – pitting opposing sides against each other by playing to our worst instincts, fears, and prejudices. I was as susceptible to this as anyone – understanding that people I  may have fought with in comment sections weren’t even real people but foreign agents just trying to get me to feel hatred for conservatives was the nail in my Facebook coffin. I do not want to be manipulated into hating other people, and I’d gotten to a point where at least 50% of the time I spent on Facebook I felt pissed at someone or something. So, I’m done with that.

dred leopard

So, as I said, I almost immediately started taking more photos, and getting active on Flickr again (and hopefully, keeping up better with the blog). I had a marathon photo session last Sunday; on Saturday I went to Goodwill and purchased 5 or 6 tops to use, then spent Saturday night planning out what wigs, accessories, and makeup to wear for each one. Then I pulled it all together that night, so I could just get up in the morning and get started. I do not usually do this – in fact, I usually take photos when I wake up with the urge to do it; I rarely plan things out in the detail that I did this last shoot. It made for a really long day of shooting, and by the end I was pretty bored, but my goal was to get as many looks as I could out of the stuff I’d bought and have lots of different looks to work with when I edited the shots – when I only do 3-4 looks per shoot, I get bored with them all quickly and then run out of stuff to process.

whitecurly1

Something I have done a few times before is start off with a ‘naked’ face – which really just means all the foundation, highlighter, and contouring is done but I haven’t added any color (except a  nude lipstick). Then I figure out which costume would work best with a neutral face and take those shots, figuring I can always add makeup later in post if I want (although I’ve hit a snag in that area that I will discuss later). That huge necklace came from Banana Republic; I bought it at least a decade ago, and at some point had loaned it, and a ton of other accessories, to my sister-in-law for a party where they wanted to have a photo booth. I totally forgot about all of that stuff until she returned it to me a month ago – they were moving and came across two bags of old wigs and accessories they’d forgotten they had, and she gave them back to me. Most of the wigs were already shot before I gave them to her to use, so I pitched all but a few of ’em, but the accessories made it into a lot of these shots because they were all pretty cool, and I’d totally forgotten about them.

windsongMy face was ‘naked’ in this shot, too – I added the makeup using Portrait Pro.

So back to the makeup: for my second costume change, I will add a little more makeup for a slightly different face to work with later. Again, this is easier to do when I plan in advance, so I can be sure the makeup, or lack thereof, will work with the costume and not be a problem later.

lipsandhearts1Actually, all I’d added as far as makeup for this costume change was blush, a brighter lipstick, and mascara; the eyeshadow was added in post. And yeah, that necklace is one that was in the bag of goodies my SIL returned to me. It was broken before I loaned it to her, so I had to just wrap it around my neck. And the other hearts are cheesy, but I couldn’t resist them. 

I think you get the idea now for what happens  next, and next, and next. With each costume change, I just keep adding makeup until the end of the shoot. It certainly does make for a greater variety of photos to work with later – I took almost 600 this day, which I haven’t done in a long time.

leopardyThis is one of the returned wigs that I kept. Also, I think those glasses were originally from a cheap Halloween costume I bought on sale after October 31st at a grocery store. They’re actually vinyl and really floppy. The top was actually a dress that was too small for me, so I cut the skirt part off to be able to get it on! 

The tops I found were amazing, and taking the time to even plan which backdrops to use was helpful. It made for a lot less thinking during shooting, and a lot more posing, and things went really smoothly even though it took a long time having to stop between costumes and apply more makeup and change backdrops. I even got use out of that pastel one that I almost never use, because it has never really worked with anything I’ve used it for in the past. This time, it was perfection with some of the brighter colors.

orangewif

Now for the problematic bit: Just this past week, my most-used Photoshop plugin, my beloved Portrait Pro, started crapping out on me midway through working on a photo. I’d just “upgraded” (I put that in quotes because even though I already owned a previous version of the software, I had to pay full price for what they called an ‘upgrade’) to their newest version, which is fantastic – it has a sharpening tool within the skin softening category that solves the issue of skin looking ‘too soft’ perfectly – so at first I thought it was a problem with the upgrade. But then, it started happening with a few of my other plug-ins too. The oddest part was how it would happen out of nowhere, sometimes right after I’d just used the program and attempted to access it again.

hailey1Yep, another prop returned to me by the SIL; the nails used to light up but the batteries are dead now, and they never showed up properly in photos anyway. The sweater is another one from the Goodwill haul. 

I took the error message I kept getting when trying to access the plug-in and typed it into Google, which sent me down a rabbit hole to figure out what the hell was going on. I got Doug involved, and together we finally figured out that a security update to Adobe Flash Player was the culprit: we uninstalled the update, which sure enough had been installed the same day I started getting the error, and then I had to uninstall the plug-ins that had been affected by the update and re-install them. And then I stumbled across another problem: Portrait Pro would not let me re-install the software. My license key was only good for one download, and since I’d already used it once, it wouldn’t work again. I get it – no one wants their software to be purchased once and then shared all over the world, but this was on the same computer and simply needed to be re-installed, so there should have been a way for me to manage this. However, I’ve actually dealt with this issue with Anthropics (the makers of Portrait Pro) before, so I knew there was going to be no way to get this remedied.

fuzzyhair1This is actually a pajama shirt, but I liked the colors on the sleeves. 

See, I ran into this issue when I got my new laptop last year. I had to reinstall all my photo editing software, and of everything I’ve purchased, Portrait Pro was the only one that wouldn’t let me use my license keys a second time to get what I paid for installed on my new machine. I opened up a help ticket, which went nowhere, and because this program is my primary portrait editing tool I gave in quickly rather than waiting, and purchased the software a second time.

sonominator1The lace sweater is from Goodwill and it’s so comfy, I now wear it around the house (which I don’t do with most of my costumes). That ‘necklace’ is actually a fascinator that I’ve worn in photos before; I spied it at Nordstrom and even though it was expensive, I had to have it. The colors are fabulous! Oh, and I changed the color of the eyeshadow on the right in post. 

I admit that in this case, I was itching to finish a photo I was working on, so I just said to hell with it and bought the software a second time rather than deal with waiting on a support ticket that would probably take at least a month to get answered, if it got answered at all. So yeah, I bought another copy of the upgrade I’d just bought a month prior. Stupid, I know – especially when, on the very next night, the plugin quit working again.

lovemeCome on Portrait Pro! Will you deny the world this beauty?! And yes, that’s a Goodwill sweatshirt, and it’s AMAZING. 

Turns out the Flash Player update had automatically installed again, around 8 o’clock at night. I know this because I had just been using the plugin when all of a sudden it quit working, and I went to see what updates had been installed, and there it was. So, now I realized I had to figure out a better solution, or every single night my damn software would stop working again once the update installed. I spent a long time trying to figure out how to stop the Flash update from installing only to discover that it is actually a crucial update that is needed to  fix some massive security flaw or another. I hemmed and hawed on this for a while – should I just uninstall Flash altogether? Turns out that’s not so easy to do, although it is possible. It just started to turn out to be a hell of a lot of work to do just to get one stupid Photoshop plugin to work (the others that keep failing I don’t use that much anyway, and the help tickets I submitted to those companies will most likely be addressed since they actually have real online support) plus, it was already clear I would have to purchase yet ANOTHER license to fix the damage done to the program by the new Flash install.

hairflower

I am not gonna lie, I was seriously upset about this. I use that program for everything and it is a major part of my workflow. But this is the downside of utilizing a product that has no support; when something goes wrong, you’re on your own, and I saw no real way to fix this one without a lot of ridiculous work and spending yet more money. So, I am now on the search for other software that can at least get close to what Portrait Pro could do, which sucks. I’ve found a few things to noodle around with, but so far nothing comes close to that program. But I’ll have to make do for now. I did go ahead and submit a help ticket, but I have no hope anyone will ever respond or fix this issue. A perusal of their forums made that clear; it sounds like no one ever gets responses to their issues and it’s a real shame some other company can’t buy this software from Anthropics and service it properly,  because all of their photo editing tools are really great products.

revolution1This about sums it up.

So that’s my life as it stands. I haven’t talked about my injuries but I’m now out of time, and I’m fine anyway. I need to go get ready for a day of tutoring, so I’ll catch up with you all another time. Happy weekend everyone!

Cat-ching Up

I only titled this post as I did because I have a few new cat pictures. Here’s one of them:

violeteyes

I have a few other pictures to share that aren’t of cats, and lots of random things to discuss, so I’ll just throw it all into the mix and see how things come out. Sound good? Let’s get to it.

shortblonde

First of all, on the home front: we’ve spent the last 2-3 weeks dealing with contractors and literally getting our house in order. Last week, all the damaged drywall in the house was being fixed, and having workers in the house every day from 9 AM to 6 PM put a serious damper on my schedule. I ended up doing a lot of nothing but babysitting nervous cats and dogs while all the banging was going on, and I didn’t do much of anything else but read books and watch Netflix while trying to avoid all the parts of the house that were under construction. That said, all the leaks and water damage is fixed, finally, and everything we had to move and store in other parts of the house has been returned to it’s original location, OR has been tossed out/donated.

redqueenleap

Doug and I did have a conversation, at some point in all of this, about how little TLC we’ve given to this house over the years, much as I mentioned in one of my earlier Harvey posts, and we both agreed that some of the problems we had during the storm were our own fault for not fixing house issues properly as soon as they arise, choosing instead to ignore things until they reach the critical. We also discussed how we should really go ahead and put some real money into the house and settle in a stay awhile, so that when/if we really do decide to move we can actually sell it for a decent price. And we’ve both decided that staying on for at least the discernible future might be the best thing, after all – in fact, since our house is almost paid off, it might be wise to stay a good, long while. So, to that end, we’ve been getting bids for other repairs and cleaning out, well, everything, in an attempt to start treating our home more, shall we say, respectfully.

greenblur2

Sadly, I will admit to being a bit of a slob, as is my husband, and while the truth is we are not averse to cleaning up after ourselves, or paying a service to come in and do deeper cleaning every other week, neither one of us has ever been meticulous about much of anything else, and as such, we have a lot of work to do just to get things up to snuff (in fact, we just had a vacuum cleaner delivered today because we didn’t even own one). For example, last week I decided just to clean out our kitchen pantry, and that task alone generated FIVE BAGS of trash. Our worst habit is probably taking things that are broken or serve no purpose for us and just kind of stashing them somewhere, then leaving them there for 20 years. As such, the pantry was full of old broken coffee pots, toasters, boxes of unneeded dishes, and other ridiculous items that haven’t been touched in decades as well as canned foods that expired in 2008 and spices on a rack that had completely lost all color and smell. I know, it’s a horrible thing to admit, but there it is. I also actually changed out the light bulb, which hadn’t been done in so long I still keep forgetting to actually turn it on when I go in there.

profile

It took me about four hours to clean all that out, and y’all, that was just a PANTRY. Literally every closet and cabinet in this house is in a similar state (except for the expired food part – that was strictly a pantry issue). In fact, we actually have an upstairs bathroom that at some point came to be treated like a closet and was full almost to the ceiling with boxes of stuff that needed to either be thrown away or put in the attic. I am proud to say we’ve cleaned that out now, and can actually use our bathroom as, well, a bathroom. Go figure. But it probably goes without saying that I have my work cut out for me as far as getting this house in order; I don’t mind, as I have the time now to do this, and I figure it’s good exercise as well as being necessary work I need to do. But clearly my aversion to behaving like an actual adult runs DEEP, y’all.

poolflowers1

Health-wise, I mentioned in a previous post how much anxiety I’ve been having lately, and I did meet met with my psychiatrist and was taken off Wellbutrin and put on Lexapro instead, which addresses the anxiety as well as the depression that Wellbutrin was prescribed for originally. And I am happy to report that the results have been tremendous. From the first day of taking it, I’ve had exactly zero panic attacks, and zero anxiety. The only issue has been how sleepy it makes me, but recently I switched from taking it in the morning to taking it at night, and that seems to be helping. For now, I’m thrilled with this solution, and having the anxiety lifted helps me realize both how bad it had gotten and how long it’s been building up. I probably should have been put on Lexapro the first time I went to a doctor for my depression, but I wasn’t even able to articulate that part of what I was feeling was anxiety until recently.

curly

I don’t know how much I mentioned here about my other health issues I’ve been handling lately; I went to a doctor over the summer to deal with my right wrist, which felt fractured but ended up just being inflammation that, surprisingly for how much it was hurting, healed up completely in about six weeks. I was totally expecting to need a surgical solution to that problem, but while I was talking to that doctor, I mentioned how basically my entire right arm gives me trouble constantly, and that the second-most pressing issue I was having (next to the wrist that I thought was broken) was my rotator cuff, which has troubled me for, oh, let’s say at least seven years. Seriously. It’s hurt for so long I just got used to it, and for some reason have always considered it just some weird thing about me that I have this one shoulder that sucks, and never considered it something I should see a doctor about. I am not even sure where I got this idea, but obviously it stuck, because I barely even thought to mention it to the wrist doc.

band

When I did though, he made me an appointment to see a shoulder specialist at the same location, who ordered an MRI (an awful, awful experience that I will never go through again without some serious Xanax, but I’m not going to talk it about it any more than this because I do not want to relive that nightmare) and discovered I have not one, but TWO tears in my shoulder. My rotator cuff has a partial tear, and I have a lateral tear on the back side of my shoulder, so between the two of them it’s no wonder my right arm gives me serious grief from time to time. Still, the doctor felt like rushing into surgery wasn’t the best idea, and I totally agree – I’ve heard that rotator cuff surgery is no joke, and I want to avoid that shit if at all possible. So for now, I’ve been given an injection that did reduce the pain for now, although it does still hurt when I try to do certain things, and I am schedule to start some physical therapy this week to try and strengthen the muscles around the tears enough to make the shoulder functional, and see if that is enough for now. I am really regretting not getting to a doctor sooner about this issue, since if I had done so it could have resolved on its own like my wrist did without ever developing into being torn, but I can’t bust myself up too much over something that seriously just never ever occurred to me to be a problem. Still baffles me why I decided that, but nothing can be done about it now.

catprofile

Due mostly to my ongoing arm issues, I haven’t been blogging or editing pictures much at all, as too much computer work is a primary pain culprit. Before the injection, just thinking about getting online and commenting on people’s blog posts just felt like more than I could handle, but for now at least I can do it. Who knows how long that will hold up. I’m hoping that the ease with which my wrist healed up is a sign that I can get to a similar place with my shoulder. We’ll see.

Anxiety Society

That title sucks, but hey, it does rhyme. Moving on.

I’ve taken some new shots with the intention to continue working with the curves tool when editing my photos, so I was sure to use some backgrounds, costumes, lighting, and poses that I thought would work for that purpose. So far, so good, and I’m having fun playing around with these new techniques.

green1

I also bought these two feather collars from Free People a while back when they went on sale (honestly, is there no end to the over-priced cool stuff that store carries?) and was finally able to use them.

spotlite

I also broke out a flashbender I can attach to my external flash and used that in some shots, like the one above. When I first got it I used it a lot, but over time I found I didn’t care for the harsh light I got when using it and that it was much more difficult to edit those photos and achieve the look I wanted. But I wanted to see how the photos would turn out if I used it and then edited them with the curves tool, so I strapped the flashbender onto the camera and gave it a go. I’m glad I did because I did get some nice pictures as a result. Although, right out of the camera they looked awful.

brightlight1a

The flashbender directs the light from the flash into a narrow beam, so it gives the photos a spotlight effect, which makes for some really interesting shots, although I barely know how to use it so they need a lot of work when processing to make them look right. So anyway, yeah, on the photography front things are pretty cool, but in other ways, things are a bit tricky right now.

firehair1

The big problem I’m having right now is anxiety. I’ve actually starting having anxiety attacks, and they’re really fucking annoying. It starts with some random body ache or pain, which sends me into a panic thinking I’m going to get sick, which leads to this awful lightheadedness that starts in my gut and radiates upwards into my head as if I’m going to pass out; I sometimes also feel hot and nauseous, and like I can’t catch my breath even though I’m breathing fine. I had my first attack like this over a year ago; I thought I was having a heart attack until I realized I wasn’t, and that by calming down with self-talk and walking around to get myself moving, I could make it stop – even though I felt jumpy for some time afterwards. After that first bout, I didn’t have another one for almost a year, but in the past 3 months or so I’ve been getting them regularly. Several attacks have come at night, and twice they’ve been bad enough to keep me up for hours (two other times I just talked myself through it and feel asleep in spite of it). I haven’t had an attack in public since the first one a year ago – until today.

flamehead1

I’ve been feeling pretty confident about these attacks because I’ve been controlling them well, but today it started as I was driving around town running errands, and the anxiety just stayed with me all damn day, no matter what I did. Of course I know part of the problem was that I kept trying to “do” things to calm myself when it just wasn’t in the cards for me because not only was I having an anxiety attack, but I was also trying to run a bunch of annoying errands that I was determined to do anxiety be damned, and everything kept cycling. It was totally frustrating, and more than a little disconcerting, because in my mind I’m thinking, how long is this going to go on? Is this going to happen while I’m tutoring a student? Am I going to just feel this way forever now? What if I become one of those people who’s scared to leave the house because I’m afraid of having an attack in public? Is this going to totally ruin my life?

I don’t have answers to those questions yet. I don’t know why this is happening all of a sudden, although I’d say I’ve had low-grade anxiety my entire adult life, so perhaps I should be surprised it’s taken this long to manifest this way physically. What I do know: I talked to my gynecologist about the possibility of this being related to perimenopause, and she was pretty non-committal about whether it was or not either way. She feels that because I’m still on birth control, I shouldn’t be having any menopause-related symptoms, and that what i described to her was garden-variety panic attacks and nothing more. I went and got a physical and that doctor felt what I was describing was panic attacks as well; all my bloodwork came back normal, so I know it’s not related to my thyroid, or diabetes (a possibility since it runs in my family), or anemia or any other blood-related thing that might be causing it. After today’s fun anxiety-fest I made an appointment with the psychiatrist who prescribes my Wellbutrin to discuss this with him and see what he thinks. I know Wellbutrin can cause anxiety or exacerbate it in people who are prone to it, so perhaps that’s part of the problem too.

I also know that I grow increasingly anxious by the day about the man who currently sits (or squats, as the case may be) in the Oval Office. I feel like the anxiety level of the entire country is in overdrive right now, and the events over the weekend in Charlottesville have me good and freaked. I also know I lost a friend a few weeks ago, and that having people so close to me in age and life experience die does freak me out any time it happens. I also know that over the past year or two I’ve had other things happen that have felt so unfair as to be almost unbelievable; the sort of things I never thought would happen to me and that disappointed and distressed me to my core. I know I had shingles in January, and there’s really only one reason someone gets shingles (stress). I know my entire life schedule is still topsy-turvy and I’ve not yet gotten myself into a decent routine, and I spend way too much time still sitting around doing a bunch of nothing other than play too many video games and read/watch WAY too much CNN. I know my sleep habits are pretty awful, and let’s not even get started on my diet because that’s a total disaster. I know I still haven’t gotten myself back into a decent workout routine, which is partly due to injuring both my rotator cuff AND my wrist on the same arm – two things which also make me anxious as I fear growing older and getting fragile and sustaining injuries I can’t recover from (fears I’ve never had before – my clumsy ass has injured myself tons over the years, but NOW I fear every injury will permanently damage me for some reason).

So yeah, I guess when I write it all out I can see why I’m having panic attacks. But for anyone who’s been down this road, you know that it’s not always enough to know why they happen. Once they start to happen they seem to take on a life of their own, apart from all logic and wisdom, so getting this under control will be a challenge, but one I am willing to accept, because I refuse to just hide out in the house all day and stop living my life over something like this. Some things I’m doing to try to help: 1. Actually get involved politically instead of sitting on the sidelines. 2. Eat better and exercise more. 3. Schedule my life each day instead of just wandering from hour to hour and day-to-day without any real plans for how I should be living and what I should be doing. and 3. See if there is something medically I need to do differently, like change my medication or get off of it (which I tried once, without success).

As far as getting more involved politically, in this little town near my neighborhood yesterday a woman put together a spontaneous vigil for the people of Charlottesville, and I decided to pull my head out of my ass and go. The plan was to walk about a mile up a major road holding candles, and then walk back. It sounded a little odd, but the heart was in the right place and it was nearby, so I went and joined them. It really was a small little group of women (and one man), so honestly I felt a little silly doing it, but everyone was lovely and it was something to show which side I am on, at least, and I met some nice people in the process. Hell, one woman showed up on crutches just because she wanted to stand up for love and peace and harmony, and the man was older and had to turn around halfway because it was so damn hot and humid, so all in all it was at least nice to see some sort of light in the midst of the weekend’s darkness.

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Getting ready to walk in Fulshear. That one woman carried the mirror because she said something about Trump needing to look at himself in the mirror, or something. I didn’t really understand that part – but I was super-impressed that she carried that damn things for three miles. It was heavy! 

So I don’t know, y’all. I don’t want to be dealing with panic attacks all the time, and knowing it’s not something physical like blood pressure or low thyroid actually doesn’t help as much as I thought it would, because at least if the problem is physical that means there’s a physical process for correcting the problem, whereas when it’s mental/emotional it feels impossible to fix. Then again, the last time I remember feeling this frustrated in relation to my body was when my gluten intolerance reached the breaking point over ten years ago and I kept ending up in the emergency room, and no one could explain to me what was going on, and I eventually figured out how to deal with that problem. And in my twenties I went through a terrible phase of having awful migraines, the kind with aura and partial blindness, and I remember feeling pretty despondant at first that the situation was going to permanently ruin my life, and that didn’t happen then, either. So, I am hopeful that this too is something that’s awful right now but DOES have a solution that will work for me, and I just have to find it. But, as I already mentioned, I’m also less optimistic about shit like this than I used to be, too, so while I’m hopeful, I’m not as hopeful as I would have been ten years ago, or even five years ago, because now i realize that some problems just don’t have solutions at all, and eventually all of us get that one diagnosis that signals the start of the end of things for real, and really shitty bad luck does happen to other people all the time so why couldn’t it happen to me too. So there you go. Hopeful, kinda? But also, in a way, not entirely. Boo.

 

Ahead of the Curve

For a long time now, I’ve been admiring photographers like Miss Froggi on Flickr who create such lovely, soft, vintage-looking light in their photos, and I’ve been trying to re-create that look with my own photos with spotty results at best.

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I didn’t want to steal any of her photos, so I am posting a screenshot of her page instead. But do check it out for more loveliness!

I finally ended up searching for tutorials on how to create the soft light and vintage look of photos like this, and started learning about and working with the curves tool in Photoshop. This seems to be the key to achieving the tonality and richness that I’ve been trying to create using various photo filters; the filters work to an extent, but you don’t have to total control over the final result with presets and plugins.

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The curves tool

I certainly was familiar with this tool, but had never tried to use it because it looks intimidating. It’s generally known to be a trickier tool to use, but once I watched a few tutorials I felt I knew enough about to be able to work with it instinctively until I got the results I wanted.

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Portrait before and after using the curves tool

One thing I noticed while browsing tutorials is that most of the photos people were working with were taken outside for some reason; I’ve found it easier to use curves on outdoor shots than my studio ones, and I”m not sure if that’s because the tutorials I watched were using outside light sources or if it’s really true that people use the tool more under those conditions. I don’t think it’s that curves works better that way as it is that it works differently, so I still have lots of playing around to do to figure out how to make it work – which is fine, because noodling around and learning new things about photo editing is my favorite thing to do anyway. I did, however, try to find out shots taken outdoors to play with; since I rarely do that most of them are not great shots but were fine to use for learning purposes.

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Terrible shots, but they were good for editing practice.

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I’m actually not finished with this one, but I wanted to show it anyway.

But since most of my shots are taken in my studio, I was working with indoor lighting and backdrops for most of my practice. I started out with shots from recent sets:

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But soon I was dipping into the archives, looking for shots to work with that I thought could benefit from some “curving.” Looking at old photos through this lens (no pun intended) prompted me to work up shots from sets I’ve ignored for a long time, so that’s been fun.

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Overall I found darker portraits with dark backgrounds more fun to work with; seeing the tonal shifts in the darks and shadows of the photo is the most interesting aspect of using the curves tool to me, for some reason. Perhaps because it’s easier to see the changes in the dark spaces of the photo – who knows. But I also used the tool to edit some shots from sets I never got anything good out of before, like these:

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I still don’t really like this one, but it’s a better attempt than I’ve gotten in the past from this set. Something about it just doesn’t work – I think maybe it’s because the color of the wig doesn’t look good on me. 

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But the best shot I’ve edited so far is from an old set I did back when I was still obsessed with full-length costume and movement shots (something I haven’t been into for quite a while); this was taken when Simon was just a kitten, and at one point while I was taking some shots sitting down he wandered onto the set and sat down on the skirt of the dress, and got into a few of the pictures while sitting there. I picked him up for one photo, and even attempted to put him on my wig (which really didn’t work because as soon as I took my hands off he started to leap down, so the shot that had him up there also had me making an awful face and holding my hands up right near where he was standing). When browsing through old photos I came across this set again, and got to thinking I could probably take all the shots with Simon in them and composite them into one shot – it was really easy to do, so I’m not sure why I never thought of it before.

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I did use the curves tool on this one too, but obviously that’s not the reason this is a new fave for me. Again, not sure why I didn’t think to do this when I originally took the shots, but that’s what’s good about going back through old sets from time to time (I save everything; every single shot I’ve ever taken is on a hard drive somewhere). Once there’s some time and distance from a set, you can go back and find pictures with value that you missed last time you looked.

Now before I close this out, I’d like to add one more picture. It’s not one I took, and it’s not a picture of me. It’s also not a ‘good’ photo in that it’s a scan of a picture that was taken in the 90s at a Halloween party – but it DOES have a costume! It’s a picture of an old friend named Jody Smith; he was best friends with another one of my friends from college, Erin, and we hung out a lot back in the day. With a name as common as Jody Smith, though, once we lost touch it was damn near impossible to find him again, until Erin found him through a mutual friend on Facebook about a year and a half ago (for a lovely write-up about Erin’s experience connecting with Jody again after so many years, go here). It was nice to hear from  him again, and see that he was doing well, but I admit after an initial catch-up conversation or two we didn’t keep in touch all that much. But we were still Facebook friends, so we could keep up with each other through that platform.

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Unfortunately, a little over a month ago Jody was diagnosed with Stage 4 cancer, and it was too advanced, and Jody was too weak, when it was discovered for the doctors to do anything about it. He was given 3-5 months to live, but ended up in hospice care just a few weeks later. On August 1st, Jody passed away. Fortunately, I got to talk to him via Skype before he died; I shared what memories I had of him that came to mind in the moment (although I realized later I forgot a few good ones I wish I’d mentioned, like the time we went to see Forest Gump together then wandered around the neighborhood after it ended lamenting how little we’d done with our lives) as well as a dream I’d had about him the night before, wherein he, Erin, and I were in an airplane, headed nowhere in particular, just hanging out in the clouds and chit-chatting like in the old days (well, without the clouds part).  So, as I said to him on his Facebook page the day he died, I want to say another farewell to dear Jody – we will see you again in the clouds one of these days. Rest in peace, friend.

T-Shirt Alert

A few weeks ago, my husband came home from a visit with his father (who is elderly and ill – Doug is his primary caregiver but we recently hired a full-time nursing service to stay with him 24-7) with a collection of old t-shirts he’d dug out of a closet at the house. They’re mostly t-shirts he wore in high school, but there are some from as far back as elementary school. His mother (who passed away many years ago) never threw anything out, so I’m sure this is just a small sampling of what’s over there.

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So of course, the first thing I did was take pictures in them. 

I’d also ordered a few new wigs from Sam’s Beauty recently, so I immediately got to work dressing up and photographing myself in some of the shirts. A lot of them are old, original concert tees (Genesis and Rush, mostly), and even though they’re pretty cool, I didn’t feel like they would make very interesting photos so I bypassed those. But there are some rather silly ones, like the Disco’s Dead shirt above, that I just had to use – this one was made for Doug by his mom, in one of those old tee-shirt shops that were all the rage back in the 70s and 80s – does anyone else remember those shops? Most of them were in malls, and you could go in there and choose whatever type of shirt you wanted, and have the shirt say whatever you wanted it to say, in whatever style of lettering you wanted. They also had all sorts of decals and iron-on transfers you could utilize. In the days before the internet, all of those choices and options for personalization were a BIG deal. Who didn’t go into one of these shops at least once and get matching “so-and-so’s best friend” tee shirts with a buddy? I searched Google looking for a photo of one of these places, but the search terms were just too broad – but how I remember walking into those stores with their decal samples plastered all over the walls, and that acrid smell of slightly-singed iron-on-transfers from the big press-iron (not sure that’s a word, but it is descriptive) they would use to steam the letters and decals onto your tee. Ah, memories…moving on.

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The flip side of the “Disco’s Dead” shirt. Notice the apostrophe is on the wrong side of the N.

This shirt was made for Doug by his mom – and I just love it because it’s a great example of a mom trying to be cool and failing miserably. No actual teenage boy would have worn this shirt, even in the 70s, which is why it’s still in pristine condition. But hey – how could Mom have known that 30 years later her daughter-in-law would fall in love with it and use it in her photos? It’s absolutely awesome for pictures.

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This was a band shirt from when Doug played the tuba in high school. It was actually was worn repeatedly, and was pretty threadbare. This is the back side of it; the front has the school band’s logo on it, and apparently there were three tuba players who all got some phrase added onto the back that described them in a private-joke, you-had-to-be-there kind of way (those were always the best shirts back then). Unfortunately, I hated every single photo I took in this shirt; I’m not sure why, exactly, but I think it had to do with my color settings being off and wearing a wig that just didn’t work with the shirt. That’s why these are so over-edited; I kept trying to make them work when they didn’t. I hate both of them, which is sad, because this was the shirt I was most looking forward to photographing. I may try again with a different approach later, because in spite of my best efforts I never got anything out of these shots that I liked.

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I loved this one though; this is a baseball tee from a team Doug was on in fifth grade – it fit me, but just barely; I had a bitch of time getting it on, and was concerned I wouldn’t be able to get back out of it, but I managed. Isn’t it weird how some shots from the same photo session can be so good while others (the I’m Confused ones) suck so badly? I get that the outfit and hair are totally different, but the lighting was the same, as was the makeup I wore. The only difference in that regard was the aforementioned camera settings, which I know was part of the problem, but at the same time – how can it have made that much of a difference? I’ve had this happen before; since I usually do at least two major costume changes when I shoot, there will always be outfits that turn out better than others, but usually I can salvage something even from a costume change that doesn’t yield great results. But every once in a while I’ll come across something I put together that completely and utterly fails – and often when that happens, there will be other outfits from the same shoot that I think are some of my best. I go back over those ‘bad’ shots time and time again to analyze them and figure out the secret to their lack of success, but it still eludes me.

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I intended to look like a really burned-out groupie in this shot, but I couldn’t resist the temptation to make myself look good. Sue me. 

I think it might have something to do with interest on some level – most outfits I put together have some detail that takes it out of the realm of just a head shot into something more interesting; it could be a detail of the clothing, or the colors in the fabric, or the movement of either the hair or the clothing. Sometimes it’s actually the makeup that does it, if I really went out of my way to do something different, or sometimes I get all the colors working together so well that it unifies the shots.

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Interesting eye makeup and a wig with great movement saved these, for example, from being boring

In the shots that fail, I do get the sense that at least one of those elements is off, but usually it’s a combination of them that knocks something down. If the wig is short and boring and doesn’t have any movement to it, usually the clothing will, or perhaps the hair is in a really interesting color that makes it work anyway even if it’s short. But sometimes a wig is longer and just doesn’t move well, or something about the makeup is so off it ruins things (I’ve noticed some of the more pastel-colored lipsticks I wear at times tend to look ‘off’ on me, for example). Believe it or not, I can still vividly remember shoots from years ago where I didn’t get one good shot out of a costume – those shots haunt me, and I keep going back to them and trying to find some way to make them work, especially after buying new editing software, because I think maybe that new tool will be the one that makes those bad shots work in the end. But so far, that’s not happened. Oh well.

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Some older shots I’ve revisited this month, after buying some new software and thinking maybe it would make them work. It didn’t. I still don’t like any of them.

I’ve gotten a bit bored with posing for and editing portraits again, also, so I may back off of them for a while. I’ve gotten spoiled, though, by the relative ease of posing for them as opposed to full-length shots, however – so I’ve taken to trolling more old sets for movement and motion shots to play around with rather than putting myself through the motions for taking new ones.

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I’m trying to play around with processing to get more comfortable really mucking things up; in spite of all the experimenting I already do, I have fallen into a big old rut of editing photos the same old way – mostly because I have gotten so used to doing what I know ‘works’ that I don’t think outside of my own little box; for example, I love using the PortraitPro software for my portrait work, but I know that it works best when faces are looking directly into the camera, so I’ve started to limit myself to posing as dead-center as possible. This makes using the PP program easier, but it also gets boring, so at some point I need to lessen my attachment to always using it if I want to keep my photos feeling fresh.

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The bubbles are from a fairly new editing program I purchased; it’s a kind of cheesy effect but in order to break out of my rut I’m forcing myself to be comfortable with cheesy-ness.

I also have established a sort of routine when editing, even though it’s not something I’ve done intentionally, so working with older photos like this gives me a chance to break out of that mold as well; purposely changing up my workflow to see if it gives me different results. It’s all a little uncomfortable for me, and a lot of the results I don’t particularly like, but I feel like I need to do it at this point just to shake things up.

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I also decided to work with some blurry shots for the hell of it. 

On the work front, summer has been pretty busy; as I’ve mentioned before, none of my clients stopped working with me over the summer and I picked up a few more, so my June calendar was particularly full. But one of my clients took the whole month of July off, and another one has taken a week off here and there as well; I just found out last Thursday that another client isn’t continuing with me for the coming school year, and one of my academic coaching clients finishes up his program next Monday. So, all of a sudden I am looking around and realizing my dance card has gotten thin again, and it may be time to make some noise to drum up some new business as we move into the fall semester. This doesn’t concern me as much as it did last year; I did recently hear that a client I’ve been working with for the summer is going to continue with me in the fall so that’s nice, and besides, I’m just not all that nervous about having to advertise or network a little for business like I was last year. That said, I really want to get the academic coaching aspect of my business up and running – especially now that I’ve actually done it a few times and feel confident that I can coach kids successfully – so in order to move that along, I decided to head on over to Vistaprint and create a brochure I can leave at libraries and other places I think I can generate some interest.

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This is a proof of what I’ve put together so far; Vistaprint has some really easy to work with templates and really decent prices (100 for $60); I’ve sent this to some friends to review before I place an order, but I really want to get some in-hand before I finish up my work with the coaching client I have now, so I can give some to his mom to hand out to other people if she’s willing. I also want to make up a postcard similar to this one to promote my English tutoring business and leave those at the same places I put my coaching brochures. I probably need to update my website, too, since it’s been a year since I put it together and I didn’t really know what my business was going to look like back then. It’s pretty astounding to look back at where I was a year ago with all this and how far things have come.

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I had lunch last week with one of the teachers who worked with me in the program I ran at the private school, and I admit it was validating to have it confirmed for me that things did not exactly improve after I left. In fact, the general sense is that the people who stayed behind at least realize how hard I worked and understand that I had good ideas that would have benefited the program had I been able to stay on. I don’t think anyone feels that the arrangement the school made with current director was the proper one to make, and even though it doesn’t matter to me either way now, it’s still nice to hear that there are at least a few people there who understood and supported what I wanted to do. Moving on.

That’s all I have for now – happy end of the weekend to everyone, and I hope you all have a great week!

 

Makeup Work

Before I talk about my latest portrait sessions, enjoy a random shot of Simon:

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Simon likes to sit on this teeny little cat tower we bought for Violet when she was a kitty. It only has one little ‘bridge’ at the bottom but I Photoshopped in a second one for symmetry. 

I hadn’t been much in the mood for portraits the past few months, but two weeks ago I woke with the urge to put on a full face and play around. Ever since discovering the Portrait Pro plug-in about a year ago, I’ve gotten a bit lazy with my makeup application before a shoot, just because I can add so much of it when processing that it at least feels like it saves me a lot of time (applying a full face of photography makeup can take up to two hours). But in going over many of these shoots, I found myself getting frustrated with the limitations of the software, and how my end results just weren’t as good as I wanted them to be. More specifically, I was feeling like my recent portraits were not as good as they used to be, and I looked everywhere to find the culprit, thinking it was primarily some issue with my lighting that was off.

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The primary problem I was having with these portraits was skin tone; even with the editing software I kept ending up looking kind of ruddy and ‘off’ or over-processed when trying to correct it, and the tones just weren’t very rich in the end, and it was throwing off the whole photo (in my picky opinion). But I would go back to previous shoots and clearly see how much more vivid and rich the shots looked in the end, and how much more natural the shots ended up even with a ton of processing. I didn’t really know the makeup short cuts I was taking were the culprit when I set out to do apply a full face a few weeks ago, but once those shots were done the results were obvious.

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All these shots were so much easier to edit, and I had way more flexibility in how much manipulation I could do with the tones and lighting. And a lot of that came down to not needing to edit the makeup as much as I’ve been forcing myself to do lately. A “full face” for me is no joke – I start with an orange color corrector to cut the darker blue tones I have due to sun damage on my face (drag queens use orange to help conceal their five o’clock shadows) then apply a heavy Derma-blend foundation, and three different highlighters over the forehead, nose, and cheekbones (Derma-blend, NARS Illuminator, and a MAC cream highlighter). After blending all of that out with a sponge, I contour with a powder from MAC under my cheekbones, along the sides of my nose, and heavy on my chin to try to make it look a little shorter since I have a long face. I also apply a lot of highlighter under my cheekbones just to make them look more pronounced – I think you can see the effect of that in this shot:

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This was inspired by a photo the drag queen Trinity Taylor posted on Twitter; she had on a brightly printed top, cinnamon-colored hair, and orange lipstick, and I wanted to give it a go myself. 

Because my makeup takes so long to do if I’m really going to do it properly, I’ve started applying it in shifts when prepping for a photoshoot. If I do it all at once, by the time I’m done I am already so bored that I have to re-energize myself to take the pictures, and I also start getting really sloppy by the end of the application process. So, what I now do is get all the foundation and highlight/contour applied, then take a break. I may do a few things to set up the office/studio, like set up my lights or get the backdrops unfolded and propped against the wall, or take the dogs out for a bathroom break – just something to break up the monotony of staring into a mirror and applying makeup.

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The eyes take the most work for me; I’ve always known to apply a lot of black eyeliner and shadow, and to darken my eyebrows as much as I dare (even when being lazy and not applying a full face), but one thing I hit on last month was that applying a brightly colored liquid liner to my entire eyelid makes my lids pop in a way they don’t do otherwise; since I’m approaching 50, my lids are starting to droop, and they were never very big anyway, so they tend to disappear in photos. In my first of the two shoots, I’d applied a lime green liquid liner made by Lime Crime, and you can see how it really made my eyelids stand out in a way that, in the photos, actually looks pretty natural (in reality it looked very heavy-handed and costume-y, but who cares).

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The trick is to apply it to the entire lid, and then extend it a bit higher than that, so that if your eyelids get concealed a little bit by less-than-taut skin, they will still pop on camera (obviously the Trinity Taylor-inspired pic is from a different session, where I went with a different eye makeup look and didn’t use this technique). It’s amazing how much difference such a little detail makes in a photo, but it really does help quite a bit. In fact, my Lime Crime neon liquid liners are really old, and I need to dash over to their website and pick up some more since the ones I have (a neon green, a bright eggshell blue, and two shimmer liners in gold and silver) are almost done.

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For this shoot, I also used some more of my face stickers I bought around Christmas last year; the nice thing is that you can wear them in the shoots and Photoshop them out quite easily if you decide you don’t want them in the shot later. 

Other than that, I sometimes use the tape technique of placing a piece of Scotch tape on the outside of each eye, from the outside corner of the eye up to the edge of the eyebrow, to get a nice sweep of eyeshadow that is even on each side; this works well when creating a cat-eye shape with dark liners and shadows, which I usually do. And false eyelashes are really amazing eye enhancers, but I just cannot apply them properly or tolerate the lash glue, so I do add all my lashes using Portrait Pro (I apply mascara as usual, but in photos it just doesn’t show up at all). I tried blocking my brows to create a more exaggerated eye one time, but ended up losing a lot of eyebrow hairs in the process (and I already have thin brows) so I don’t do that anymore – if I want a higher brow line, I move my natural brows up in Photoshop instead, as in this picture:

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Sweaters are tricky for photos; they’re hot, which is a challenge under studio lighting, and the fabrics can look dull and heavy. But this one had sparkle and those two great zippers that I thought would add interest. 

After applying my eyes, I’m usually ready for another break, so I eat some lunch or maybe start some laundry and finish setting up my camera and props for the shoot. For some reason, working in shifts like this keeps me from getting impatient and frustrated, and it sets a more relaxed mood for the whole shoot (I can start to feel rushed if I don’t pace myself, and I’ve learned the hard way that bad things happen when the photographer AND the model get rushed. At the best, you just end up with  bad pictures, but at the worst you end up getting sloppy when moving about or handling equipment, and something expensive gets broken).

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This top was a fun discovery; in Goodwill I just liked the look of the polka dotted top peeking out from under the black sweater, but when I got home and put it on I was pleasantly surprised by the sleeves! They’re actually quite puffy and it creates an interesting shape; I had to get really creative with my posing to show them off, which happens sometimes when interesting sleeves are involved. Honestly, if this top wasn’t already worn out I’d add to my wardrobe – the sweater is dingy and pilled, though. 

For final makeup touches, I apply one of Laura Mercier’s sparkly powders in all the highlighted areas (you really can’t get enough highlighter, it’s true), apply some blush in both cream and powder form, do my best to contour my nose and jaw line, and apply my lips as best as possible – I’m not good with drawing on bigger lips, and I usually use a liquid long-wearing lipstick for photo sessions, so I just use the wand to apply a line right outside my lip line, then fill that in. Sometimes it works, sometimes not, but even when it works I usually end up having to fix some sloppy lipstick work later. Fortunately, it’s not too hard to fix. Then – and this is really important – I apply Derma-blend to my neck, chest, and arms; I have a lot of sun damage that, if it shows up in photos, is very hard to work with. There’s a million different tones to it, and dark spots, and all that skin ends up not matching my face or even some other part of the neck or chest. The Derma-blend is so high coverage, though, that it evens things out nicely, and makes those sun damaged areas much easier to work with later.

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The wig is actually a magenta color; had to use Photoshop to turn it red. I did a better job with that in the second shot; it’s actually tricky to do without also turning the background a different color around all the little flyaway hairs. 

The second shoot – the one these two photos right above came from – was a bit tricky because I got half of my makeup on, then remembered I needed to pick up some medications from the vet before they closed (it was a Saturday, so the vet’s office closed at noon). I only had my foundation on at that point, so even though it irritated me to do it, I put everything on pause to zoom up there and get Penny’s meds. Then, since I was out already, I figured I’d stop by our local Goodwill to see if they had any tops I could snag; I woke up inspired to play in makeup and take pictures, but I was running a little low on new things to wear in them, which is another thing that always ends up frustrating. Sometimes I’ll think, oh I can just throw on any old thing for these photos, since it’s only my head and shoulders showing anyway, but that rarely works out.

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Overalls are great, though. As are pom-pom headbands. 

The truth is, interesting tops are super-helpful for portrait shots, and way more important than you might think. A t-shirt doesn’t have a nice drape to it, and that material isn’t particularly attractive in a photo, so a sloppy top really can bring down an otherwise nice shot. When I hit up Goodwill, I’m always looking for tops with interest – high necks, textured materials, interesting details, flowy fabrics, vibrant prints, anything I know will add pizzazz – and on this trip I scored some real winners. The Hotrod Angel photo has to be the best acquisition, though; if you notice in those two shots above, one side is the front of the top, and the other one I have on backwards where there was another awesome logo (wearing tops backwards is a trick I employ often, if the back has more interest than the front). I didn’t even realize the back of that top had anything on it until I got home; as soon as I saw the front of it I knew I had to have it. It was a junior’s size small, though, and I barely got it on, and I even thought I might have to cut myself out of it, but it stretched just enough for me to save it.

So much more to process from these two shoots, but that’s all I have for now. So what have I learned? Patience, and planning, and proper preparation make for better photos. Seems I should have known that already, but shortcuts are always so tempting…more to come!