Back Dropped

Let’s catch up and look at random photos while we’re at it, shall  we?

apples
And I do mean random.

I’ve processed some more of the photos from the Ruah retreat, but I have to say that I’m not thrilled with the pictures overall. Granted, my outdoor/landscape/architecture photography skills are weak already, and I definitely did not shoot in the proper light at the time (which due to the cloudiness and storms could not be avoided) but I also think I chose the wrong lens for these shots. I used my wide-angle lens so I could get into some tight spaces, and also to get some lovely panoramic scenes – but there really weren’t a lot of panoramic scenes to photograph, and most of the tight spaces weren’t that interesting (the chapel was the main exeption). I think the outdoor shots would have been prettier with my 50mm, maybe, or perhaps my telephoto lens for better depth of field. Everything looks too sharp and crisp and ultimately chaotic to me, and I’ve had this issue with the 17-40mm before, just have never identified it as the problem.

ruahside
Ah, the joys of being a self-taught photographer who basically knows nothing.

So I did my usual – filtered and textured the hell of the shots to make them interesting, even if I couldn’t find them aesthetically pleasing. I may be taking another trip there sometime this summer, since I didn’t feel like I stayed long enough the first time to get everything I needed to out of the experience, so perhaps I’ll try again.

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Photoshopped myself from another shoot into this shot – it was only marginally successful.

One thing I’ve gotten into the past few months is purchasing and using different pop-up backdrops for my photography; I’ve been using some basic ones (black, white, and gray) for years, but when I started making wig videos again I became really irritated with all the grain and banding I could see in the solid background I was using. I tried using software to reduce the noise, but it would soften the video too much and I’m a stickler for clarity. So in the end, my solution was to buy a gray mottled background which would camouflage the grain, and that’s the background you now see when you watch my vids.

Statement Piece
Exhibit A

In searching for a gray pop-up, I stumbled across tons of other interesting ones that I wanted to try; unfortunately the more interesting the background is, the more expensive it is, so I haven’t tried as many out as I’d like.

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A few examples

Once you get away from basic solid colors or mottled ones, these suckers get pricey. The two pictured above (they’re reversible) run anywhere from $150 up to $220 depending on where you buy them, so I haven’t pulled the trigger on them just yet. And by the way, they are called pop-ups (if you don’t already know) because they fold down into a small circle the size of that blue case you see in the left and right pane of the collage (the middle shot is just to give you an idea of their size). Fun fact – folding these backgrounds down to fit into that circular case is A BITCH. As proof of this, there are probably about eight million videos on YouTube of people showing how to fold them, and I STILL struggle to do it every single time and have to watch at least ten of them to get it done. In fact, the gray one I use for wig vids is still popped open and sitting out in the hall because I haven’t had the energy to put myself through the anguish of wrangling the thing back into it’s case – I am literally almost in TEARS every time I have to do it because it’s so frustrating! I am incredibly challenged spatially; I have no sense of direction and have to stop and think if you even tell me to raise my right hand because I am not sure at first which one of two hands that is, so that’s probably why it’s so difficult for me to do. Here, allow me to show you a video example so you get the idea of what I’m talking about:


Make sense now? Yeah, I still don’t get it either.

One day I’l have to make a video of ME folding one of these suckers; it would start with me wrangling it to the ground using my legs to hold it to the floor, then getting popped in the face when one end snaps up, then me falling over, getting up, picking up my glasses that have been thrown across the room, then me wrestling it to the ground again, getting popped by the other side when it flips back open, then me picking the whole thing up and throwing it across the room and throwing myself on the ground in a fit of tears, then leaving the room and coming back with some chips and a soda and sticking the background, fully open, into a corner, and giving the cat the little round carrying case to play with since I’ll never figure out how to put the background back into it. DONE.


Although I love how this chick does it so quickly the hooker in the corner doesn’t even have time to put down her phone (just kidding, I ‘m sure it’s just a model. Or a drag queen.)

ANNNNYWAY…my real point is that in all my searching around for interesting backgrounds to use I came across two that I just had to have, even though they were $180 each. After I got them in, I used them for some quick test shots – some of which you’ve already seen.

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These are called Lastolite Out of Focus Backgrounds, and they’re the only two styles available that I’ve seen. Wish there were more, even though they’re pricey.

The set on the left I’ve already used and I shared some of the photos from that shoot in a previous post:

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I am pleased with the green foliage background, but the so-called “city lights” side didn’t thrill me all that much. After using this one a few times, I became obsessed with getting the other one; both sides looked like they’d take some lovely photos, but I had to wait awhile for it to get back in stock in one of the three places I managed to find it on the internet. I thought the beach scene side was, obviously, seasonally appropriate, and I was anxious to try it out:

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Yep. This works for me.

I actually went ahead and bought a stand to hang these behind me, because they are smaller lengthwise than my other backgrounds, and I couldn’t just stand them on the floor like I can those.

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What do you mean Photoshop? Me? Never heard of it.

I couldn’t be more pleased with how lovely the beach side turned out. I love the subtle wash of color it creates, and you can’t see it in these shots but there’s actually a little bit of the sandy shoreline running along the bottom edge.

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Another totally natural shot. I hate makeup.

Now, I was pretty excited about that beachy side, but the real deal-clincher for me was that fiery yellow autumn background. When it comes to photography, I am a sucker for some fiery reds and yellows and golds – I love it in makeup and I love it in fabrics, and I LOVE IT in this background:

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Yeah this wins.

That wig, by the way, is one of those fabulous $19.99 ones I get from Sam’s Beauty online (don’t go there, seriously, you will lose HOURS looking at hair) and cannot ever wear out of the house but will wear AROUND the house for days feeling like Carole King or Oprah Winfrey in a curly phase. And that background! GAH! It is beautiful. So worth the money.

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Photoshop trick stolen from drag queens: I am not skilled at blocking out my natural brows the way drag queens are, but I do sometimes use Photoshop to raise them. Really changes the look of the whole face. Here, I moved them to just above their natural placement, then used some other trickery to cover the natural brows with “eyeshadow.” 

I also finally switched out the big, wall-sized background I keep tacked up in my office from  black to gray, and did a few jumping shots that I haven’t work with much yet. In fact I only have this one:

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The leap was pretty boring, but I’m not gonna lie – I processed this shot solely (no pun intended) because I was happy with my feet. I almost never jump in bare feet, because I am so NOT a dancer and my feet usually end up looking awful; but this was just a test shot so I hadn’t put my shoes on yet. But, I actually managed to point my toes pleasantly, so I had to work with this one. Since it wasn’t very thrilling, I did the usual and filtered and textured the hell out of it in the hopes that someone might find it interesting. I actually think most people are just gonna notice the feet.

That’s all I have for now; I have some updates to my work situation that I’ll post later on the private blog – as I move out of the classroom and venture out on my own, I may at some point go back to posting the more personal stuff publicly, but for now I’m still keeping it locked down. Happy Wednesday, everyone!

The Agony of Retreat

I did go on a brief retreat this week, and while there was no agony involved, once I thought up the title it amused me so much I had to use it anyway. Moving on.

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The chapel at the Villa de Matel – never was able to get a decent photo of it before

There’s an old convent in Houston called Villa de Matel that has a retreat center on the property; it is in one of the older parts of the city and the grounds are quite lovely. There’s about 70 acres of land overall, with beautiful walking trails surrounded by magnolia trees and high branches dripping with Spanish moss. Unfortunately, on this trip Houston was experiencing another round of Biblical-level flooding and rains, so I was unable to take photos of the trails as they were basically swamps. In fact, I was only scheduled to spend one night at the convent’s retreat center – which is called Ruah (Hebrew for ‘spirit’) – but all the roads leading to my neighborhood were rendered impassible by flooding overnight, so I stayed on another day and waited for the water to go down. Actually, I could have stayed longer as I felt I was getting a lot out of being there, but I hadn’t packed for an extended trip and hadn’t taken care of some odds and ends at the house that needed to be dealt with before the end of the week, so I reluctantly drove back after the second night.

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The chapel exterior

The first day’s weather was OK for awhile until the storms blew in, so I did manage to get some shots of the convent’s buildings and grounds that were concrete-adjacent, which I could walk  on without sinking into the muck that all the grass and walking trails had become from the previous round of thunderstorms, so that was nice. But I’m not much of an architectural or outdoors photographer, and I actually like a lot of the photos I snapped with my phone better than the ones I took using my 7D. The one directly above was taken with my iPhone, but the shot of the chapel was taken using the Canon.

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The oratory in the Ruah center wing of the main building – this was where I spent most of my time this trip. I find each time I go I am drawn to certain areas, and it’s always different. I sat on the floor in here for hours writing and scribbing in a journal. There was only one time someone else even came into the room while I was there.

I’ve also taken photos at the convent before, and although it’s changed a bit since the last time I was there, it hadn’t changed all that much, and I got bored rather quickly since I was just re-taking photos I’d already snapped previously. Although the last time I took photos there I did not have either a decent phone OR camera, so I did want to get some better-quality shots even if they were duplicates of earlier ones. It just wasn’t all that thrilling to do.

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View from the second-floor covered balcony, across from the back entrance to the chapel. This was a wonderful place to sit and watch/listen to the rain – the chapel roof is metal and gave the rain a musical quality.

To stay at the Ruah center, you are assigned a spiritual advisor with whom you are required to meet at least once. When I first started coming here back in the 90’s, that wasn’t a requirement, but for whatever reason they changed the rules eventually. The other times I visited (this was my fourth visit overall), I met with the advisor since I was obligated to do so, but I did not get much out of it. This time, however, I had a lot on my mind in relation to my recent job upset, so I got a lot of use out of that spiritual advising time. My first day, my advisor met with me for two hours. When she found out I was staying an extra day to avoid driving in the floodwaters, she met with me again for another hour. Then on day three even though I was leaving, she met with me again for another thirty minutes. Each time we met, she recommended Bible verses, prayers, reflections, and questions to ask myself during my silent time (the retreat center is silent, and guests are asked not to speak at all while they are there). Even though I’m not all that religious, I’m not offended or put off by religion and I do believe in God, so I was OK with her guidance and took it all to heart, and it was all very helpful.

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The covered balcony referenced in the caption for the previous shot

The way I  discovered Ruah in the first place was when in my twenties and very broke I mentioned to a friend how frustrating it was to never be able to get away for a little vacation, and she mentioned it to me as a place I could go without having to spend much at all. At the end of your stay, you simply put however much you are called to pay into an envelope and leave it in a mailbox by the front door, and that’s it. When I was in my 20’s, that was sometimes as little as $35, but there was no pressure or obligation to spend more. I got a small room to stay in, three meals a day, and an entire two floors of the convent to spend my time doing whatever I wished as well as the freedom to walk all the beautiful grounds. They still operate under the same system, so even though I pay more than $50 now because I can, it is still a wonderful way to get away. There’s no stress or hurry or worry and everything is geared towards reflection, meditation, and peace. I’m not sure why I stayed away for five years (perhaps the insanity of the job I’ve had for the last four), but I intend to get back there sooner this time around. And the fact that I actually got to meet with an advisor every single day for no extra fee – as I said, it is in fact a requirement – was pretty amazing. The whole place is a secret gem hidden in the heart of the city, and whenever I mention it to people they are unfamiliar with it – such a shame since it’s such a wonderful place to stay.

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The chapel foyer – an oddly framed shot but the space was quite small and the light was non-existent, so I had to make the best of it

Some of the things I was able to reflect on while there involved my perception of what it means to have, or leave, a job. I have a very deeply-rooted middle-class belief that you take whatever job comes along and never turn  one down, and no matter what, you never quit – at least not until you have something else lined up. Well, I really screwed the pooch on all that this time, and it’s been really stressing me out to have nothing lined up to do next. And I’ve never believed that a job was a “real” job unless it involved an organization and a hierarchy and an accounting department that cuts you a check twice a month, yet leaving all that behind and striking out on  my own is exactly what I’m considering doing now – and it terrifies me, fills me with anxiety and dread, and makes me feel terribly guilty. So yeah, I had plenty to fill my journal with this trip!

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We also touched on how addicted to drama I am, and how I disregarded so many warning signs when taking that stupid job in the first place, and how I can be a better judge of such things in the future. Listening to the warning signs when they are being given to me, instead of ignoring them to fulfill that familial belief that you never, ever, say no to a  job, like, EVER; and recognizing when I am getting ensnared into other people’s drama and getting myself hooked on it are going to be two big tasks for me moving forward. Not going back into any sort of structured or organized educational environment will certainly help with this, but leaving it behind has been difficult, as I went from knowing everything that was going on behind the scenes at my workplace to being completely shut out within 24 hours, and I’ve literally been having drama/conflict withdrawals as a result – mostly because I’ve been worried what people are saying about me, as if that matters anymore. Sad, but true!

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Entrance to the main Villa de Matel building. Most of the second and third floors are dedicated to the Ruah center. The windows on the third floor are all dorm rooms.

I was encouraged to take myself back to my childhood (of course, aren’t we always advised to do that) and try to reconnect with what I wanted to “do” when I was little, before all the expectations of others kicked in, and that was a tough one for me. I had to sit on it for quite awhile, but then it hit me in one big rush of remembering: when I was in fifth grade, I decided I wanted to be a writer. It wasn’t something that I talked about much, and the way I  was raised, girls weren’t encouraged to do much aside from get married and have babies, so it was a small little desire tucked away in a corner of my mind, but it never totally left me, and through my quiet high school existence, it was one of the few ways I actually distinguished myself – occasionally we would be asked to write something creative for an English or History class and I would impress the teacher with my talent, once they figured out just who the hell I was since I was so quiet I doubt they even recognized my name at the top of the paper. Even in college (where I was not any more visible to my professors) my English profs would single me out and encourage me to change my major (which I eventually did, to English Lit. with a minor in Creative Writing).

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So right about now is when the pictures start to get weird. But you know with me I’m always gonna do a least a little bit of over-processing. This was actually the stairwell from the pipe organ loft in the chapel; right around the corner is a stained-glass window and the walls are painted light blue to enhance the effect. In reality it’s more pretty than creepy, but I went with creepy when editing.

As some of you know, I dabbled in poetry for about 15 years but always found it very difficult to write, even if in the end I wrote some great stuff, and I abandoned it when I discovered photography, which is a HELL of a lot more fun for me to do. I made some attempts at writing fiction and even took some classes, but I am not a plotter and although I wrote some lovely vignettes, nothing in my stories ever actually happened. And writing fiction wasn’t any more enjoyable to me than writing poetry, so I eventually switched to teaching English and everything that led from there you probably already know.

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The pipe organ in the chapel; it was a very small balcony area so I couldn’t get a decent angle to take a good shot. Really not a good photo, so I processed the hell out of it to try and make up for that. 

I have some idea of what this might mean to me and where it might take me, but I don’t want to reveal that info right now. Mostly because I might change my mind tomorrow, but also because if I share my ideas it will make me feel pressured to make progress on them, and I’m not in the mood for that yet. For now, I’m just clearing out the muddle in my  mind and making space for a new future. But radically re-thinking what work is to me is definitely rattling around; it just needs more space to move and I still have a lot of cobwebs to clear.

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This was the roof of the heritage building; obviously I edited the hell out of this. The sky in reality was cloudy by the time, but not that interesting sort of cloudy that makes a photo look textured and cool – mostly the sky looked solid white and really boring. But I liked the placement of the sun and how it appeared to be glowing over a roof  which I thought had a UFO-like quality. 

I worked on a lot of the disappointment, betrayal, and heartache I experienced over the past month, too, and I did have a lot of guilt I needed to let go of. I haven’t reached full closure on either of these issues yet, but I got a good start on them. A few things I realized were that all my worry and bother over the fact that my final act might have ruined the good reputation I built up there over four years was a waste of time, because in the end, while a good rep is nice to have and all, it certainly isn’t worth my sanity, sense of peace, and self-respect. If walking away gave me back all that, it’s still a better trade than staying at a place that was determined to devalue me, disrespect me, and take advantage of me until I was either burnt out or used up entirely; a place that was too busy using its employees to serve itself to ever give me the level of respect I deserved.

Photo Jun 01, 10 03 26 AM
A bit of a detour here – my great-grandmother lived across the street from the convent, so I drove by and snapped a photo of her old house. This was taken from my car, while those two ladies looked at me like I was crazy. Funny story – I posted this on Facebook and both my mother and aunt, who both practically grew up in this house, insisted it was not the right house. I had to go to Google earth and show them that photo before they would believe me! 

And I’ve felt guilt, also, for leaving my students behind without saying goodbye, but while reflecting on that I heard an answer in my heart quite clearly: sometimes you just have to put yourself first. PERIOD. Teachers, in particular, as well as individuals working in any service-oriented industry, fall prey to this philosophy quite often; this idea that we simply cannot walk away from our OBLIGATIONS because people DEPEND on us and the world will just end, and we will be horrible people who are fully responsible for it, if we do. But everyone has times in their lives when they must stop sacrificing all their happiness for others and simply save themselves. And this was one of those times for me. And if my actions made some of my former students angry or upset, then so be it. It sucks, but I HAD to do it to save myself.

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This quote popped up on a little placard in the corner of one of the Ruah center rooms my second day there; I swear it wasn’t there on my first day, so I convinced myself it was put up specifially for me. It wasn’t, of course, but the quote still spoke to me, so I put it in the sky of my UFO-roof photo. I rather like it!

Now, the fact that my action upset some of my former bosses? I have zero regrets about that. Because the fact of the matter was, they’d all come together to create a situation that benefitted themselves, but put me in a real bind, and they had no problems with it whatsoever, and they ignored me when I tried to tell them that what they were doing wasn’t right or fair. So knowing how upset they were when I left indicated to me that I’d finally taken this huge problem they’d dumped in my lap and managed to dump it back on them, where it belonged. They were the ones taking advantage of their titles to pursue other interests on a weekly basis during school time without having to relinquish their status or power, so let them be the ones to figure out how they were going to pull it off. The only way for me to put that problem back on them was if I left immediately – otherwise, they were going to spend that last school week breathing down my neck, forcing me to set everything up for them nice and neat so once I was gone they wouldn’t have to figure anything out for themselves. And that, at least, they did not force me to do. But only because I didn’t stick around long enough for them to try.

Spring Brake

Once again I have to say I’ve been way too busy to type up blog posts, so there it is. And here’s a new one, since although I can barely believe it, Spring Break is here and I have a week off. It feels like we’ve just barely gotten past January, but it’s mid-March already and the school year is zooming by quickly. It’s been a tough year in many ways, some of which I’ve written about on my private blog, and some I’ve yet to share because I’m still processing it all. But for those of you who follow me there, that big old blog post of crazy will be going up soon.

For everyone else, there are more wig videos to come (have two more arriving tomorrow) and a few new photos to share. I finally got a chance to dress up and shoot the last Saturday, so I’ve worked on a few since then and will continue to work on more. I haven’t taken real photos since December, so it’s been awhile. I also worked over some old shots back in February when I didn’t have anything new to edit:

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I’m still playing around with the Portrait Pro software I bought recently, and it’s a real blast. I over-do it a lot, but I’m learning how to apply the effects with a softer hand – although on occasion I still do too much and the photo comes out looking way more edited than I’d like. In those cases I usually just add some texture or surface effects to disguise the over-smoothed skin (which is my biggest downfall).

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For my last set, I also played around with lighting a lot, which was great fun, but it means my usual editing techniques don’t work as well, and sometimes the end result isn’t quite what I want. In the photo above, I’d used a softbox to hit my face with more light, which eliminates a lot of soft shadows and small detail from the face. The result is a more ‘high-fashion’ look (in my opinion) which a lot of hard shadows and angular edges, so a face can end up looking a little ‘flat.’ It’s not a bad effect, but it requires different editing, and although I really love that photo it doesn’t look much like a real person. So, I added a texture to it to give it an even more animated feel. Sometimes you gotta go where the photo leads you, after all.

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This one worked out better; I wasn’t using the softbox when taking the picture, so you can see how much softer and more dimensional the face looks from the start. Also, in case you’re interested, that dress was actually a mauve color that I edited to look gray; I didn’t really realize it when I chose the dress to go with that wig (I really chose it because I ran out of my usual photography makeup and was trying to find something that would cover me all the way up to my neck; in photos I use makeup on my neck and decollete that’s a different color from what I use on my face to get a good match, but I ran out on the last shoot and forgot to buy more) but when looking over the shots I noticed that the white curls on the wig mimicked, at least to me, the flowery swirls in the lace on the dress, so I wanted to emphasize that more by making the dress the same color as the dark black hair on the wig. Black was a bit too dark, though, because I also wanted some of the shine from the material to show, so I went with a dark grey. The result was a much more unified and interesting photo.

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In this shot I was once again using different lighting, but I think I did better at editing the skin even though it’s probably a bit TOO alabaster-looking to be considered real. However, I think that works with the dress and the hair anyway so I’m fine with it. And although the dress color in this shot was also edited, I went with more of a dark blue this time than gray. I’ve also been continuing to mess with the face sculpting controls in Portrait Pro to alter my look; in some shots I still look like me albeit a much better, less-wrinkled version; in others I let Portrait Pro edit me until I was practically unrecognizable. I usually use the program’s pre-sets first and then, if I don’t like what I get, I go back and change things on my own – in this next photo, PP gave me a serious Angelina Jolie/Julia Roberts edit, and who was I to argue with that?

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This is another one I shot using the softbox, so again you see how much depth is removed from the face when using it. Also, I thought this shot was going to be impossible to get right, because in the original my face was about 15 different shades (from not having my photography makeup again and improvising with my day to day stuff, which isn’t nearly as heavy in coverage) AND on top of that there was a big shadow on my nose from the hair blowing around that made it look gray. And yet I actually managed to salvage it, albeit with a TON of editing. The wig in this shot, by the way, is the Bennett I reviewed last week. This next one is another one of the wigs I recently reviewed – the Aria by Rene of Paris. It’s a gorgeous color to photograph:

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And yep, this is one of those shots I felt I over-edited then added a bunch of texture to try and conceal. My skin looks practically plastic in it, but I love the way the hair is moving and that color – it really can’t be said enough – is unbelievably gorgeous both in photos and in person. And keep in mind that in all of these five new photos, I was wearing the same makeup, and used Portrait Pro to make all the color changes. I can’t say enough about that program, if you love working with portraits it’s the best thing I’ve ever come across for processing.

Coming up soon – more photos, and of course, a few more wig reviews. I still need to film the Soft and Subtle by Gabor (a major disappointment, so stay tuned), a new Kristen by Renau in one of the new Chocolate Collection colors, the Tessa by  Noriko in Butter Pecan-R, and another Robin by Noriko in Harvest Gold (I’ve always wanted to see what a longer wig would look like in that color, and we all know I love Robin). So stay tuned! And for those who follow the private blog, keep an eye out for a new post there, too.

All For Taught

It’s been a minute since I posted anything, but a lot has been up in the work department and I’ve been busy. A few weeks ago, I was given one section of AP English Literature to teach, and while it doesn’t involve a lot of planning or grading since another teacher is doing all of that, it still eats into my available time and increases my workload. So, for the most part, I’ve been chilling out once I get home and doing a lot of nothing to make up for the added stress. I not only haven’t been writing on my blog, I haven’t been reading anyone else’s either, so sorry about that. I’ve thought about writing a post many times but haven’t been able to muster up enough enthusiasm for it lately to actually go through with it.

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Before I got busy, I was still working on the photos I took over Christmas break, and I have more I’d love to process once I get back in the mood for it. I’ve also (obviously) been playing around a lot with the Portrait Pro software I talked about last time; I’ve discovered it works best on portraits that are positioned directly into the camera; even a slightly off-center post as the one above can cause problems. The software will still ‘work,’ but the changes the software can make tend to be less radical and have the potential to look more fake. But, I’m still learning.

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Aside from work, I’m not even sure what I’ve been doing. I will say that Logo television just announced the contestants for Season 8 of RuPaul’s Drag Race, and I could not be more excited about this lineup. Last year’s contestants were fun enough, and I did not hate the season as much as many hard-core long-term fans did; but I didn’t realize just how bland most of them were until I watched the promos for these 12 queens; man there are a lot of strong personalities and unique styles of drag being represented this time around, and I think it’s going to be a ball to watch. My early favorite is Bob the Drag Queen, and if you haven’t ever seen his performances before be sure to check a few out on YouTube; she’s unique as hell and edgy to boot. March 7th cannot get here fast enough; I’m so glad Logo isn’t making us wait until May again this year.

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I bought a whole new slew of costume wigs that at some point I’ll drag up and take photos of, but that may not be until Spring Break with the way things are going. I haven’t much been in the mood for all the work it entails – but I did get the urge to take photos last weekend without it involving any prep work on my part, so I packed up the car and headed out to the airport, where I spent Saturday taking shots of planes. The weather was lovely, and the planes were landing on the runway opposite the main observation area, so I got some nice shots of planes I’ve never photographed before. It was a nice little outing and gave me the chance to scratch my photography itch without having to apply makeup.

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China Cargo

And actually, these next two shots are from the trip I took out to the airport with my father back in December; the trip where the weather was awful and I forgot to use the proper camera settings. Most of these photos were crap, but I managed to snag a few nice ones:

2 planes

C-FUJZa

Wish I had more to say, but unless you want to hear about the symbols and motifs in Shakespeare’s Hamlet my head’s not full of much else these days. Hopefully soon I’ll get used to this new glitch in my routine and have more time for typing and taking photos. Until then, I’ll at least try to keep up with other blogs and photos over on Flickr; I’ve been pretty absent from both places lately. Happy weekend, everyone!

Portrait Control

A few days ago, I clicked on a link that kept showing up in my Facebook feed for some software called Portrait Pro; I don’t generally pay any attention to those links so I’m not sure what motivated me to do it this time – but as it turns out, I’m glad I did. I recently paid over $100 for another portrait program that I was just figuring out how to use; I liked it fine but it wasn’t anything thrilling, just a very good skin smoothing and softening program without any fancy bells and whistles. So, it wasn’t like I needed anything else at this point, but after spending about two seconds with the freebie trial version I realized I had to have it:

Changing face shape and other features has been part of my photo editing for awhile now, but I’ve just been doing what I could get away with in Photoshop without being able to really go for it. This software was available as PS plug-in, which made it even more appealing to me, and the controls are incredibly easy to use as well as providing sliders for just about every little thing, so I can really control the final results. I’ve only had time to edit two photos so far, and admittedly I went overboard (especially on the first one) but so far I’m pretty amazed by what this program can do.

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I used Portrait Pro not only to soften skin here, obviously, but in no particular order, I also changed my face shape, change my eye color as well as add a ring light reflection, move my eyebrows down a little and trim them, plump up my lips, add eyelashes, blush and highlighter, a different lip color, change my eyeshadow color as well as the shape of my eyes, widen the distance between my eyes, lengthen and slim my nose, perfect my skin tone, shorten my chin, and add light and shadows to my face. And other stuff I probably forgot. Because I made each change on a separate layer, this took a pretty long time, but photo editing is like being a kid scribbling in coloring books to me, and I can do it for hours anyway.

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I decided to work with this photo because I found it rather funny, I clearly had blinked during the shot, and something about the way I was holding my hand just made me look really tired and kind of over it, whatever “it” was. I really didn’t expect the software to improve the photo so much it was no longer goofy, but it did a hell of a job on that half-closed eye and actually turned it into a nice photo. It was harder to work with this shot since the program struggled a little to properly locate all my features, but if you watch the video I linked at the top of the post you’ll see how it works, and that you can easily move the detection points around to get them placed properly.

I can’t wait to work with the program more; my mind is reeling with the possibilities, but as I mentioned it takes a great deal of time so I can only work on about one day. Certainly you could just open up the program and edit the entire photo at once, but I don;t think you get the most realistic effects that way, so I literally just work on one portion of the face at a time and put them onto layers in PS – the eyes, then the eyeshadow, then the nose, etc. My poor old computer really grinds away at stuff like this and moves slowly, but I get it all done eventually. I’ll share more later when I have them.

 

 

 

Picture Imperfect

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New Year’s Eve day (is that an oxymoron or a paradox? or neither?) I had  a few errands to run, and while I was out I popped into the local Pier 1 that is in the strip center where I was picking up some other things. They had a 50% off sale for Christmas items, and since over the years I’ve used a lot of stuff from the store in my photographs, I always stop in there when I’m nearby (while I share some photos and talk about this shoot, I’ll also work in a few other random shots for older sessions that I’ve edited while on vacation – both the one above and the one at the end of this post).

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See that furry little bird there? It didn’t survive the shoot – or rather, the wrath of Simon.

I had a free day New Year’s Day, since Doug and I typically don’t do much and just hang around the house, so I got all gussied up and jumped right in. I’d purchased several wigs over the past few weeks that I wanted to try out, so between those and the props from Pier 1 I figured once I got my makeup on and set up the studio I’d be good to go:

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Unfortunately, the photography gods were not smiling on me this day – or rather, the prop gods weren’t on my side. Neither was the god of unruly pets; my biggest issue on this day was Simon, who would not stop messing with my things. Every time I turned around he was knocking something over, trying to eat something, or making off with an item I needed so he could bat it around and play with it in a corner. I always have to keep him locked out when I am taking photos because he’s too curious and rambunctious, but on this particular day Doug wasn’t home and I felt bad just locking all the pets out of my studio for that long (silly, I know, but there you go). Normally Doug is here, and he keeps the animals occupied while I lock myself up in my office and snap away, but on this day I kept the doors open so the pets could wander in if they got lonely. In the end, I had to lock Simon out though; him knocking over an entire bottle of Coke from which I was sipping onto my makeup counter and getting everything wet was the final straw (no pun intended, but I did have a straw in the bottle since I always use one when applying my stage makeup so my lipstick doesn’t get messed up, and Simon LOVES straws which is what tempted him to knock the bottle over). Unfortunately, as I ran around I kept forgetting what doors I’d left open, and through the entire shoot I was finding him in the most disruptive places – the costume closet, for example. At one point I left the door where I had all my wigs and props laid out open since I’d just gone running in there for one item, and he not only managed to sneak in and out with a little feathered bird ornament I planned to put on my head, he then left it on the floor in the den for Sprocket to chew to pieces. Grr.

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The bird that survived

Simon was not my only frustration this day; my props just wouldn’t work with me, either. I started out OK, but the more costume changes I tried the more frustrated I got with how  nothing was working as easily as I’d hoped it would; clips fell off of ornaments I’d planned to pin to my wigs, this adorable little crown ornament would NOT stay pinned to my head no matter how hard I tried, a few really cool ornaments I wanted to wear as earrings didn’t have any way for me to attach them to my wig (I usually can use the string that hold the ornament on the tree to bobby-pin them to my hairpiece), and then there was the aforementioned cat-stealing and dog-chewing. About halfway through the shoot, I just said to hell with it and abandoned the props entirely, choosing to spend the rest of my time simply putting on the new wigs and flinging them about in the photos, which is probably what I really wanted to do all along anyway.

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The rare cooperative prop

Not only was all that a royal pain, but my camera was being finicky. It wouldn’t focus properly a lot of the time – a problem I also had when I went with my father to photograph airplanes right before the holidays – and I’m starting to think this 7D is in need of replacing. It’s not such a bad deal, since I knew I eventually wanted to upgraded 7D anyway, but it is a lot of money to spend for a new camera body so I was not wanting to make the purchase any sooner than I had to. The time may be coming, though.

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Even as I was viewing the results of this shoot on my LCD screen, I was pretty frustrated with what I was seeing. Throughout the shoot I felt that I wasn’t getting many really good shots, and for most of the time I was feeling irritated and discouraged. So imagine my surprise when I went to load the images onto my computer and discovered I’d taken close to 700 photos. I haven’t taken that many in one session in a long time; I’m sure the number of new wigs had a lot to do with it, but for whatever reason it happened, I ended up with a TON of really great shots to process. Don’t I always say that? Anyway, it’s true; once I could see the images on a full-size screen I was pleased to find so many I liked. And I made many costume changes, too, which I haven’t done in awhile, and which will make it more interesting for me to work with lots of shots from the shoot since there are many different looks to choose from.

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This was my second attempt at erasing my real eyebrows and drawing on fake ones that are much higher on the forehead – I think I did better this time but i still had to do a lot of smoothing in PS

I’ve been using my Portraiture plug-in religiously to smooth out my skin and even the tone, but I haven’t much gotten into the Retrographer with these photos since they came out nicely without all the extra processing. I’m sure I’ll play around with it more later, once I start to get bored with editing the photos straightforwardly and want to start messing around a bit. I’m still loving  both programs though; hours of fun playing around in Photoshop with them both.

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Ugh, I hate this. Didn’t come out at all like I envisioned, but I worked hard on it so I’m sharing it anyway.

More to come as always; school starts again on Tuesday and we have to report for a staff development on Monday, so one more day of relaxation and then it’s back to the grind. Hope your new year was festive and your 2016 shines bright! Let’s get to it.

Red China Dress Set

Remember that red dress I mentioned in a previous post? Well, it finally arrived – and as soon as I got a free day to myself I shot some photos in it. They turned out amazing, but I’ve only had to edit three of the shots so far; the end of the semester was flat-out awful (at least as far as my stress level goes) so I’ve not had time to post, visit other people’s blogs, share anything on Flickr, or do much of anything except work and cry the last three weeks so it’ll take me awhile to catch up. Sorry!

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In the photo above I was sitting on a small stool, but obviously I managed to edit out of the shot. The dress moves beautifully, although it is a heavy linen and a bit stiff; it’s also lined, so it was actually a pretty nice deal at $60. The shape of it is also strange, so it created some beautiful movement shots. I can’t wait to edit more – but first, let’s back up and take a look at a few more photos I edited from my silver wig set a few weeks back:

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I could easily edit more from this session as I loved the colors and the movement of the wig; in fact, I found two or three more wigs from the same company in this color and ordered those, too, along with some other fun colors I intend to play around with soon. One of them is shorter but still wavy, and then I bought two long straight ones. I also got this one jumping shot from that shoot:

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This one’s a bit of a composite in that I added more hair to it from another photo; the Robin wig I’m wearing here is lovely but it’s quite light and low density so it doesn’t create a lot of movement in shots, and I often take two photos of the wig in  motion and blend them together to give the illusion of more hair as well as something more interesting to look at. I’m also wearing a lot of my Oh My Gauze stuff here, which as usual photographs fabulously (oh, and my shaggy Free People cardigan I paid WAY too much for last year but have worn repeatedly since and therefore don’t regret it).

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Believe it or not, this is also from the same shoot; right at the end of the session I threw on a few other wigs and messed around a little, but I was already tired and uninterested in continuing to pose so nothing was much good at this point. But one night recently I got the itch to edit something, so I pulled this one up and gave it a go. it isn’t bad, but it’s not thrilling either, so I jacked around with the colors a LOT to get something going that I liked. It’s still just OK in my book, but at least it’s worth looking at now (at least I think it is).

Now back to a few more of the new red dress:

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In some of the photos I was actually leaping while in others I sat on stools or chairs which I edited out later; this one was an actual leap. My feet were sticking out at the bottom but I removed them in Photoshop, and I added a little texture to the background just because the black against that bright red looked a bit too stark. But you can definitely see how nicely the dress moves here.

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I’m cheating here, because this is actually a pose I’ve done before, but I liked the shape it created so I edited it anyway. I was actually sitting on an ottoman but it looks like I’m pulling off a nice little plie or something.

That’s all I have for now; tomorrow I am supposed to go out to IAH with my father to watch planes, so I may have some jet shots to share soon. But there’s lots more where these red ones came from, so you’ll be seeing more of those in the future too. If I don’t get back to blogging here before it happens, Merry Christmas to everyone who celebrates it! Even though I’m off I’ve got a busy week ahead with doctor’s appointments and visits with friends, so I’ll be back here when I can.

(Oh, and for anyone who has access to my private blog, I wrote a new post that you can find here. It’s mostly about work and friendships – you know, the usual).

Quick Silver

As I mentioned in my last post, I finally got a chance to put on the full face and take some portraits while I was on vacation last week. So here they are:

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That wig cost about $35 and is called Elveen, by Janet Collection. After a few hours of shooting, the synthetic fiber was starting to frizz and dry out noticeably; I have to comb through a wig every few shots when posing in them because they get thrown around and messed up so much, and brushing isn’t good for even a high-quality synthetic fiber, much less a cheaper one like this. On the plus side, though, the fiber here is heat-friendly so I could probably use a blow dryer or curling iron to smooth out some of the frizz. I wasn’t looking for longevity anyway; I was just so curious about this lovely color that I decided to try one. It is gorgeous; at least for photos. Although as a so-called “ethnic” wig, the lace front is way too dark for me. Moving on.

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Many people who’ve seen these photos have commented on the interesting makeup choice I made here; truth be told I didn’t intend to take all my photos in this wig and had several other costume changes planned, involving far more colorful stuff that would work better with all that orange and gold. However, I got the wig on and started snapping, and everything was just working in it so well that I decided to stick with it; I didn’t end up shooting much in the other wigs and costumes I’d picked out at all.

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This was one of the others I intended to use more – glad I didn’t

I was really surprised that even the makeup application process went smoothly; I found a stock photo online with makeup that inspired me and decided to copy, and even though i didn’t completely go in the direction of the photo, everything from contouring to shading and even applying false lashes went off without a hitch, turning out almost exactly as I planned and without any major screw-ups to correct.

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The photoshoot went the same way; well, at least until I took off the silver Elveen and tried some other hair choices – nothing else worked as well, and I was starting to get tired and bored by that time so my heart wasn’t in it. I tried a few leaping and levitation shots, but I’ve only processed one so far because by the time I got to that point in the shoot (I always save the jumping and movement stuff for last, since it tends to mess up the makeup) I was way too sloppy in my execution for anything to look stellar. Plus, it was really the silver stuff I was interested in processing, and I knew that by that time, so I probably shouldn’t have bothered. I did process one though:

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But back to the silver wig. After some straight up makeup and hair shots, I wanted to play around and create some holiday looks, so I dug out the Christmas stuff I bought last year at Pier One and decided to mess with it a bit:

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When I processed this one, I was annoyed with all that orange and gold glaring at me – although it did really work visually, I wanted to compliment the silver hair and sweater more than all that bright color was able to do. So, I actually used a black and white filter to change the makeup and layered it on over the original shot. Notice I even managed to pull off the stripey eyebrows – yeah I told ya, the makeup all worked out well for some reason this time.

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I was just goofing around here, obviously; I don’t think you can tell but I used Pixlr to add in a bunch of patterns to the ornament. If you look closely you can even see tiny birds flying around in there – those came compliments of a Pixlr filter. And yes, my nails were fabulous.

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One thing I noticed when working with these photos was how nicely neutral the silver was; I could really manipulate color in all sorts of ways and create different looks entirely. The only issue that created was skin tone; I struggled in most of these to keep my skin from going too gray, and in some shots I don’t think I pulled it off very well, but hey, I tried. Skin tone is always a bitch in photos anyway. Here I obviously added a lot of blue, and I even stole the sparkle from the center of the magnolia in my hair and placed it over my real eyes.All that glittery-goodness was added to the sweater in Photoshop, although in real life it does have a bit of shimmer.

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This one wasn’t working for me at all, mostly due to the skin tone issue, until I pulled it into Pixlr and attempted to cover it with some sort of overlay that might disguise the splotchy, odd-colored skin that was bothering me. I often do that with photos I can’t get quite right (I did the same with the one photo with the short blonde hair); I figure if Pixlr can’t save it for me, it probably isn’t worth saving. This overlay was from a very geometrically-shaped collection that I almost never use, but lo and behold this one gave me exactly what I was looking for. It added just the bit of interest I felt it needed, as well as covering up my skin a little and distracting the eye so perhaps no one will notice it’s weirdness.

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I also struggled with lips in this set; mine are quite thin and dry (I often widen/thicken them in post) so this is nothing new, but I made matters worse by choosing to use gold glitter lip liner as lipstick and then outline it with orange – you can see it in the first shot above where I didn’t edit that mess out. For most of my other shots, I changed it in some way, because it looked pretty sloppy. In the photo directly above I just did my best to change the lip color to orange all over, and then soften it. This photo is my favorite, by the way – it’s a composite of three different shots of the wig since there’s no way it has near this much hair. And the wreath wrapped around me is a Pier One prop I used last year, too.

As always, there’s more from this set I want to edit, and it looks like my red dress from China is set to arrive today, so there will, of course, be more coming soon. Although I may not get to the red dress photos until Christmas break. We’ll see!

Cranksgiving

 

It’s back to work on Monday, but only for two weeks and then mid-term exams kick in. For the most part, my vacation was lovely; the weather was perfection until Saturday afternoon, when the sky turned wet and gray and things have been gloomy ever since. A fairly apt wrap-up to the end of a vacation, but a bummer nonetheless.

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My sis and her new grandbaby, Gabriella

I was asked to bring my camera to my sister’s house on Thursday, where we celebrate Thanksgiving each year (the day after Thanksgiving Doug and I go visit his father). I did so, but did not take many photos; my father wanted to get some of those look-at-all-the-generations-together photos that family always wants to take, so I did my part in orchestrating those but didn’t put much effort into processing any of them except the few that, in my opinion, had some artistic value. Not that I don’t care about the family pictures or anything – it’s just that I know by now that those sorts of photographs do not need a lot of fancy editing or lighting or anything like that. They’re for posterity only, so I just convert them to JPEG straight out of the camera, post them on Facebook, and email copies to whomever wants them and call it a day. Easier and faster, plus there’s no reason to go through all of that work when no one is even going to notice it’s been done. The ones I’m sharing here, though, are the ones I felt were nice enough to process and doctor up a bit.

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My only grandparent still alive; she’s 92 now. 

Thanksgiving is always a chaotic affair at my sister’s house; she’s an amazing cook and loves to spend days preparing for the event, but her house is quite small and our family, as you can see in the photo below, is quite large (that wasn’t even everyone who was at the house that day in the picture) – we took it before some people showed up). This year in particular several relatives came in from out of town, which is unusual, so there were even more folks crammed into the house than usual. On top of that, my family likes to drink. A lot. In fact, there were twenty-nine people total at my sister’s house, and there were TWENTY-SEVEN bottles of wine on-hand for the festivities. Not to mention the beer and mixers. You take that much booze, that many people, and that small of a space and put it all together and you end up with barely-contained chaos. And that chaos – is INCREDIBLY LOUD.

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Can you tell? This isn’t even nearly everyone who was there that day.

When you’re one of the only people not drinking amidst all of that madness, it gets old quickly. I ended up sitting on that leather sofa watching football with the die-hard fans just to get away from it. Not to mention my typical screw-up the title of this post refers to – here’s how it went down: I knew we needed to be at my sister’s house around 1:00, so at noon my husband and I crated up the pups and took off. When we got to her house, we weren’t too surprised to find we were the first ones there, as my family is terrible about following directions relating to start and end times of celebratory events. In fact, the usual response to the question “What time should we get there?” is whenever. But I really didn’t want to be one of the late ones, so I made sure we were prompt, and, as I am afflicted with the same can’t-get-there-on-time-itis that the rest of my family has, I was quite proud of myself for pulling this off.

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Except that after we’d been there about 30 minutes I started to notice things, like how my sister wasn’t dressed for company yet, and there were foil-covered pans laid out all over the kitchen counters, but none of them had made it into the oven. I finally pulled her aside and asked what time we were supposed to arrive, and she said she’d told everyone 3 PM, not 1 as I’d imagined. For the life of me, I do not know where I got the one o’clock arrival time, as after she told me this I actually went and looked at the Facebook event she created at the beginning of November and, sure enough, it clearly said 3 PM. So okay, we showed up two hours early – it’s further evidence of how bad my family is about time that neither my sister nor her husband were phased by us showing up when we did in the least. They just kept on trucking and set out a cheese ball for us to snack on without another word about it.

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Happy Thanksgiving

But that whole “bad about showing up at the right time” thing ended up getting us in the end, even if no one was ticked off about us showing up so early, because when my sister requested people show up at three everyone else knew that to mean “show up sometime after three,” which is exactly what everyone else did. At five-thirty, new faces were still appearing, and the turkey had not even been carved. Since Doug and I are quite conscientious fur-parents (we have no kids, so our pets are our babies), we started to worry around four when they’d already been in their kennels for four hours – we really don’t like to crate them for more than that, and five hours is pretty much our limit for it, even if the dogs could survive for longer. By 5:30 we were resigned to the fact that we’d be doing no eating this Thanksgiving, and we ended up leaving at 5:45 without eating anything other than a cheese ball to show for it. It sucked, but it had to be done – my sister lives about 45 minutes away, and we knew if we sat down to eat at 6 PM it would just be way too late by the time we got home (sitting down to eat  is laughable, though – my family Thanksgivings are more of a grab-a-paper-plate-and-find-a-space-to-gobble-it-down affair than a formal sit-down one with the good china. People even eat standing up).

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Oh well – This was really the main course anyway.

So yeah – no food on Thanksgiving day. We came home, fed the dogs and took them out, then ate frozen chicken nuggets for dinner. The end. But on the plus side, I did take pictures on Tuesday, with full-face makeup and everything. I’ll share some of those photos later.