Loose Change

Posted on February 16, 2015 by marey mercy

I’m posting this photo again because, of all the plane shots I’ve processed and shared so far from my shoot last month, this one has gotten the most positive response anywhere I’ve shared it – Twitter mostly, where a simple hashtag (#unitedairlines, #airbusintheUS) can connect a photo to the proper audience almost immediately. United Airlines, IAH, Hobby Airport, Airbus, and Airbus US have all re-tweeted it and sent me compliments, as well as several aviation and photography lovers who have since become followers. I find that interesting because I really felt I’d over-processed this one; most of the planespotters I follow stick to accurate representations of the planes and don’t appear interested in adding effects or filters. But I really haven’t done much more than skim the surface of the entire culture, so perhaps I’m wrong about that. At any rate, I’ve been pleased with the response to this one and it encourages me to experiment more, especially since it’s the part of the photography process I enjoy most.

Most of the new experimentation comes courtesy of the Topaz photo processing software I purchased over Christmas break thanks to a review by my blogger friend Beth Byrnes; as I get to know the software better I branch out more and try new things, and it’s amazing how a simple purchase of the right product can so enhance and even alter a creative process. It’s true that even without cool tools one can create art, be it painting or photography or poetry, but man are all the cool tools helpful.

And so, as I edit the 300 or so costume portraits I took Saturday, I’ve begun to experiment with them as well. I have a pretty set style at this point when it comes to portraiture – I like clarity and realism but I also want to look as good as possible, and there are lots of tricks I’ve learned to make that happen. Controversial or no, I do use Photoshop to edit out my under-eye wrinkles and even up/smooth my skin tone; I’ve learned to use stage makeup to great effect and eliminate the need for some of that sort of processing, but at 45 years of age it’s still necessary for me to get the effect I want – I’m not pretending that this is how I really look anyway since I’m always in costume, so whatever. Moving on.

After wrinkle removing and skin smoothing, I pull up RadLab to brighten, add contrast, pop color, and add light to the subject, as well as occasionally mess with filters to change tone. I don’t like too much contrast in a portrait, but I do like clarity, and I always, always put as much light on the face as possible without blasting out the skin and losing color or facial features. All that light is great to conceal any makeup errors I might make; even though it doesn’t show in the final shots, my makeup skills are still mediocre. I can follow a YouTube tutorial and put all the colors in the right space, but my blending skills are sub-par, especially when it comes to contouring the nose and adding lip liner. I am also a disaster at applying false lashes, so whenever I do apply them they are usually done poorly and practically falling off the entire shoot. All of these things can be concealed with enough light on the face; I already aim a lot at me during the shoot because I’ve learned it’s best to get as much right in the original shot as possible, but I always end up adding more, more, more.

Some examples from my latest shoot:

Brightening the whites of the eyes is always helpful, as well, and can be done using the dodge tool set to about 15% midtones. Really makes the eyes pop, or, if you’re into that sort of thing, it can make you look completely insane by making them too bright. Your call. My point in all of this (and I do have one) is that after processing these first two shots, I started playing around with the Topaz software more and experimenting with different approaches to editing them. This was not done intentionally, but came about as I clicked around in different filter programs just to see how each one changed the look of the photos. The first one to get a slightly different approach was this one:

First of all, that fabric is a vintage dress I was wearing; I got the idea to yank the skirt up over my head and use it as a prop (it’s ideas like this that confirm my need to shoot only indoors and alone). And I was only using the Speedlite on my camera and no extra lighting for these shots; I’ve gotten to the point where I know how to manipulate that flash effectively enough so that the umbrella lights I used to always use are not needed as often. But, in some shots I got a bit too close to the flash and had just a bit too much light on my face; this photo was one of those. So, as I was processing I came across a filter that actually darkened my skin quite a bit and decided to go with it. I still think I came out a little orange, but it looks much better than it did when there was this bright white face staring out amidst all that vibrant fabric. It may not seem like such a big deal to anyone else, but believe me I agonized over that darkened skin tone; I knew it was the better choice but MAN it bugged the hell outta me. Moving on.

I think the experiment here is obvious: to someone who is obsessive about clarity, working with an unfocused shot is a nightmare. But I loved the movement of the sleeves and the composition was pretty great with my face dead-on into the camera, so I decided to make a go of it and see what I could do. There are some fantastic Flickr photographers who work beautifully with blur (kokorage, who I learned of from the Pixlr blog, is probably one of the best) so I knew it could be done; I just wasn’t sure I could do it. With no real roadmap to follow, this literally took over four hours, and more filters and overlays than you could possibly imagine (I ended up using Pixlr for a lot of it, a program that hasn’t gotten a lot of love from me lately; mostly because of my fascination with Topaz, but also because my desktop version crashes on occasion AND I still find the masking feature awkward to use). In the end I do like the result, but it was so hard to know when this one was finished, as opposed to my usual portraits where the stopping point is clear.

Now for this one, I really went to town:

I went for something highly stylized, much like my plane photo at the top of this post. I envisioned a low-key look although I didn’t actually use any low-key filters to get that effect; I just wanted something cartoon-like to match the silliness of the expression. As I worked with it I kept thinking of print ads from the 1950’s – that overly-painted/colorized/watercolor effect they seemed to have. But it was HARD, y’all. First of all, none of my little tricks were available to me to help conceal my makeup flaws, so I had to use Photoshop to correct blending errors, something I’ve never had to do before and hope not to have to do again because it took forever. The blush on my left cheek? Totally edited; that side of my face showed very little color in comparison to the ride side which was nice and rosy, so I used a brush to add it – something that is much harder to do effectively than it sounds! And the wig had random flyaway hairs everywhere that I had to edit out; doing that was not too hard, but it left discolorations all over my skin that were enhanced once I began to add color rather than lightening it like I normally do – that took me ages to figure out how to do properly too. And then there was my nose. Remember how I said I am not the best at contouring noses? Well my contouring for this shoot was particularly bad; I had to lighten it in all my shots but it wasn’t a big deal; when making my skin darker and more colorful for this one, oh man was it hard to correct. But I eventually figured it all out, and I am pleased with the result, even though once again it was hard to know when it was finished and all the editing was done.

Since I love those comparison shots, let me show you the before of this one, so you can see how much work I had to do to get rid of all that wig hair and fix that terrible nose job (click to see it larger):

I think you can tell in the before shot how much more blush was showing up on the right side than on the left, and in case I haven’t made the point clear enough let me repeat that getting rid of all that stray wig hair was really tricky. The editing left dark smudges on my forehead and neck, and it took some time to get the skin tone even as a result. And getting the shot to those exact colors took so many different filters I couldn’t recall them all if I tried, but I am obsessive about such details and will spend 20 minutes to choose an effect I end up reducing to 5% opacity, so that didn’t help. This is another one I spent about 4 hours getting right, so needless to say I only edited two that day.

I’ll close with the last one I’ve edited so far. I threw on a short wig and took some quick shots against a different backdrop towards the end of the shoot. I’ve taken to using up two walls in my office for backdrops instead of just one – the big blank wall holds a large, full-body backdrop, while against an adjacent wall I’ve stuck a shower curtain I bought years ago for just this purpose but that can only be used for portraits as it’s not very big. So for variety I wanted some shots against the other backdrop, but as often happens towards the end of a shoot my energy and creativity were low and I was anxious to upload the photos to my computer and start editing, so these shots weren’t all that thrilling. Still, there’s a few from this bit that I like, and this was one of them – nice close-up of the makeup I worked so hard on if nothing else (and yes, I did go through the torture of applying false lashes this time, even though they almost always make me cry and I end up with my real lashes all glued together):

Continuing with the theme of editing photos differently, I obviously used a much softer effect here than I would normally do. The photo on its own and straight-up edited just wasn’t very interesting to me, so I played around with light leaks to give it some added appeal, even though it washed out the previously vibrant color quite a bit and the haze reduced the clarity. I still think it’s a decent shot, and the softness seemed to work OK, so I left it alone after adding the light leaks and called it a day (and in looking at this shot in particular, holy cow can I see the weight loss in my face. Losing ten pounds is no joke; even my head looks different and of course I’ve had to buy a bunch of new clothes. But I digress). Oh, and I love that wig – I believe it cost me a whopping $20 and it is awesome. Short wigs really are a great way to get short hair for a day, and overall they are much easier to deal with than long ones. But I digress again.

I’m finishing up Day 3 of my 5-day minibreak, with absolutely nothing to do on Monday, so I may take some Stitch Fix pics for my blog and some purse pics to share with friends on the Purse Forum where I am now a member (there’s no interest or hobby in which I indulge that I cannot find a message board somewhere to join. Trust me on this one). So who knows, a shopping post might be to follow, as well as loads more airplanes I have yet to edit! Suddenly I’ve gone from no photos to way too many.

Speaking of which, one of the things I’ve realized during this little break is that it’s not so much that I’ve grown tired of my portraits as it is that I’ve just not had time to do them properly. Every time I’ve had more than one day free on weekends since the start of the school year, though, I’ve gotten right back into the swing of things, so I think it’s mostly a time issue, and we can all rest easy that the selfies aren’t going anywhere anytime soon – they just get put on hold until I have some breathing room. One of the nice perks about being a teacher though (especially at a private school) is that time off is always worked into the schedule somewhere (except for the start of the school year, where there’s a pretty long stretch from August to November without any decent break). When I only get one day off on a regular weekend though (if I even get that), I don’t feel free enough to do a full shoot it seems. So this may be the last one I do until Spring Break next month, but with over 300 shots in the can that shouldn’t translate into a lack of portraits.

Enjoy your President’s Day!

Peer One Portraits

Posted on November 16, 2014 by marey mercy

Stupid title, but it’s a play on Pier 1, which is where I got all these props. Moving on.

My initial plan was to wear one of my silvery gray wigs in this getup, but it ended up getting tangled in the garland so I put a thick silver headband on my head, on top of my wig cap, and pinned the poinsettias to that instead. Ended up working out great; I forget how much more difficult long wigs make taking self-portraits. They’re a bit hot under the lights, they get in the way constantly (snagged up in the costume or in my eyes while I’m trying to see what I’m doing or set up a shot), plus they tangle a lot when I’m flinging them around. Believe it or not, having 4 poinsettias clipped to my head was actually easier than putting on one wig! And yes, the poinsettias came with clips attached – I’m sure they are meant to clip to Christmas tree limbs or something, but that’s why i snatched them up, because I knew they’d be super-easy to pin to my head. And they were, except on one of them the clip broke off after about 20 minutes – kinda chintzy for a $5 decoration if you asked me, but then again, I’ve always found Pier 1 to be overpriced. Moving on.

I was on my way to the register with some other stuff when I spied this white, sparkly garland shoved into a basket and snagged it instead. It was really fun to work with and created some very cool looks – the downside was that it was terribly itchy (then again, it wasn’t created to be worn by a human, so there you go). I loved the shots I got with these props, so much so that I’ve already edited – including the pics I shared yesterday – ten shots! That’s way more than I usually process from a shoot where I didn’t change costumes all that much. But the garland really added interest to the photos, and I found myself struggling to decide which shots to process.

Remember when I said yesterday how I changed the colors up in every shot? Here I went for an icy blue that’s probably more green than I inteded.

When deciding what shots to edit, I try to find pictures where either my pose or facial expression isn’t so typical, but I do just have one face, after all, and I do tend to make the same faces over and over (which I discussed in a previous post). I think this is where the props can help a lot; to add some visual interest to the photo besides my face. I had very similar expressions going on in all the shots I took with the garland (about 200, in case you wanted to know), but the garland created a lot of interesting shapes and was fairly easy to manipulate. In fact, I totally want to work with it again – it’s very sturdy, and the wires are thick and strong so I can move it into a shape and it will hold it for several poses before it starts to collapse. I could have done a lot more, but as I said, it was terribly itchy and my skin was starting to get irritated, so I had to stop playing around. Plus, there’s only so many shots I need of me in this particular look with the same garland no matter how much I can manipulate it, so I figured I’d stop while I was ahead and leave more to the imagination for a future shoot where I can look completely different.

Another favorite

As far as the technical stuff, to change things up a bit I used my 70-200 telephoto lens that I normally reserve for plane shots in this shoot. There was no real reason for this other than wanting to try something different and see how the photos turned out; it was nice to have more room to work with while I posed since I could keep the tripod pulled quite far back instead of needing to keep it closer with my 50mm or 85mm prime lenses, but I didn’t get the lovely focus and camera blur those lenses would have provided. Still, it did a good job and for the most part the auto-focus was dead-on – easier than either one of the prime lenses, in fact, but I guess that finicky focus is why they create such nice portraits in the first place. Another benefit I’d never considered was that I could stand much farther away from the black backdrop, so there was very little light from the flash reflected in it to alter the solid black effect – another thing I probably should have known by now but never did.

Because I used my Flash Bender on my Speedlite for this shoot, I got a lot of sharp, strong shadows that created some nice black and white shots as well, so there’s quite a few I converted to B&W when processing. I also kept my cheap ring light handy (and managed to knock it over and break it as well, so it’s time to buy another one of those) and for the most part had it set up behind me on a tripod to give my head and shoulders a bit of an outline against the black backdrop; occasionally I also placed it right in front of me to get some catchlights in my eyes. Unfortunately, in some of the tighter close-up shots the ring light tends to create a lot of chromatic aberration that I forgot to edit out (you can see it in the close-up shot from yesterday and the one above), and my eyes came out looking a little pink. I may go back and edit that before uploading to Flickr, but for the blog, pink eyes it is. And by the way, super-easy Photoshop technique for fixing chromatic aberration is located here – a two-minute YouTube tutorial that is simple as pie to do. Has saved my butt on many occasions when working with bright lights and getting all those purple rings around high-contrast areas.

These next few are pretty experimental and I don’t care for them quite as much as the more straightforward shots, but there was so much I wanted to work with here and I started feeling the need to change things up a bit.

When this shot was taken, the Speedlite failed to go off, so the resulting photo was really dark. This happens several times throughout any shoot, and sometimes I try to process one of the pics to see if anything interesting can come of it. Usually nothing does, and I don’t think this one is very successful either. I pulled it into Pixlr to try and generate some added interest, and honestly I can’t remember what all I did to it there, but in the end, I still don’t think I like it very much. But hey, I tried.

Mostly I just liked the way the garland was framing my face here; this is another shot I Pixlr’ed like crazy, but I think it worked better here. I used some of their graduated color filters as well as a space filter to make the costume sparkle; I just discovered that Pixlr’s desktop app can utilize masks so I was able to apply the stars without having to add them to my face, which is cool. I love textures and filtered effects, but for the most part I don’t like them to muck up faces, and it’s nice to be able to erase that out now.

Well, that’s probably all I have from this shoot, although I have one or two more I’m still eyeing. But I pretty much marathon-edited this weekend, partly because I had the time, and partly because it’s been a long time since I just worked with portraits and had forgotten how much fun it is. Busy week coming up at work – the week before any vacation is always stressful, and this one is shaping up to be the same, so I may be MIA until the holiday starts next weekend. Happy Monday everyone!

Levitation Break

Posted on October 5, 2014 by marey mercy

Overall it hasn’t been a great week, but I’m not going to talk about that right now. I’d rather randomly share this ad I saw in my Facebook feed a few days ago, because it cracked me up:

Why yes, the first thing one thinks when looking at this photo is WOW, NICE EYES

I actually see this sort of thing quite often around the internet when looking for tips on taking portrait photography or getting the right lighting for studio shots. Many of the tips are written by male photographers, and their example photographs are often scantily clad women. My favorite, and dammit I wish I could find it again, was a video on YouTube that featured a sloppily-dressed, fairly dumpy looking middle-aged guy firing away with his camera at a very young woman in a bikini to show how he set up his portrait lighting. It was kinda gross, but amusing as hell at the same time, in a dude, we all know you’re paying her to wear that bikini in front of you sort of way. Half the time while trying to get tips on studio shoots I end up feeling like a big old creeper because of the half-naked women I have to view over and over just to learn. But moving on.

Here’s a shot I managed to pull off Saturday wherein I, of course, am not scantily clad, but I am in a studio. I ran errands all morning, then felt like trying out this clear plastic stool I bought recently because I thought it might help with levitation shots by being easy to edit out. It was, but the shot was still hard to edit and I spent several hours on it for various reasons. For one, I always forget what process works best for these shots because currently I am doing them so infrequently, so I never remember what I did last time that worked. For another, I forgot about the rule of wearing contrasting colors to the backdrop so I can easier edit myself out of the shot and into the background one, so the process of selecting the subject was tricky and took a good deal of time. But this picture is proof that even if I have very little time to shoot photos right now, it still can be done. I am in my regular clothes, and have on no stage makeup or fake hair – just me and a backdrop and a plastic chair. I also went along with my new strategy of going in with a plan – I knew exactly the shot I wanted, set up and posed for it, and once I had it, I quit shooting. This set? Was 32 shots – that’s it. As opposed to my usual 350. So it’s good to know I can work this way and pull it off.

Now let’s see the whole thing in action:

That duster is fabulous and from Free People, of course. I own two because I snagged a huge hole in the first one and went and bought another. The one I’m wearing in this shot is actually the one with the hole, because I figured I’d be tossing it around a bit so might as well wear the damaged one.

Here I am, layered over a second shot of a blank background and highly filtered and edited in Photoshop. My hair in particular was a bitch here, because I realized halfway through the editing process that I’d clipped out all the little flyaway hairs the first time and it left it looking flat and fake, so I had to go back to the original, select all these little flyaways, and layer them into the composite shot. Took some time and might not have seemed like a big deal to other people, but it made huge difference to me because it gave my hair back the movement it lacked with all the flyaways cropped out. And, I am getting better at adding shadows, I think – the ones you see here were added in Photoshop by me. Final shot:

I used my Pixlr desktop app for the final finessing, since I can edit TIFF files with it now. I used a “smoke” overlay to add some depth to the background, a barely visible little star overlay, and a couple of very faint borders for added pop. Unfortunately, something I did somewhere along the way with all my editing made my teeth turn kinda gray, but what can you do. It’s always something. In this case, the something is gray teeth. Still a cool shot and not a bad levitation, so I’ll take it.

Sidenote: Because I shoot in vertical or portrait orientation so often, my studio self-portraits are almost always crooked. And by almost always I mean always. I start out with the camera pretty straight, but the more I shoot and chimp my shots the more off-kilter it gets. Then I often forget to straighten it when I edit, so when you look at the floor line in my shots it’s often crooked. Hopefully most people don’t notice it, but if you go back and look at my levitation and jump shots over on Flickr, I guarantee you almost all of them involve a slightly slanted floor. Moving on.

Not much else to report at this time; I wanted to take a few more levitation photos with these cool new Minnetonka moccasin boots I bought, but I got sidetracked by it taking me 45 minutes to lace the stupid things (not even kidding) and then couldn’t get my feet into them, so that ruined my mood. Time to go return the shoes and get ready for another week. Happy weekend everyone!

Kinks and Links

Posted on May 9, 2014 by marey mercy

The kinks in my title refers to getting them worked out of my arm again with good ol’ Sandy. And Sandy? Has had enough, y’all. Of her husband, mostly. Today’s OMG moment came when Sandy was working on my right shoulder and suddenly started giggling. Then she kind of put her head down on the massage table for a moment and said, ‘You know, I’m really not a bad person, but…” and for those of you who know Sandy, you’ll be surprised to hear that she did not conclude that sentence with a mention of squirrel-shooting (actually you probably won’t be surprised, because Sandy would never consider herself a bad person for shooting a squirrel). What she did conclude it with was the statement that Thursday morning her husband had been feeling “frisky” and for the first time in her life, she told him, “You know what, no. You’ve been doing everything the same for forty-plus years, and I’ve had enough. I AM NOT IN THE MOOD.” I was little flabbergasted Sandy’s been married forty-plus years and this is the first time she’s ever told her husband to put that thing away, but I’m beginning to suspect Sandy has a tendency to exaggerate. And is it sad that the first thing I thought when Sandy told me this story was, “I can’t wait to share this on my blog”? The links in my title refers to one link, actually, not several, but I wanted to be parallel so I had to make it plural. Forgive me. The point is, a feature has been published about my photography on the Pixlr blog. They do an occasional segment called “Follow-Worthy” which features a photographer they consider to be, well, worth following. And apparently I made the cut. Supereric from Flickr, who writes for the Pixlr blog, contacted me earlier this week and sent me the questions, and now he’s got the blog post up and running. So without further ado, I’ll quit talking here so you can go read what I’m saying over there: Follow Worthy: Marey Mercy. A big thanks to Eric and the folks at the Pixlr site for doing me the honor. I’ve shared that link with everyone I can possibly brag to about it, so I hope they saw a nice increase in numbers. You know – because I know hordes of people and all.

Back Alley Photography

Posted on March 19, 2014 by marey mercy

Perhaps if I ever get a studio of my own, this is what I’ll name it. Moving on.

I think I mentioned in a previous post that I was interested in taking photos in the dirt road that serves as a back alley to the studio I rented Monday. As it turned out, by the time we got around to taking pics back there, I was pretty burned out and lacking in energy and ideas, so I ended up snapping a bunch of sloppy pics of Candace and her little boy while we all discussed what we were going to do with the rest of the day. I did remember to set my white balance with the ExpoDisc, but other than that I didn’t do too hot with the back alley shots. I forgot to change my settings and speed up the shutter when trying to take jump shots, the light was harsh overhead, and my framing was generally awful. What can I say, after putting makeup on two models and then shooting them for two and a half hours straight (we got started with the whole day at 9 AM and didn’t finish up until 2 PM) i was tired.

Still, there was one shot I really loved and wanted to process; it always happens after a shoot that no matter how many I take, there will be a very select few at the top of the list of favorites for me, and I always process those first. This was one of those that I felt I absolutely HAD to edit, so when I woke up this morning I decided to work on it right away (then I got busy and didn’t get back to working with photos until about 10:30 PM, which is why I’m throwing up this sloppy post at two in the morning).

Candace had on a dress she wore in the indoor shoot, then threw the infamous faux fur vest on over it simply to get it ‘carried’ to my car, but it really worked here to give the impression that she’s a super-glam mom, and the fact that she’s in the vest with her sunglasses standing in a dirt road is even better. I figured while I was editing this one photo, why not edit everything else from this section of the shoot that I might want to work with so I can present it as a little collection here. These photos are weird though; they have such a snapshot feel to them that the only way I felt comfortable with them was to mess with them a lot, which means of a lot of obvious processing and Pixlr-ing, which I’m sure will make some of you happy. Take this next shot for example:

I wasn’t much into jumping during this shoot, but Candace totally was, so she wanted to do some leaping about before we left for the day. Unfortunately, this is one of the shots where my tired screw-ups came into play, as I forgot to change my camera settings to stop motion which resulted in all of her leaps being blurred. In spite of that, I liked how she was posed in this shot, as if she was levitating by accident instead of jumping. It was blurry, so I edited it with very heavy shadows and contrast to blend her in better with the tree branches; then I superimposed two photos over it in Pixlr (bonus points if you can see the face, which is one of the two photos I embedded into the original shot). I think with the creepy color and the added texture, this one works, but it’s pretty unusual for me. Candace will probably love it.

This next one definitely had better clarity…

and I liked the movement and the sentiment it captured, but it wasn’t an overly thrilling shot by any means. I don’t usually add borders to photos, but I dunno, here I was just trying to add interest. I added a border to the next one to conceal Candace’s legs a little, since I didn’t think she’d be comfortable with me showing them from the particular angle I took the shot. What can I say – I was trying to capture her son grinning while holding onto her leg, but the angle on her was a little inappropriate. Hence the splotchy border that kind of covers her up but still conveys the message of the original shot.

It’s now after two AM and I am tired, so forgive me if this post isn’t riveting. I was also determined to get some alley shots put together for this post, so my eyes and arms are tired from working at the computer for so many hours. I don’t know how many of these particular pictures are keepers, but I love the first one for sure, and that second one is growing on me. Anyway, they’re done, so I’ll move on to some aspect of the indoor photos next.

Spot Blogging

Posted on January 2, 2014 by marey mercy

Today I stumbled across a little Rogue spotlight I bought about a year ago to attach to my Speedlite; I’d only tried it out once before forgetting about it. At the time I wasn’t very interested in what it could do as I’d also bought a small softbox and got way more into using that than this little thing. So after coming across it again, I decided it was time to play around with it and commit more to learning how to use it.

Spotted!

The detachable spotlight also came with a sample gel filter to put over the spot for color effects; it was an orange one, but I’d definitely like to get more colors at some point. I stuck the gel on the spot and ended up doing the bulk of the shots with it in. The results were interesting – I actually used the orange gel on the shot above, but edited a black and white version also to show the spot effect without any color distractions. Here’s the actual shot using the orange filter:

Pretty damn warm – believe it or not, I actually REDUCED the color in this shot when editing. That’s some serious orange.

Apparently this came with three different grids to create tighter or wider spotlighting, but I could only find two. Figures. Of the two, I much prefer the wider spot to the tighter one, so it’s the main one I used.

The spot/gel combo didn’t do much to wash out the wrinkles in the backdrop, so I added a texture to the photo in an attempt to camouflage them

I thought that shot might be lacking a little, so I added some more filters to it in Snapseed, just for the hell of it:

Totally cancels the effect of the orange filter, but I thought it gave the shot a spooky vibe

But I still felt the shot was missing something, so of course I ventured over to Pixlr to play with it further. I discovered recently that if you access the “adjustment” tool in their Express editor, there’s an “upload image” option which allows you to superimpose another picture over the one you’re editing (more hours of fun on the way, as is the norm any time I discover something new) so I gave that a go by uploading the same image over it, enlarging it a bit and reducing its opacity, then throwing in some light leak, smoke, border and texture filters to finish it up:

Even spookier!

I really like the movement in this last one, and in spite of my itchy photoediting fingers I forced myself to keep the adjustments to a minimum (so hard for me to do):

I’m sure you could get this entire effect using software after the fact, but it’s great fun to experiment with vignetting effects and filters right in the shot. Taking thousands of photos a month using one’s self as the subject does get boring (believe it or not, yep) so any time I run across something new that makes the actual taking of the photos more interesting (taking the photos is never my favorite part) I’m all for it. Plus, I do believe the more you ‘get right’ in the actual shot, the better – it just feels better in the final result.

Seriously considering zipping right over to Amazon and buying those other filters. Loads of colors for $30 and totally worth it. But it’s way past my bedtime and I have a busy day ahead, so the sooner I get off this computer and force myself to get sleepy the better. And I know I still need to share pics from as far back as a week ago (Christmas Eve) but I get so excited about my newest shots that ones I took previously and failed to upload right away sometimes get lost. I’ll get them all shared soon though; once work starts up again I won’t have so much time to take photos and get backlogged.

Evolution of a photograph – makeup test shot

Posted on December 18, 2013 by marey mercy

I’ve mentioned this here before, but I always take test shots as I am applying my makeup to be sure it’s going to appear as I want it once I start shooting. Sometimes I luck out and get an interesting photo out of those shots; in fact, I often discover that some of my expressions in those one-off shots are more interesting than my posed ones, and I regret that the makeup and outfit wasn’t complete when I took it. Sometimes I can still get a decent shot out them though, like this one:

Edited, of course

Anyway, I discovered one such shot Wednesday evening and played around with it a bit, so I thought I’d share its evolution. This is as close to an original as I have, but it was not shot in black and white originally:

Same headband as in the first photo – it’s the one always I use when applying makeup for shoots

Obviously my makeup was not complete here, nor was it well-blended, as I discovered after taking the photo. But the extreme highlighting and contouring did make for an interesting look in its own right. However, one of my regretful side-effects of getting older is the sun damage that is starting to show itself on my skin, my neck in particular. I admit it is getting more and more difficult to disguise it in shots without it being obvious, and at some point I’m just going to have to embrace it or quit taking photos of myself (which isn’t likely). I doubt anyone notices, but it does bother me (more in photos than in day to day life, when it isn’t as noticeable but is slowly getting more so). The sides of my neck as well as my decollete are both getting red and splotchy; I used to try to cover it with makeup but just ended up with a red, splotchy neck AND a foundation-stained shirt, so I don’t bother anymore. But in this photo, the hyperpigmentation showing on my neck, as well as the crappy pajama t-shirt, were really bugging me, so I decided to try something new instead of just my usual softening and lightening:

Problem solved

With my nominal Photoshop skills, I used the patch tool to blend the background into my skin and hair; I also blended out some of the harsher contouring around my hairline and softened the skin to conceal the fairly sloppy powder-blending job I’d done right before taking the shot (I also got rid of the headband I was wearing).Then I pulled the photo into Snapseed to sharpen and define it:

To blend in some of the rougher edges where I’d blended the background in, I also added a texture to the background, keeping it very faint so as not to overwhelm the nice clean lines of the face (I did this in Paint Shop Pro, since I don’t yet know how to do it Photoshop). This was nice enough as is, but it was tempting me to give it a little Pixlr treatment to make it extra-special, so off we went:

I also liked how my cheekbones started to look like mutton-chop sideburns somewhere during all of this

I added a vintage effect to add contrast, a space overlay for a ghostly feel, a tie-dye overlay for a little color, and an ink border for depth and visual interest. I still like the plain old black and white version too – but this one is probably going to get my top vote, ultimately.

I may look through my test shots and find a few more to work over this way. Blending the background into the subject in a portrait is something new for me, and I had fun giving it a go. As always, problem-solving when editing leads to new and creative processes and solutions. At least, that’s how it works for me.

Here’s a collage of the work in progess:

A few more shots

Posted on November 5, 2013 by marey mercy

Just a few more from Sunday’s shoot that I’ve had time to process. As I mentioned earlier, I forgot to alter my lighting setup when I switched from portraits to full-length shots, so these suffered a little from that error. They weren’t nearly as crisp as I like them to be, and the light was blown out a little – so I used Pixlr to disguise these flaws a bit. Plus, I’m getting bored of the beige backdrop now – it wasn’t nearly as easy to transform into another color as I thought it would be, and was next to impossible to do in these full-length shots (you need a lot of contrast between the subject and the background – which is why people use greenscreens so often – and that mottled beige background did NOT contrast with what I was wearing at all) so without some Pixlr-ing they weren’t all that exciting to me. At first I wasn’t excited by them even after giving them the Pixlr treatment, but they’re starting to grow on me.

Can anyone spot the kitten in this photo? I purposely left him in the shot.

I always try to go easy with the Pixlr effects, because it’s a very popular free program and I don’t want my shots to scream that I used it. I don’t know why this matters to me; I guess I just want the edits to blend well into the shot and not have any one particular filter or effect stand out to people.

Clearly though, I like the scratchy textures Pixlr offers.

Love the movement of the skirt in this one.

I used some interesting overlays here – one was a space filter, and fire was another. I kept them subtle so you wouldn’t be able to recognize what they are; I think the end result looks rather ghostly.

Photoedits

Posted on August 13, 2013 by marey mercy

There’s a great free program called Pixlr that I discovered about a year ago; I used to use it quite a bit but haven’t accessed it much in several months. However, with my recent light and shutter-speed experiments I’ve been getting back into it again, since working with those photos is a different animal from my usual work.

Photo pre-Pixlr

Pixlr has an easy user interface and loads of options to add visual interest to photos. I don’t use it to make major adjustments to clarity, contrast, brightness or anything like that since I do that as a RAW file through Photo Ninja, but I love the overlays and borders available there. I use the effects option on occasion as well, but mostly it’s the overlays and borders that I use. And no, Pixlr’s not paying me to say any of this (as if). I just pulled some photos into it this weekend and realized I hadn’t shared it with readers before.

Post-Pixlr; adding a border and overlay

Generally if I edit a photo with Pixlr now, it’s because I feel it’s a little boring and needs something extra to add interest. The downside is you can’t upload TIFF or PSD files so I have to edit them in JPEG format, which I really hate to do – but to use Pixlr it has to be done.

Pre-Pixlr; it’s fine but a bit boring

Personally I like using the “efficient” editor, but there is a “playful” one you can download and even put on your phone. The efficient editor allows you to control the intensity of the effects you add as well as move them around the image, so I much prefer that version as I like to disguise the “pixlr-ness” of the overlays as much as possible when I use it.

Post-Pixlr; added several overlays and a subtle border