Portrait Control

A few days ago, I clicked on a link that kept showing up in my Facebook feed for some software called Portrait Pro; I don’t generally pay any attention to those links so I’m not sure what motivated me to do it this time – but as it turns out, I’m glad I did. I recently paid over $100 for another portrait program that I was just figuring out how to use; I liked it fine but it wasn’t anything thrilling, just a very good skin smoothing and softening program without any fancy bells and whistles. So, it wasn’t like I needed anything else at this point, but after spending about two seconds with the freebie trial version I realized I had to have it:

Changing face shape and other features has been part of my photo editing for awhile now, but I’ve just been doing what I could get away with in Photoshop without being able to really go for it. This software was available as PS plug-in, which made it even more appealing to me, and the controls are incredibly easy to use as well as providing sliders for just about every little thing, so I can really control the final results. I’ve only had time to edit two photos so far, and admittedly I went overboard (especially on the first one) but so far I’m pretty amazed by what this program can do.

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I used Portrait Pro not only to soften skin here, obviously, but in no particular order, I also changed my face shape, change my eye color as well as add a ring light reflection, move my eyebrows down a little and trim them, plump up my lips, add eyelashes, blush and highlighter, a different lip color, change my eyeshadow color as well as the shape of my eyes, widen the distance between my eyes, lengthen and slim my nose, perfect my skin tone, shorten my chin, and add light and shadows to my face. And other stuff I probably forgot. Because I made each change on a separate layer, this took a pretty long time, but photo editing is like being a kid scribbling in coloring books to me, and I can do it for hours anyway.

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I decided to work with this photo because I found it rather funny, I clearly had blinked during the shot, and something about the way I was holding my hand just made me look really tired and kind of over it, whatever “it” was. I really didn’t expect the software to improve the photo so much it was no longer goofy, but it did a hell of a job on that half-closed eye and actually turned it into a nice photo. It was harder to work with this shot since the program struggled a little to properly locate all my features, but if you watch the video I linked at the top of the post you’ll see how it works, and that you can easily move the detection points around to get them placed properly.

I can’t wait to work with the program more; my mind is reeling with the possibilities, but as I mentioned it takes a great deal of time so I can only work on about one day. Certainly you could just open up the program and edit the entire photo at once, but I don;t think you get the most realistic effects that way, so I literally just work on one portion of the face at a time and put them onto layers in PS – the eyes, then the eyeshadow, then the nose, etc. My poor old computer really grinds away at stuff like this and moves slowly, but I get it all done eventually. I’ll share more later when I have them.

 

 

 

Picture Imperfect

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New Year’s Eve day (is that an oxymoron or a paradox? or neither?) I had  a few errands to run, and while I was out I popped into the local Pier 1 that is in the strip center where I was picking up some other things. They had a 50% off sale for Christmas items, and since over the years I’ve used a lot of stuff from the store in my photographs, I always stop in there when I’m nearby (while I share some photos and talk about this shoot, I’ll also work in a few other random shots for older sessions that I’ve edited while on vacation – both the one above and the one at the end of this post).

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See that furry little bird there? It didn’t survive the shoot – or rather, the wrath of Simon.

I had a free day New Year’s Day, since Doug and I typically don’t do much and just hang around the house, so I got all gussied up and jumped right in. I’d purchased several wigs over the past few weeks that I wanted to try out, so between those and the props from Pier 1 I figured once I got my makeup on and set up the studio I’d be good to go:

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Unfortunately, the photography gods were not smiling on me this day – or rather, the prop gods weren’t on my side. Neither was the god of unruly pets; my biggest issue on this day was Simon, who would not stop messing with my things. Every time I turned around he was knocking something over, trying to eat something, or making off with an item I needed so he could bat it around and play with it in a corner. I always have to keep him locked out when I am taking photos because he’s too curious and rambunctious, but on this particular day Doug wasn’t home and I felt bad just locking all the pets out of my studio for that long (silly, I know, but there you go). Normally Doug is here, and he keeps the animals occupied while I lock myself up in my office and snap away, but on this day I kept the doors open so the pets could wander in if they got lonely. In the end, I had to lock Simon out though; him knocking over an entire bottle of Coke from which I was sipping onto my makeup counter and getting everything wet was the final straw (no pun intended, but I did have a straw in the bottle since I always use one when applying my stage makeup so my lipstick doesn’t get messed up, and Simon LOVES straws which is what tempted him to knock the bottle over). Unfortunately, as I ran around I kept forgetting what doors I’d left open, and through the entire shoot I was finding him in the most disruptive places – the costume closet, for example. At one point I left the door where I had all my wigs and props laid out open since I’d just gone running in there for one item, and he not only managed to sneak in and out with a little feathered bird ornament I planned to put on my head, he then left it on the floor in the den for Sprocket to chew to pieces. Grr.

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The bird that survived

Simon was not my only frustration this day; my props just wouldn’t work with me, either. I started out OK, but the more costume changes I tried the more frustrated I got with how  nothing was working as easily as I’d hoped it would; clips fell off of ornaments I’d planned to pin to my wigs, this adorable little crown ornament would NOT stay pinned to my head no matter how hard I tried, a few really cool ornaments I wanted to wear as earrings didn’t have any way for me to attach them to my wig (I usually can use the string that hold the ornament on the tree to bobby-pin them to my hairpiece), and then there was the aforementioned cat-stealing and dog-chewing. About halfway through the shoot, I just said to hell with it and abandoned the props entirely, choosing to spend the rest of my time simply putting on the new wigs and flinging them about in the photos, which is probably what I really wanted to do all along anyway.

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The rare cooperative prop

Not only was all that a royal pain, but my camera was being finicky. It wouldn’t focus properly a lot of the time – a problem I also had when I went with my father to photograph airplanes right before the holidays – and I’m starting to think this 7D is in need of replacing. It’s not such a bad deal, since I knew I eventually wanted to upgraded 7D anyway, but it is a lot of money to spend for a new camera body so I was not wanting to make the purchase any sooner than I had to. The time may be coming, though.

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Even as I was viewing the results of this shoot on my LCD screen, I was pretty frustrated with what I was seeing. Throughout the shoot I felt that I wasn’t getting many really good shots, and for most of the time I was feeling irritated and discouraged. So imagine my surprise when I went to load the images onto my computer and discovered I’d taken close to 700 photos. I haven’t taken that many in one session in a long time; I’m sure the number of new wigs had a lot to do with it, but for whatever reason it happened, I ended up with a TON of really great shots to process. Don’t I always say that? Anyway, it’s true; once I could see the images on a full-size screen I was pleased to find so many I liked. And I made many costume changes, too, which I haven’t done in awhile, and which will make it more interesting for me to work with lots of shots from the shoot since there are many different looks to choose from.

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This was my second attempt at erasing my real eyebrows and drawing on fake ones that are much higher on the forehead – I think I did better this time but i still had to do a lot of smoothing in PS

I’ve been using my Portraiture plug-in religiously to smooth out my skin and even the tone, but I haven’t much gotten into the Retrographer with these photos since they came out nicely without all the extra processing. I’m sure I’ll play around with it more later, once I start to get bored with editing the photos straightforwardly and want to start messing around a bit. I’m still loving  both programs though; hours of fun playing around in Photoshop with them both.

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Ugh, I hate this. Didn’t come out at all like I envisioned, but I worked hard on it so I’m sharing it anyway.

More to come as always; school starts again on Tuesday and we have to report for a staff development on Monday, so one more day of relaxation and then it’s back to the grind. Hope your new year was festive and your 2016 shines bright! Let’s get to it.

Red China Dress Set

Remember that red dress I mentioned in a previous post? Well, it finally arrived – and as soon as I got a free day to myself I shot some photos in it. They turned out amazing, but I’ve only had to edit three of the shots so far; the end of the semester was flat-out awful (at least as far as my stress level goes) so I’ve not had time to post, visit other people’s blogs, share anything on Flickr, or do much of anything except work and cry the last three weeks so it’ll take me awhile to catch up. Sorry!

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In the photo above I was sitting on a small stool, but obviously I managed to edit out of the shot. The dress moves beautifully, although it is a heavy linen and a bit stiff; it’s also lined, so it was actually a pretty nice deal at $60. The shape of it is also strange, so it created some beautiful movement shots. I can’t wait to edit more – but first, let’s back up and take a look at a few more photos I edited from my silver wig set a few weeks back:

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I could easily edit more from this session as I loved the colors and the movement of the wig; in fact, I found two or three more wigs from the same company in this color and ordered those, too, along with some other fun colors I intend to play around with soon. One of them is shorter but still wavy, and then I bought two long straight ones. I also got this one jumping shot from that shoot:

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This one’s a bit of a composite in that I added more hair to it from another photo; the Robin wig I’m wearing here is lovely but it’s quite light and low density so it doesn’t create a lot of movement in shots, and I often take two photos of the wig in  motion and blend them together to give the illusion of more hair as well as something more interesting to look at. I’m also wearing a lot of my Oh My Gauze stuff here, which as usual photographs fabulously (oh, and my shaggy Free People cardigan I paid WAY too much for last year but have worn repeatedly since and therefore don’t regret it).

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Believe it or not, this is also from the same shoot; right at the end of the session I threw on a few other wigs and messed around a little, but I was already tired and uninterested in continuing to pose so nothing was much good at this point. But one night recently I got the itch to edit something, so I pulled this one up and gave it a go. it isn’t bad, but it’s not thrilling either, so I jacked around with the colors a LOT to get something going that I liked. It’s still just OK in my book, but at least it’s worth looking at now (at least I think it is).

Now back to a few more of the new red dress:

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In some of the photos I was actually leaping while in others I sat on stools or chairs which I edited out later; this one was an actual leap. My feet were sticking out at the bottom but I removed them in Photoshop, and I added a little texture to the background just because the black against that bright red looked a bit too stark. But you can definitely see how nicely the dress moves here.

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I’m cheating here, because this is actually a pose I’ve done before, but I liked the shape it created so I edited it anyway. I was actually sitting on an ottoman but it looks like I’m pulling off a nice little plie or something.

That’s all I have for now; tomorrow I am supposed to go out to IAH with my father to watch planes, so I may have some jet shots to share soon. But there’s lots more where these red ones came from, so you’ll be seeing more of those in the future too. If I don’t get back to blogging here before it happens, Merry Christmas to everyone who celebrates it! Even though I’m off I’ve got a busy week ahead with doctor’s appointments and visits with friends, so I’ll be back here when I can.

(Oh, and for anyone who has access to my private blog, I wrote a new post that you can find here. It’s mostly about work and friendships – you know, the usual).

Quick Silver

As I mentioned in my last post, I finally got a chance to put on the full face and take some portraits while I was on vacation last week. So here they are:

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That wig cost about $35 and is called Elveen, by Janet Collection. After a few hours of shooting, the synthetic fiber was starting to frizz and dry out noticeably; I have to comb through a wig every few shots when posing in them because they get thrown around and messed up so much, and brushing isn’t good for even a high-quality synthetic fiber, much less a cheaper one like this. On the plus side, though, the fiber here is heat-friendly so I could probably use a blow dryer or curling iron to smooth out some of the frizz. I wasn’t looking for longevity anyway; I was just so curious about this lovely color that I decided to try one. It is gorgeous; at least for photos. Although as a so-called “ethnic” wig, the lace front is way too dark for me. Moving on.

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Many people who’ve seen these photos have commented on the interesting makeup choice I made here; truth be told I didn’t intend to take all my photos in this wig and had several other costume changes planned, involving far more colorful stuff that would work better with all that orange and gold. However, I got the wig on and started snapping, and everything was just working in it so well that I decided to stick with it; I didn’t end up shooting much in the other wigs and costumes I’d picked out at all.

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This was one of the others I intended to use more – glad I didn’t

I was really surprised that even the makeup application process went smoothly; I found a stock photo online with makeup that inspired me and decided to copy, and even though i didn’t completely go in the direction of the photo, everything from contouring to shading and even applying false lashes went off without a hitch, turning out almost exactly as I planned and without any major screw-ups to correct.

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The photoshoot went the same way; well, at least until I took off the silver Elveen and tried some other hair choices – nothing else worked as well, and I was starting to get tired and bored by that time so my heart wasn’t in it. I tried a few leaping and levitation shots, but I’ve only processed one so far because by the time I got to that point in the shoot (I always save the jumping and movement stuff for last, since it tends to mess up the makeup) I was way too sloppy in my execution for anything to look stellar. Plus, it was really the silver stuff I was interested in processing, and I knew that by that time, so I probably shouldn’t have bothered. I did process one though:

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But back to the silver wig. After some straight up makeup and hair shots, I wanted to play around and create some holiday looks, so I dug out the Christmas stuff I bought last year at Pier One and decided to mess with it a bit:

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When I processed this one, I was annoyed with all that orange and gold glaring at me – although it did really work visually, I wanted to compliment the silver hair and sweater more than all that bright color was able to do. So, I actually used a black and white filter to change the makeup and layered it on over the original shot. Notice I even managed to pull off the stripey eyebrows – yeah I told ya, the makeup all worked out well for some reason this time.

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I was just goofing around here, obviously; I don’t think you can tell but I used Pixlr to add in a bunch of patterns to the ornament. If you look closely you can even see tiny birds flying around in there – those came compliments of a Pixlr filter. And yes, my nails were fabulous.

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One thing I noticed when working with these photos was how nicely neutral the silver was; I could really manipulate color in all sorts of ways and create different looks entirely. The only issue that created was skin tone; I struggled in most of these to keep my skin from going too gray, and in some shots I don’t think I pulled it off very well, but hey, I tried. Skin tone is always a bitch in photos anyway. Here I obviously added a lot of blue, and I even stole the sparkle from the center of the magnolia in my hair and placed it over my real eyes.All that glittery-goodness was added to the sweater in Photoshop, although in real life it does have a bit of shimmer.

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This one wasn’t working for me at all, mostly due to the skin tone issue, until I pulled it into Pixlr and attempted to cover it with some sort of overlay that might disguise the splotchy, odd-colored skin that was bothering me. I often do that with photos I can’t get quite right (I did the same with the one photo with the short blonde hair); I figure if Pixlr can’t save it for me, it probably isn’t worth saving. This overlay was from a very geometrically-shaped collection that I almost never use, but lo and behold this one gave me exactly what I was looking for. It added just the bit of interest I felt it needed, as well as covering up my skin a little and distracting the eye so perhaps no one will notice it’s weirdness.

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I also struggled with lips in this set; mine are quite thin and dry (I often widen/thicken them in post) so this is nothing new, but I made matters worse by choosing to use gold glitter lip liner as lipstick and then outline it with orange – you can see it in the first shot above where I didn’t edit that mess out. For most of my other shots, I changed it in some way, because it looked pretty sloppy. In the photo directly above I just did my best to change the lip color to orange all over, and then soften it. This photo is my favorite, by the way – it’s a composite of three different shots of the wig since there’s no way it has near this much hair. And the wreath wrapped around me is a Pier One prop I used last year, too.

As always, there’s more from this set I want to edit, and it looks like my red dress from China is set to arrive today, so there will, of course, be more coming soon. Although I may not get to the red dress photos until Christmas break. We’ll see!

Camera Nostalgia

This is a picture dump post for the most part – but it’s also one long ramble, so I think the title will make sense in a minute.

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I’m one day into the Thanksgiving break, and I am going to try and take portrait photos tomorrow. I have not done so since school started, because things at work are very busy and very strange. I won’t discuss it here, but suffice it to say that it’s taken a lot of time and mental energy, and I haven’t been up much for full-on photoshoot sessions in quite awhile. While I babble on here, though, I’ll go ahead and upload some older portraits I’ve edited over the past few months since I’ve had nothing new to work with, as well as some flower macros I shot quickly yesterday. Let’s get to it.

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I actually have a jumping/movement/levitation session planned out in my head, but I have to put it off since a shipping snafu means I am not going to get the outfit in time to work with it this week (tomorrow is pretty much the only full day I have to myself). I bought this dress off eBay and it ships from China; I ordered it in plenty of time but the company forgot to ship it for several days which means I won’t get it until the end of the week, when family visits will prevent me from taking any photos. This is the dress in question:

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I’m not even sure it’s going to work; it may not be as flowy as I’d like it to be, but I love the drape-y simplicity of it and that neckline is aces in my opinion. I pictured wearing it with this short, spiky red wig I have and shooting against my gray backdrop, but once I realized it was not going to arrive in time I decided to hang my black backdrop instead, so I could do tomorrow’s shoot with another dress I ordered recently that’s gray (I don’t want to shoot against a gray backdrop while wearing a gray dress). Then I tried on the gray dress and it didn’t fit at all, which made me wish I’d stuck with my original plan and hung the gray one, but it was too late as I’d put the black up already – and hanging backdrops is one of my least favorite things ever, so no way I’m taking it down anytime soon.

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I generally leave a backdrop hanging against my photoshoot wall at all times, but every once in awhile I get the desire to have an office that actually looks like an office and take it down – something I regret doing almost immediately. I forget how often I actually use them until I remove them – as I did a few months ago, which is why you’ve seen so many jumping photos and Stitch Fix shots of me lately set against a bare white wall and my oh-so-unfashionable carpeted floor. I’m glad to get something back up there, even though hanging it was a pain, as always (first you gotta wash and dry it and then yank it out of the dryer when it’s done RIGHT AWAY or else the dreaded wrinkles set in, then you have to get a ladder, a bunch of push pins, and a hammer, and tack that thing up there by first mashing the push pins enough to get them to stick while you grab the hammer – which is hell on your fingers – and then you have to hope the stupid thing stays up with just one pushpin while you move the ladder to the other corner, then hammer the pins in about 30 times to get enough in there to be sure it stays up…but I digress), but I do wish I’d tried the stupid dress on before deciding to hang the black one as I’d much rather have the gray up there. Moving on.

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I admit the new pool has also cut into my photo-time, since I sit in the spa every day for at least 30 minutes to an hour every evening after work. We just had our first cold front come through a few days ago, and it was heavenly to slip into the 102-degree water with steam wafting up all around, feeling toasty warm while the faint smell of chimney smoke is in the air.

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I haven’t been very active on the blog lately for the same reasons I’m not shooting a lot of photos – work takes a lot out of me mentally this year, and life takes up more of my weekends than it used to. My father-in-law needs at least twice-weekly visits, and I go with my husband when I can; my mother has also had two surgeries lately (to replace a knee and then a hip) so I’ve been driving out to visit her as well. My father also just got forced into an early retirement (early for him, anyway – he’s already 71 but had planned to work a few more years) so it is strange having such milestones pass and finally realize that one’s parents truly are getting old. Hearing my perpetually busy father – who always worked at least two jobs when I was growing up and even after I left home, not because he had to, but because he wanted to – and my fairly materialistic mother (not in a bad way, she just always wanted nice things) discussing cutting back and figuring out how to live on their reduced income makes me feel less secure about my own future, for some reason.   Ultimately it makes me feel old as well, which is scary, but still a blessing, if I consider all the people I’ve known who died young and did not get the privilege.

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I guess I’ve been a bit melancholy lately in general; I’ve cut myself loose from some negative people and have been trying to make a better stand for myself when I need to do so (both at home and at work); while speaking up for myself is a good thing, it’s also a little frightening when one is not used to it. I get very paranoid after the fact, thinking that speaking up is ultimately going to lead to loneliness and rejection. In some cases having a voice has led to the end of friendships or work partnerships, but each time the relationships in question were not serving me in a positive way anyway and probably needed to end. It’s all a bit uncomfortable and unfamiliar, but ultimately worthwhile, as I become more accustomed to standing up and speaking out when the situation requires it. All part of getting older, I guess.

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One thing I’d started to notice about my friendships in the past year or so was how much younger most of my close friends were – a good 10 to 15 years younger, in fact – and just wondering why that was the case. Now, I’m not talking about my dear internet friends who might be of any age, but my In Real Life friends I’d go shopping with or talk to on the phone. When the school year started, my program was able to hire two more teachers, both of whom are within a few years of me age-wise, and I immediately found their company so fulfilling and validating in all the ways my younger friends were not. Primarily, there was a lot less drama and a much calmer atmosphere around them as opposed to the fairly competitive, perpetually dissatisfied, and socially hyper-active others I’d associated with for many years.

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Don’t get me wrong – I’ve been as competitive, hyper-active, and dissatisfied as they are in my time. I don’t mean that as judgment of them, or as in any way a generalization of women in their thirties overall – it is more a reflection of who I’ve become in the past year than it is of who they still are. I came to realize that even with the women whom I believed I had a sort of “best friend” connection I was not all that close; my friendships were more about convenience and the safety of staying at surface-level with other people rather than establishing a true connection, if that makes sense. We all kept each other busy and amused and entertained, but we never really got too deep, and in a way, we never really knew each other. I hope none of them read this, though, because it’s not something I ever shared with any of them (and unless you’re at least 15 years younger and live in the same city as me,  you’re not one of them).

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On another note, sometimes I wonder if my passion for photography is waning, and if that is part of the reason I’ve not been shooting as much lately. But then I look back at my blog or my Flickr page and realize that even during this period I’m describing as a “not shooting much” sort of time I’ve taken hundreds upon hundreds of photos and realize that is probably not the case. I just don’t have full days to spend hours putting on makeup and getting into costume and doing the sort of shoots that used to be a weekly occurrence for me, and that’s ultimately okay. There’s only so many ways I can apply my face and pose for photos, so the longer breaks from that are probably a good thing; when doing it all the time I would find myself getting bored every once in awhile anyway.

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My passion for wigs and filming reviews died just as suddenly as it came to life last summer; I’ve been so into buying Lagenlook clothes that I’ve not been able to justify spending money on wigs that I’m really not wearing anyway, plus there’s obviously no time to make reviews. Who knows if I’ll go through another wig phase this summer or not – I can say that with the prices for synthetics going sky-high lately I’m less inclined to go there again, plus by the end of things this summer I found myself reverting to my old Rene of Paris standbys again anyway (Laine, Robin, Angelica). I just cannot with those Jon Renau prices right now, as pretty as some of their new styles are.

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And anyway, blog and Pinterest follower Betzie introduced me to another Lagenlook label that I’m totally focused on right now, just as my Oh My Gauze fixation was calming down (but only because they’ve not introduced any new pieces lately, not because I’m bored with their clothes, which are still fabulous). So I’m sure I’ll be spending more and talking about that in the future – it’s the place from China where I bought the red dress in the photo above, and that outfit is a good representation of what they offer. But unlike OMG they also have SHOES! So far I’ve only bought two pair, but they are amazing. But more about that later.

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To close this out, allow me to share a photo that goes WAY into the past – when I was 12 years old, in fact. The blog I follow that documents the history of the neighborhood where I grew up has slowly been working its way into the years when I and my friends might have appeared in the local newspaper (that is still in business) that regularly reported on the goings-on in our neck of the woods. As such, I knew this next photo was coming soon, and one morning in my email there it was:

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As progress on the blog neared the end of 1982 I knew this photo would show up; in case you can’t tell, I’m the one on the left there with the trendy striped Izod and what appear to be Jordache jeans. Yes, I was a cheerleader, for one year, and I was pretty much awful. I was not popular, or athletic, or into sports at all, and in fact I only made the team because I definitely could yell, and as it may not surprise you to hear, I was a pretty good jumper. I was no acrobat, though, and never could even pull off a decent cartwheel, and every single boy on our eighth grade football team terrified me as I was horribly shy, so while it was a real thrill to hear my name called over the afternoon announcements as one of the winners (we had try out in front of the whole school, a process I somehow survived but to this day I have no idea how) the actual experience of being a cheerleader was pretty unpleasant. It was just not for me – I only tried out in the first place because as a seventh-grader I befriended one of that year’s cheerleaders, and she insisted I do it and then spent two solid months training me. But I was never one to go to football games as a spectator in the first place, much less stand in front of people on the field and cheer, so as a cheerleading role model I was pretty much a bust. And no, those were not our uniforms. I think they took that picture the same day we got nominated, so we didn’t have anything else to wear.

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I don’t know any of those women now, although one of them tried recently to friend me on Facebook; as with most of my old school pals, her FB page consisted mostly of Fox News-type political posts and video links to country-western songs, so I declined. But she was a pretty good gal, back in the day. I guess we all were.

Wigs Over Houston

OK, not really – it’s WINGS Over Houston, but I figured, with the wigs on the site and all…you get the idea.

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B-25 – The Yellow Rose

Going back to October, this year’s Wings Over Houston Airshow was Oct. 17th, and I went with my dad (as usual) and my boss/friend from work. She’s a former employee of US Airways (now part of another airline, can’t remember the name right now) and loves airplanes, too, so it was fun to share the experience with someone else.

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MK959 Spitfire

I told myself that since I wasn’t very satisfied with my aerial pics last time, I’d focus on shooting the planes during the viewing hours of the show, when you can get up close with them before they take off. However, once the planes got in the air I couldn’t help myself, and since I knew a bit more this time about what settings to use on the camera for decent shots, I managed to get some really nice ones this year. I also made sure to try for shots that would be more unique or interesting than the typical stuff everyone else snaps – the two above were taken during a war simulation, and I particularly liked the effect the smoke from the faux-bombs created.

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The Breitling Jet Team – from France

The Thunderbirds were there this year (instead of the Blue Angels who performed in 2014) but my friend and I were wise enough to leave before the final show; my father and I spent over an hour in the shuttle line the year before since we left with everyone else, and since there were two performance jet teams this year, I still got to see some high flyers before we took off. It was a good idea, since it meant we walked right onto a shuttle instead of waiting in line forever.

straight up

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In 2014 I saved my camera strictly for photos of planes in the air and didn’t even take it out when we were wandering around viewing the planes, but since this year I wasn’t planning to take any aerial stuff anyway I took my camera with me to the touring area earlier in the day, and got some nice shots there too:

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Standing beneath the wing of a C-17; one of my favorite shots of the day

I took my telephoto lens again this year, but am considering taking the wide-angle next year; it was hard to get all of the planes in my shots while we were walking around with the zoom lens, and it wasn’t the most convenient lens for these types of shots. We stood in line to tour the inside of the C-17 and my lens was pretty much useless inside it; I could not even get a shot of the cockpit once we got in there because it was so small – and we stood in line for over an hour to get up there! I did get a shot of the stairs leading up to it, though:

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I also got a few shots of one of the servicemen standing in the cockpit and looking out the little round window that overlooks the huge cargo area where we were all waiting in line, but with the lack of indoor light and my inability to get my settings right, all the shots of him looking through it were crappy and blurry. I processed one of the shots, though, and just edited the hell out of it to disguise the fact that it’s a bad photo – I had to process it, because the dude was looking right at me in the shot.

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There was also a nice big United 737 that I took some snaps of; I tried to keep all the crowds of people out of these shots so it might appear that I was actually just getting super-close access to a plane on a runway instead of at an exhibition; for the most part I think I pulled it off:

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Another thing I wanted to try this year was taking pictures of interesting people, as well. There certainly are a lot of them:

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Yes, “interesting” is one way to describe these guys

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I love it when I get to piggyback off someone else’s staged shot; this veteran was posing for someone else so I snuck up behind them and snapped the same photo:

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That’s actually a composite of two shots I took of him; in one, a woman walked into the frame right as I snapped the shot, and her body covered up half the flag. In the other, she wasn’t in the frame, but his features were not as clear and the shot wasn’t quite as focused, so I layered that less-focused shot over the better one and erased the woman’s body out of the frame. And there you go.

Last shot for now – I snapped this one quickly while we were waiting in that hour-long line for the cockpit of the C-17; I snapped a bunch of one-offs through the open cargo doors since there wasn’t much else to do and nothing I could get decent photos of inside, and right after I took this one I looked at it on my LCD screen and realized it was a nice one. How much more alike could these two look anyway?

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Yep, definitely related

I processed this one in black and white because the color just didn’t add anything to it. I especially like the young guy’s shadow on his dad’s (I assume) shirt. They were probably looking up into the cargo hold at all the people standing in line inside and thinking to themselves, why on earth would those idiots stand in line so long just to spend two minutes inside a stuffy cockpit? Well, because we can, dude. That’s why.

I edited most of these shots over the past two days; that’s how busy I’ve been and have just now gotten around to really editing these photos. I’ve decided I need to start dedicating myself to editing at least one photo a night since I’ve got such a backlog of stuff and what I’m really craving is a good old portrait-and-jumping photo session. I don’t want all this other stuff to get completely forgotten, though, so I’m trying to work through it all now. Still lots I’d like to edit from this set, as well as my trip out to IAH back in September, so more planes to come.

Next week – vacation! I can’t believe it’s Thanksgiving already. A whole week off, and I’m going to try and take my portrait shots then.

 

Plane of Pools

Stupid title, I know. I was just trying to think of something to incorporate the two completely unconnected subjects of this post. Because last week, this happened:

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I’ve never been so happy to see concrete in my life. The next step is to clean the interior of the pool and prepare it for the plaster, which will happen today – I’ve been envisioning some really crazy self-portraits in the empty pool wherein I don a ball gown and a snorkel, but unfortunately I’ve caught the first round of crud that circulated around the school  last week (in my case, it’s an upper respiratory infection, but I know others who came down with strep throat) and I feel lousy. I’m not sure I’m going to be up for taking photos for the day or two that the option is available to me, so it may be a sorely missed opportunity, but one I’ll have to let go if I’m still sick. Boo.

I stayed home from work today and went to the doctor for meds, and when that was done I processed more airplane pictures. At first I wasn’t to thrilled with the shots I got last Sunday at the new location; they definitely don’t allow me the super-close proximity the official observation spot provides, but they do allow for a lot more variety, due to my ability to shoot the planes coming all the way up the runway:

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I’m farther away, but getting to snap the planes taking off over buildings or just lifting off the runway is pretty cool, and means I get bored less quickly while processing the shots:

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Of course, I did have to hang out in what appeared at first to be a fairly suspect location to get them:

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Looking back from the dead-end where I parked

For most of the time I was there, I was the only person at this spot:

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My car at the bottom of a hill that provides a nice vantage point to see the planes 

But occasionally other plane-spotters stopped by, although I was the only one who went to the top of the hill:

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So overall, it was a fine place to hang out, although I was pretty nervous at first, thinking it had to be a bad idea to spend time alone at the end of a fairly deserted road behind an airport. I felt plenty safe soon enough, once I realized it really wasn’t as deserted as I thought it was, and appeared in fact to be a little plane-viewing spot for a lot of people with kids who were trying to entertain them and out of ideas, I guess? Moving on. Next time I’ll bring a blanket or something to sit on up there, though, since the grass was pretty high and brushy and it wasn’t too pleasant the times I tried to sit down.

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Severed head in a bag, or discarded Carl’s Jr.? You decide.

I got to this spot around 11:30, I think, and while I mostly shot United planes, I managed to snap a few others before I was done:

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I also had a chance to snap some planes landing on farther runways, and although they were too far away for the shots to be great ones, I did want to capture how close some of them fly over before they land, since it gives me a nice sense of scale:

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And I managed to snap this little bright-yellow Spirit Airlines budget plane (I definitely was able to get better shots of planes landing farther away from me than I can at the Lee Road location, too) :

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And then, of course, were all the United planes:

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That last one really took me by surprise; the little hill I stood on overlooked two runways running parallel to each other, and for the most part they were all taking off from the runway farthest from my location. But this one used the closer of the two, and when it roared up overhead I was actually focused on a different plane and didn’t see this one coming. It’s positioning really gave me a nice shot of it’s underbelly passing over; with the landing gear already retracted.  I guess it took off a longer runway, or something. Moving on.

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SECURITY!

I planned to head for home no later than 1:00, since these runways were fairly busy and by then I’d already taken plenty, but at one on the dot it was as if United opened the floodgates (or plane gates, if you will) and sent an onslaught of airlines taxiing over to take off, and well, it was just too good to walk away from at the time. They must have been taking off two or three minutes behind each other, at the most, so I kept snapping until my 32G CF card filled up. That’s right – 2600 shots of airplanes, people. And many of them are worthy of processing this time! How will I ever get through them all…?

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I mean JUST LOOK AT ALL OF THEM

Of course I’ve got more to share later, but for now this is all I’ve got. Time to go lie down and let that Nyquil I slugged about 20 minutes ago work it’s magic Until next time, y’all!

Sunday Shots

I’ve not taken any self-portraits in quite awhile, but I have been taking photos here and there when I’ve had the chance.

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In fact, now that I look back over what I’ve processed the past few weeks, it’s quite a few shots. A few weeks ago, while out buying groceries for the week, I stopped by the floral department and picked up some flowers to shoot, then spent the rest of Saturday taking photos of them. In the shot above, I was mainly trying to catch the reflection of the petals when the flower was lying on top of a plastic handbag liner I yanked out of one of my purses (it’s a piece of plastic you can insert into a handbag that lacks shape to give it some across the bottom – #themoreyouknow!). It was a challenge to get a whole lot of the reflection into the shot without getting into some really weird framing, but I guess it came out OK.

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Simon ended up in a lot of the shots because, well, that’s how he rolls:

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Sprocket and Penny got into the mix for a bit too:

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I also saw some flowers that were wrapped in netting to keep their shape (no, I don’t know what kind of flowers they were) and I really liked the pink and purple color combination that created, so I took photos of them without taking off the wrapping, although that may actually look stupid. Still, I liked them:

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I unwrapped them eventually, and took some super-macros of the petals:

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Then eventually I ended up putting all sorts of crap on them, just to see how it would look:

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That’s baby powder on the rose above, which I was hoping would look like snow. I also threw some glitter on the pink flowers, but I haven’t processed any of those shots yet. I took about 600 pictures of flowers, then got distracted by work and pool drama and ended up not processing nearly enough of them. For about a week there I didn’t process any shots at all, although lately I’ve had time to work with about one each night. This is the last flower shot I’ve had a chance to edit so far, but I know there will be more to come from this set later:

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Then, at one point during all the pool construction drama, I looked in the back yard and this tipped-over, mud-covered wheelbarrow caught my eye; I thought it’d make a good picture, so although it was already dusk I grabbed my camera and braved a trip into the muck to get a few shots. My husband almost had a cow when he looked out the window and saw me crawling around back there, because he knows what a klutz I am and how easily I can hurt myself just walking into a room, much less wandering around a construction area with a camera. But, I survived, and got a few cool shots out of the deal:

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I have a few more, of course, to process from this set (don’t I always?) but I have yet to get to them, either.

Now, if I thought Doug would have a cow about me scavenging around in our backyard with a half-constructed pool in the vicinity, he would have really flipped his lid if he’d seen where I was hanging out this past Sunday:

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I drove out to my usual planespotting location at IAH Sunday morning, but when I got there I realized I’d mis-read my flightradar24 app in thinking the airport was utilizing that runway for arrivals, and in fact there were no planes at all flying in that direction. Since it was early and I was already out there, I decided to be a little brave and try to find a second planespotting location I’d read about – I’d always been wary to try it out before because I’d heard you had to call airport security to let them know when you were there, and that alone sounded sketchy enough to me to discourage the trip. Plus, it’s not uncommon for the areas around an airport to be less than ideal locations to start with, and since I’m always by myself when I take plane pics I’d been a bit chicken to give it a try. But I was feeling up for it this time, plus I’d driven all that way and didn’t want the drive to be a total bust, so I found the dead-end road that stopped right up against two runway fences, made the airport security call, and got to work.

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These two runways are used mainly for departures, and they were pretty busy, although mostly with United planes – I didn’t get very many unusual planes this time. I did get some new angles than what I can get from the official observation lot, but the planes are farther away, so I was once again feeling the limitations of the 70-200 lens. It did the job, but I would have been happier had I been able to get closer. And the clarity isn’t the greatest either; I think I had the ISO setting too low this time. Still, the weather was nice, and it ended up being a fine place to shoot although, as I said, my husband probably would have freaked out had he known I’d driven to a dead-end road, parked the car, and hiked up a hill all alone to take plane photos! Actually, while I was up there I saw a lot of cars come and go; mostly people with kids taking a moment or two to watch some planes take off, but still. When I really stopped to think about it, it probably wasn’t the wisest decision. Not to say I won’t go back, of course.

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I say this so much you can probably all say it along with me by now, but once again: this is all I’ve had time to process from this set  so far, so there will be more to come. Although I haven’t been able to get dolled up lately for a selfie shoot, at least I do have a lot of photos to work with when I get a spare minute here or there.

Okay, tomorrow’s Monday, so let’s get back to it.

Photo Finish

Work started back up last Tuesday, and quite honestly it was a welcome change. I actually started getting bored that last week off, so I wasn’t bummed out about having to go back. The first month of school is always a crazy one, so posts may be sparse for awhile, and I’ve not taken a lot of photos lately either – but I do have a few new ones to share. So let’s get to it.

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This macro is from an older set – I believe I shot these back in February, or something.Yep, I’ve been digging into the older stuff again, since new photos are scarce at the moment. Still, it’s nice to go back through older sets and find a few more gems to edit. I take thousands of photos a year, so it’s good to let some older ones get some love.

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The wig is Miranda by Amore, if you’re interested

I bought the mustache back in May, and just never got around to using it before now. I had ideas for using it that didn’t work out; so I basically just threw on different wigs and necklaces and made goony faces. It was a quick shoot – well, aside from the almost two hours it took me to apply makeup, that is. Speaking of which, I was pretty disappointed with my makeup in this shoot. For two hours of work, I sure didn’t turn out to look a lot different than I do in most of my photos. The goal is always to transform myself, but lately my makeup skills have plateaued, and no matter what I start out trying to achieve, the end result is coming out pretty much the same every time. Not that I’m displeased with how I look in general, but when I first started using drag makeup it was always thrilling to see how I turned out in the final shots. Now, not so much, because I pretty much know what I’m going to look like before I even start. If I were more skilled I could really use makeup to create completely different looks each time, but as I said, I think I’ve reached the limit of my skills in this area.

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Hair = Angelica by Noriko

I don’t really care for this one all that much; the focus wasn’t as crisp as I would have liked and I over-softened my skin so it looks a bit phony. Plus the mustache didn’t look nearly as good as I’d hoped it would; for starters I spent so long on makeup that ended up disappointing me that I just was NOT in the mood to mess with spirit gum and take the time to apply the mustache properly, so it’s just stuck on my face with double-stick tape, which means it fell off a lot and in all my re-applying it went crooked in a lot of the shots. Aside from that, it just looks more fake than I wanted it to – too dark and those weird blunt ends look really lame. This one is a little better:

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Another Angelica wig

But…it’s kinda too serious for the mustache to work. I was hoping to seriously emulate some of the lovely bearded drag queens I’ve seen, but meh. It just didn’t really work. I think if I edit any more of these, I’ll stick to the sillier ones, like the first one I shared. So far, that one’s my favorite. Oh, and I was playing around with my new pop-up backdrop I got in a few weeks ago; so now I can have a black or white background in a snap instead of having to hang something on my wall. I already had a gray one and I quite love it, so the black and white one was a good addition to my arsenal. Thinking of getting some of the mottled pop-ups, too, since they’re not terribly expensive, do not wrinkle, and are so easy to use. Not big enough to use in full-body shots, but great for portrait work!

I did go a little processing-happy with this one, but it seemed to work:

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I was thinking a bit of Terry Gilliam-esque cartoonery with this shot; not sure I achieved that but it does look more like animation than a real-life shot anyway. And yeah, there’s the crooked mustache again.

I’ve been way into portraits for quite a few months now and have not done much full-body work or movement shots, but my photography pendulum is swinging back in that direction. Spending so much time on prep work for these portraits has become tiresome, and I’m running out of stuff to do when posing again. No worries, though, it’s just may be time for me to find some other way to get inspired. I’m sure something will come to me soon enough. In fact, today I decided to head out to IAH for more planespotting, since that is always a fun photography diversion for me, but in the end it was too damn hot (we did, in fact, have a heat advisory today) so I blew it off.

The kids come back this coming Thursday, then it’s off to the races for the rest of August. I’ll get back to uploading wig reviews soon enough, though, so until then, take care everyone!

Drag Days of Summer, Part Two

OK, here we go with the actual photos! The ones I’ve had a chance to edit, at least, from Wednesday’s shoot. But first:

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I actually have some shots to share from June that I never posted. First up is a few more with this fab striped skirt I got from The Gap – it really photographs well!

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That was actually what I call an “unjump,” meaning an attempted jump shot that I timed wrong and did not capture properly. Both the unjump above and the next one are also composites – the top half of me is from one shot while the bottom half is from another:

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In both cases, I just didn’t like something that was going on in the top half (I think in one my hair was completely covering my face and in the other I just didn’t look too graceful) so I did my best to layer two different shots together. Took a long time, but I think I pulled it off OK.

Also, not gonna lie – in the shot directly above, the shadows were hitting my face in an unflattering manner, causing my nose to look unnaturally big. So, I used Photoshop to make it thinner. Then, I realized my eyes looked wonky with the thinner nose, so I worked some more magic to move them a leeeeetle father apart from each other, and thus  balancing them with the nose. Have you ever heard how if you try to get plastic surgery on one part of your face, you often have to alter another to make it look right? Well, that’s kinda what happened here, only, not permanent. Still, in the end I look a bit less like myself than normal, but whatevs. I already had a torso from one shot and the legs of a different one, so why stop there, right? Moving on.

Here’s another shot I took of Robin when I was messing around with her after making my video review:

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As in the last shot I shared, this one is also two different pics of the wig combined to give it more interesting movement. And lately I’ve been experimenting with some softer light filters than I’ve ever used before; I’m in a phase of feeling less insistent on absolute clarity and trying out softer looks. Who knows why. Always something to change up.

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This is a shot I took of Brandi during the same shoot where I took the Robin pics (obviously, since the clothing is the same). Brandi is much more full, so I didn’t need to layer two photos together to get that much movement. One more from this set, this time ridiculously Pixlr‘ed:

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The original pic was out of focus, but I really liked how it looked in spite of that; there was a really nice shape to the flowing hair, so I chose to work with it anyway. I think I may have over-done the Pixlr overlays, but they have added so many cool ones lately I kind of can’t stop tinkering (I love the ‘mermaid’ and ‘candyminimal’ ones in particular). Speaking of overdoing it with Pixlr:

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I’d really started to get bored with June’s shots by this time, and dug back into the ol’ archives to find something else to edit. In the end it felt a bit boring, so I ran it through the Pixlr grinder also. Another old one I worked with that I did NOT Pixlr-fy was this one:

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That’s one of my favorite photo wigs, even though I tried to trim the bangs myself and really jacked them up. Not too noticeable when I’m throwing the wig around, fortunately.

Okay, so now on to the most recent stuff:

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I already mentioned the makeup process I went through for this shoot, so can we talk about this sweater now? I got this from my favorite online store for vintage costume-like goodies, The Kissing Tree. Whenever I’m feeling a little bored with my current stash of costumes I go check them out (usually at their eBay store), and when I came across this thing I knew I’d found my next purchase. It is perfect for portraits because there’s so much going on, it can be used in many different ways even within the same shoot without it really looking like it’s the same sweater every time. It has a great feathery collar, and I love love LOVE clothing with texture; the sleeves are not only striped BUT they have little fabric balls AND beads AND rhinestones – fabulous! Just moving my arms around in interesting ways make very unique pictures – like this:

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Then, for added fun, it also has that huge heart right in the middle. I didn’t actually use this sweater in nearly as many ways as I could have in this set, but I love any article of clothing that lends itself to a lot of different looks just by positioning the body in different ways. And at $34 it was a steal. The only downside is that it’s a sweater, and a heavy one at that, so for taking photos under bright lights in July in a small studio with tons of windows, it can get pretty hot, but I just stuck on some shorts and did the best I could – most of the shots I took were portraits; I spent two hours on that makeup and I was determined to get the most out of it! So for most of the shots wearing shorts that in no way matched the top was fine.

To maximize the shoot, I also made as many wig changes as possible:

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See what I mean about that sweater? This photo doesn’t even look like it’s from the same shoot! And there’s that softer lighting again. One thing I did differently this time was really neutralize a lot of the color in the RAW files so that I didn’t get some of the blown-out brightness and discoloration I tend to get when processing, but I think that resulted in my face looking too white later. That, and the fact that I used too much highlighting on my face when applying the makeup. Anyway, that led to me having to add some detail into the shots using shadows and filters, and I think I leaned towards softer light effects to help soften the face overall. If any of that makes sense. Also, my blending wasn’t great so I spent a lot of time smoothing out that eyeshadow, and I messed around with my nose a lot in most of the shots. I found that enlarging my nostrils just a bit really changed how I looked, so I did a lot of little tweaking like that here and there just to accentuate the drag-effect I was going for. Kind of the same technique I used for this one:

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My face came out REALLY white in this one so again, the softer light helped to add some dimension and detail back to my face. And who knew that Rene of Paris Caitlyn would make such a great photography wig? I almost sold it, but in the end I decided against it because t was inexpensive and I thought it MIGHT be good for photos – that sure was a good call, because I LOVE how it looked in this set. I’ve been gravitating towards short wigs lately for photoshoots anyway, especially when I’ve just spent two hours on my makeup; they are so much easier to work with when posing, and they stay out of the face. I can’t get all that good flowy motion I love, so there’s always a tradeoff, but especially with the summer heat the shorties are definitely a good option to have.

They don’t look as good for jumping, though,but it was pretty hot in the sweater already so I stuck with Caitlyn for my leaps – which really weren’t leaps but levitations:

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For this one I was leaning over a stool, then I layered that over a blank shot I took of the background so I could erase the stool out of the shot. This was mainly tricky because of the hand I was leaning on in the original:

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That hand was a real giveaway; it did not look at all natural when I was “floating” and made it obvious I’d been leaning on something, so I went back to my other shots from this point in the set, and found a hand I thought I could layer over the original one. However, THAT hand had all my fingers spread apart, and it was an absolute bitch to essentially cut and paste properly without the edges of the fingers looking really unnatural and obvious. I am not sure why it took me so long to give up on that hand and just go find another one; I think I spent something like four hours working on this photo and a good two of those hours were dealing with that stupid hand! In fact I gave up for the night eventually and returned to it the next day – at which point the solution became obvious, which was, duh, go find another hand.

Funnily enough, the hand I used ended up being the original hand from the next shot I processed; I didn’t notice that until I was editing this shot and working to erase the stool and had to maneuver around the hand again and thought, hey, this is as easy as it was working with that hand in my other shot – oh hey! It’s the same hand! Hi, Hand!

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So now you can scroll up to the first levitation shot and see the same exact hand in that one as is here. Isn’t that completely uninteresting? And aren’t you glad I spent an entire paragraph and half talking about it? Of course you are. And in this shot, I was once again posing on a stool in the original, and used the same blank backdrop shot to layer over. My lips were also wonky in the shot, and in trying to fix the wonkiness I made them huge, then decided I kinda liked how they looked and kept them. Oh, and shadows. They’ve been a bitch for me ever since I started trying to edit them into levitation shots to make them look real, and I finally figured out a strategy that works for me. Instead of using the burn tool with a fairly small brush and drawing an outline around myself, I just make the thing HUGE and slap it over the entire subject several times, then erase the shadows from my body and reduce the opacity, and BAM. A nice shadow every time!

In yesterday’s post, I mentioned that I was playing around with lighting throughout this set, too (remember, I spent two hours on that makeup and was determined to get as many different looks as I could out of this shoot!). In most of the shots I had my Speedlight attached to the camera and bounced off the ceiling for some nice soft light, but occasionally I’d attach a light bender to it and aim bright light directly at my face for a different look:

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Much harsher shadows behind me, and a lot less shadows on my face with a much brighter light. It’s a harsher look, and overall I don’t care for this effect as much as I do the softer ones, but for something different it’ll do.

And to sum up for now (who knows how many more of these I’ll edit – I have a few wigs and looks I haven’t even processed yet) here’s one last wig change:

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That wig is called “Sava” and I think it was made by Vanessa Wigs. I’ve gotten more photographic use out of that $20 wig than many of my costlier ones; it’s interesting, it’s easy to wear, and it works with so many different looks, believe it or not. Great wig. And those are some older Zenni Optical glasses I got and kept even though they are no  longer the right prescription, because they’re awesome.

Whoo I am all out of words! Which is great, because I’m also all out of photos for now. More to come though, as well as some new wig reviews: Camille by TressAllure (which is really Shilo by Noriko, but with a lace front); Miranda by Amore; Stevie by Amore; Kenzie by Noriko; an updated Code Mono by Ellen Wille; a Seville in Macadamia-LR by Noriko; a May by Noriko; and another Noriko Angelica (also in Macadamia-LR). Sheesh, did I really just admit to buying all of those?! As I may have said before, it’s my birthday this month, so I partied it up a little early with my purchasing. School starts in two weeks anyway, and I know my wig reviewing will either calm WAY down or possibly grind to a complete halt, so I’m getting it all in while I still can! Never fear though – I still have oodles of old vids to upload, so that should continue to either annoy or entertain you through the first semester, at least.

Oh and also – my July Stitch Fix will be here Wednesday, so that’s happening too. What can I say, folks – stay tuned!